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Part 41

The Martian · George Du Maurier — chapter 41 of 120 · ~1,243 words · public domain

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"Oh, I resign my claim; she's not for the likes o' me. You're going to be a great capitalist--a citizen of credit and renown. I'm Mr. Nobody, of nowhere. Go in and win, my boy; you have my best wishes. If I can scrape together enough money to buy myself a white waistcoat and a decent coat, I'll be your best man; or some left-off things of yours might do--we're about of a size, aren't we? You've become très bel homme, Bob, plutôt bel homme que joli garçon, hein? That's what women are fond of; English women especially. I'm nowhere now, without my uniform and the rest. Is it still Skinner who builds for you? Good old Skinner! Mes compliments!"

This simple little speech took a hidden weight off my mind and left me very happy. I confided frankly to the good Barty that no Sally in any alley had ever been more warmly adored by any industrious young London apprentice than was Leah Gibson by me!

"Ça y est, alors! Je te félicite d'avance, et je garde mes larmes pour quand tu seras parti. Allons dîner chez Babet: j'ai soif de boire à ton bonheur!"

Before I left we met an English artist he had known at the British Museum--an excellent fellow, one Walters, who took him under his wing, and was the means of his entering the atelier Troplong in the Rue des Belges as an art student. And thus Barty began his art studies in a proper and legitimate way. It was characteristic of him that this should never have occurred to him before.

So when I parted with the dear fellow things were looking a little brighter for him too.

All through the winter he worked very hard--the first to come, the last to go; and enjoyed his studio life thoroughly.

Such readers as I am likely to have will not require to be told what the interior of a French atelier of the kind is like, nor its domestic economy; nor will I attempt to describe all the fun and the frolic, although I heard it all from Barty in after-years, and very good it was. I almost felt I'd studied there myself! He was a prime favorite--"le Beau Josselin," as he was called.

He made very rapid progress, and had already begun to work in colors by the spring. He made many friends, but led a quiet, industrious life, unrelieved (as far as I know) by any of those light episodes one associates with student life in Paris. His principal amusements through the long winter evenings were the café and the brasserie, mild écarté, a game at billiards or dominoes, and long talks about art and literature with the usual unkempt young geniuses of the place and time--French, English, American.

Then he suddenly took it into his head to go to Antwerp; I don't know who influenced him in this direction, but I arranged to meet him there at the end of April--and we spent a delightful week together, staying at the "Grand Laboureur" in the Place de Meer. The town was still surrounded by the old walls and the moat, and of a picturesqueness that seemed as if it would never pall.

Twice or three times that week British tourists and travelers Landed at the quai by the Place Verte from The Baron Osy--and this landing was Barty's delight.

The sight of fair, fresh English girls, with huge crinolines, and their hair done up in chenille nets, made him long for England again, and the sound of their voices went nigh to weakening his resolve. But he stood firm to the last, and saw me off by The Baron. I felt a strange "serrement de coeur" as I left him standing there, so firm, as if he had been put "au piquet" by M. Dumollard! and so thin and tall and slender--and his boyish face so grave. Good heavens! How much alone he seemed, who was so little built to live alone!

It is really not too much to say that I would have given up to him everything I possessed in the world--every blessed thing! Except Leah--and Leah was not mine to give!

Now and again Barty's face would take on a look so ineffably, pathetically, angelically simple and childlike that it moved one to the very depths, and made one feel like father and mother to him in one! It was the true revelation of his innermost soul, which in many ways remained that of a child even in his middle age and till he died. All his life he never quite put away childish things!

I really believe that in bygone ages he would have moved the world with that look, and been another Peter the Hermit!

He became a pupil at the academy under De Keyser and Van Lerius, and worked harder than ever.

He took a room nearly all window on a second floor in the Marché aux oeufs, just under the shadow of the gigantic spire which rings a fragment of melody every seven minutes and a half--and the whole tune at midnight, fortissimo.

He laid in a stock of cigars at less than a centime apiece, and dried them in the sun; they left as he smoked them a firm white ash two inches long; and he grew so fond of them that he cared to smoke nothing else.

He rose before the dawn, and went for a swim more than a mile away--got to the academy at six--worked till eight--breakfasted on a little roll called a pistolet, and a cup of coffee; then the academy again from nine till twelve--when dinner, the cheapest he had ever known, but not the worst. Then work again all the afternoon, copying old masters at the Gallery. Then a cheap supper, a long walk along the quais or ramparts or outside--a game of dominoes, and a glass or two of "Malines" or "Louvain"--then bed, without invading hordes; the Flemish are as clean as the Dutch; and there he would soon smoke and read himself to sleep in spite of chimes--which lull you, when once you get "achimatized," as he called it, meaning of course to be funny: a villainous kind of fun--caught, I fear, in Barge Yard, Bucklersbury. It used to rain puns in the City--especially in the Stock Exchange, which is close to Barge Yard.

It was a happy life, and he grew to like it better than any life he had led yet; besides, he improved rapidly, as his facility was great--for painting as for everything he tried his hand at.

He also had a very agreeable social existence.

One morning at the academy, two or three days after his arrival, he was accosted by a fellow-student--one Tescheles--who introduced himself as an old pupil of Troplong's in the Rue des Belges. They had a long chat in French about the old Paris studio. Among other things, Tescheles asked if there were still any English there.

"Oui"--says Barty--"un nommé Valtères"....

Barty pronounced this name as if it were French; and noticed that Tescheles smiled, exclaiming:

"Parbleu, ce bon Valtères--je l'connais bien!"

Next day Tescheles came up to an English student called Fox and said:

"Well, old stick-in-the-mud, how are you getting on?"

"Why, you don't mean to say you're an Englishman?" says Barty to Tescheles.

"Good heavens! you don't mean to say you are! fancy your calling poor old Walters Vàltères!"

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