The Martian

Part 1

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THE MARTIAN

A Novel

BY GEORGE DU MAURIER

AUTHOR OF "TRILBY" "PETER IBBETSON"

WITH ILLUSTRATIONS BY THE AUTHOR

"Après le plaisir vient la peine; Après la peine, la vertu"--Anon

NEW YORK HARPER & BROTHERS PUBLISHERS 1897

By GEORGE DU MAURIER.

TRILBY. Illustrated by the Author. Post 8vo, Cloth, Ornamental, $1 75; Three-quarter Calf, $3 50; Three-quarter Crushed Levant, $4 50.

PETER IBBETSON. With an Introduction by his Cousin, Lady ***** ("Madge Plunket"). Edited and Illustrated by George du Maurier. Post 8vo, Cloth, Ornamental, $1 50; Three-quarter Calf, $3 25; Three-quarter Levant, $4 25.

ENGLISH SOCIETY. Sketched by George du Maurier. With an Introduction by William Dean Howells. Oblong 4to, Cloth, Ornamental, $2 50.

Published BY HARPER & BROTHERS, New York.

Copyright, 1896, 1897, by Harper & Brothers.

All rights reserved.

LIST OF ILLUSTRATIONS

PORTRAIT OF GEORGE DU MAURIER Frontispiece INSTITUTION F. BROSSARD 7 THE NEW BOY 11 A LITTLE PEACE-MAKER 17 LOUD RUNSWICK AND ANTOINETTE JOSSELIN 29 "'QUEL AMOUR D'ENFANT!'" 33 "AMIS, LA MATINÉE EST BELLE" 51 "TOO MUCH 'MONTE CRISTO,' I'M AFRAID" 55 LE PÈRE POLYPHÈME 71 FANFARONNADE 79 MÉROVÉE RINGS THE BELL 85 "WEEL MAY THE KEEL ROW" 107 A TERTRE-JOUAN TO THE RESCUE! 113 MADEMOISELLE MARCELINE 115 "'IF HE ONLY KNEW!'" 117 "'MAURICE AU PIQUET!'" 121 "QUAND ON PERD, PAR TRISTE OCCURRENCE," ETC. 127 THREE LITTLE MAIDS FROM SCHOOL (1853) 139 SOLITUDE 149 "'PILE OU FACE--HEADS OR TAILS?'" 153 "A LITTLE WHITE POINT OF INTERROGATION" 159 "'BONJOUR, MONSIEUR BONZIG'" 171 "'DEMI-TASSE--VOILÀ, M'SIEUR'" 179 PETER THE HERMIT AU PIQUET 187 "THE CARNIVAL OF VENICE" 197 "'À VOUS, MONSIEUR DE LA GARDE!'" 207 "'I AM A VERY ALTERED PERSON!'" 213 "THE MOONLIGHT SONATA" 227 ENTER MR. SCATCHERD 237 BARTY GIVES HIMSELF AWAY 243 SO NEAR AND YET SO FAR 245 "'HÉLAS! MON JEUNE AMI ...'" 251 "'YOU ASK ME WHY I LOOK SO PALE?'" 277 "'YOU DON'T MEAN TO SAY YOU'RE GOING TO PAINT FOR HIRE!'" 281 "'HE MIGHT HAVE THROWN THE HANDKERCHIEF AS HE PLEASED'" 287 DR. HASENCLEVER AND MRS. BLETCHLEY 305 "'MARTIA, I HAVE DONE MY BEST'" 311 AM RHEIN 315 "'DOES SHE KNOW YOU'RE VERY FOND OF HER?'" 319 "LEAH WAS SUMMONED FROM BELOW" 333 "BETWEEN TWO WELL KNOWN EARLS" 341 "LE DERNIER DES ABENCERRAGES" 345 "SARDONYX" 355 "'RATAPLAN, RATAPLAN'" 359 "'HE PRESENTS ME FIRST TO MADAME JOSSELIN'" 387 "'I DON'T THINK I EVER HEARD HIM MENTION YOUR NAME'" 401 "'I'M A PHILISTINE, AND AM NOT ASHAMED'" 411 "'ZE BRINCESS VOULD BE SO JARMT'" 431 MARTY 453

THE MARTIAN

"BARTY JOSSELIN IS NO MORE...."

When so great a man dies, it is generally found that a tangled growth of more or less contentious literature has already gathered round his name during his lifetime. He has been so written about, so talked about, so riddled with praise or blame, that, to those who have never seen him in the flesh, he has become almost a tradition, a myth--and one runs the risk of losing all clew to his real personality.

This is especially the case with the subject of this biography--one is in danger of forgetting what manner of man he was who has so taught and touched and charmed and amused us, and so happily changed for us the current of our lives.

He has been idealized as an angel, a saint, and a demigod; he has been caricatured as a self-indulgent sensualist, a vulgar Lothario, a buffoon, a joker of practical jokes.

He was in reality the simplest, the most affectionate, and most good-natured of men, the very soul of honor, the best of husbands and fathers and friends, the most fascinating companion that ever lived, and one who kept to the last the freshness and joyous spirits of a school-boy and the heart of a child; one who never said or did an unkind thing; probably never even thought one. Generous and open-handed to a fault, slow to condemn, quick to forgive, and gifted with a power of immediately inspiring affection and keeping it forever after, such as I have never known in any one else, he grew to be (for all his quick-tempered impulsiveness) one of the gentlest and meekest and most humble-minded of men!

On me, a mere prosperous tradesman, and busy politician and man of the world, devolves the delicate and responsible task of being the first to write the life of the greatest literary genius this century has produced, and of revealing the strange secret of that genius, which has lighted up the darkness of these latter times as with a pillar of fire by night.

This extraordinary secret has never been revealed before to any living soul but his wife and myself. And that is one of my qualifications for this great labor of love.

Another is that for fifty years I have known him as never a man can quite have known his fellow-man before--that for all that time he has been more constantly and devotedly loved by me than any man can ever quite have been loved by father, son, brother, or bosom friend.

Good heavens! Barty, man and boy, Barty's wife, their children, their grandchildren, and all that ever concerned them or concerns them still--all this has been the world to me, and ever will be.

He wished me to tell the absolute truth about him, just as I know it; and I look upon the fulfilment of this wish of his as a sacred trust, and would sooner die any shameful death or brave any other dishonor than fail in fulfilling it to the letter.

Part 2

The responsibility before the world is appalling; and also the difficulty, to a man of such training as mine. I feel already conscious that I am trying to be literary myself, to seek for turns of phrase that I should never have dared to use in talking to Barty, or even in writing to him; that I am not at my ease, in short--not me--but straining every nerve to be on my best behavior; and that's about the worst behavior there is.

Oh! may some kindly light, born of a life's devotion and the happy memories of half a century, lead me to mere naturalness and the use of simple homely words, even my own native telegraphese! that I may haply blunder at length into some fit form of expression which Barty himself might have approved.

One would think that any sincere person who has learnt how to spell his own language should at least be equal to such a modest achievement as this; and yet it is one of the most difficult things in the world!

My life is so full of Barty Josselin that I can hardly be said to have ever had an existence apart from his; and I can think of no easier or better way to tell Barty's history than just telling my own--from the days I first knew him--and in my own way; that is, in the best telegraphese I can manage--picking each precious word with care, just as though I were going to cable it, as soon as written, to Boston or New York, where the love of Barty Josselin shines with even a brighter and warmer glow than here, or even in France; and where the hate of him, the hideous, odious odium theologicum--the sæva indignatio of the Church--that once burned at so white a heat, has burnt itself out at last, and is now as though it had never been, and never could be again.

P. S.--(an after-thought):

And here, in case misfortune should happen to me before this book comes out as a volume, I wish to record my thanks to my old friend Mr. du Maurier for the readiness with which he has promised to undertake, and the conscientiousness with which he will have performed, his share of the work as editor and illustrator.

I also wish to state that it is to my beloved god-daughter, Roberta Beatrix Hay (née Josselin), that I dedicate this attempt at a biographical sketch of her illustrious father.

Robert Maurice.

Part First

"De Paris à Versailles, loo, là, De Paris à Versailles-- Il y a de belles allées, Vive le Roi de France! Il y a de belles allées, Vivent les écoliers!"

One sultry Saturday afternoon in the summer of 1847 I sat at my desk in the junior school-room, or salle d'études des petits, of the Institution F. Brossard, Rond-point de l'Avenue de St.-Cloud; or, as it is called now, Avenue du Bois de Boulogne--or, as it was called during the Second Empire, Avenue du Prince Impérial, or else de l'Impératrice; I'm not sure.

There is not much stability in such French names, I fancy; but their sound is charming, and always gives me the nostalgia of Paris--Royal Paris, Impérial Paris, Republican Paris!... whatever they may call it ten or twelve years hence. Paris is always Paris, and always will be, in spite of the immortal Haussmann, both for those who love it and for those who don't.

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