Part 79

Physical pain and the origin of evil seem the only questions with which he has not been able to grapple. And yet if those difficulties are ever dealt with and mastered and overcome for us it can only be by some follower of Barty's methods.

It is true, no doubt, that through him suicide has become the normal way out of our troubles when these are beyond remedy. I will not express any opinion as to the ethical significance of this admitted result of his teaching, which many of us still find it so hard to reconcile with their conscience.

Then, by a dexterous manipulation of our sympathies that amounts to absolute conjuring, he has given the death-blow to all cruelty that serves for our amusement, and killed the pride and pomp and circumstance of glorious sport, and made them ridiculous with his lusty laugh; even the bull-fights in Spain are coming to an end, and all through a Spanish translation of Life-blood. All the cruelties of the world are bound to follow in time, and this not so much because they are cruel as because they are ridiculous and mean and ugly, and would make us laugh if they didn't make us cry.

And to whom but Barty Josselin do we owe it that our race is on an average already from four to six inches taller than it was thirty years ago, men and women alike; that strength and beauty are rapidly becoming the rule among us, and weakness and ugliness the exception?

He has been hard on these; he has been cruel to be kind, and they have received notice to quit, and been generously compensated in advance, I think! Who in these days would dare to enter the holy state of wedlock unless they were pronounced physically, morally, and mentally fit--to procreate their kind--not only by their own conscience, but by the common consent of all who know them? And that beauty, health, and strength are a part of that fitness, and old age a bar to it, who would dare deny?

I'm no Adonis myself. I've got a long upper lip and an Irish kink in my nose, inherited perhaps from some maternally ancestral Blake of Derrydown, who may have been a proper blackguard! And that kink should be now, no doubt, the lawful property of some ruffianly cattle-houghing moonlighter, whose nose--which should have been mine--is probably as straight as Barty's. For in Ireland are to be found the handsomest and ugliest people in all Great Britain, and in Great Britain the handsomest and ugliest people in the whole world.

Anyhow, I have known my place. I have not perpetuated that kink, and with it, possibly, the base and cowardly instincts of which it was meant to be the outward and visible sign--though it isn't in my case--that my fellow-men might give me a wide berth.

Leah's girlish instinct was a right one when she said me nay that afternoon by the Chelsea pier--for how could she see inside me, poor child? How could Beauty guess the Beast was a Prince in disguise? It was no fairy-tale!

Things have got mixed up; but they're all coming right, and all through Barty Josselin.

And what vulgar pride and narrownesses and meannesses and vanities and uglinesses of life, in mass and class and individual, are now impossible!--and all through Barty Josselin and his quaint ironies of pen and pencil, forever trembling between tears and laughter, with never a cynical spark or a hint of bitterness.

How he has held his own against the world! how he has scourged its wickedness and folly, this gigantic optimist, who never wrote a single line in his own defence!

How quickly their laugh recoiled on those early laughers! and how Barty alone laughed well because he laughed the last, and taught the laughers to laugh on his side! People thought he was always laughing. It was not so.

Part Ninth

"Cara deûm soboles, magnum Jovis incrementum."

--Virgil.

The immense fame and success that Barty Josselin achieved were to him a source of constant disquiet. He could take neither pride nor pleasure in what seemed to him not his; he thought himself a fraud.

Yet only the mere skeleton of his work was built up for him by his demon; all the beauty of form and color, all the grace of movement and outer garb, are absolutely his own.

It has been noticed how few eminent men of letters were intimate with the Josselins, though the best among them--except, of course, Thomas Carlyle--have been so enthusiastic and outspoken in their love and admiration of his work.

He was never at his ease in their society, and felt himself a kind of charlatan.

The fact is, the general talk of such men was often apt to be over his head, as it would have been over mine, and often made him painfully diffident and shy. He needn't have been; he little knew the kind of feeling he inspired among the highest and best.

Why, one day at the Marathonæum, the first and foremost of them all, the champion smiter of the Philistines, the apostle of culture and sweetness and light, told me that, putting Barty's books out of the question, he always got more profit and pleasure out of Barty's society than that of any man he knew.

"It does me good to be in the same room with him; the freshness of the man, his voice, his aspect, his splendid vitality and mother-wit, his boyish spirit, and the towering genius behind it all. I only wish to goodness I was an intimate friend of his as you are; it would be a liberal education to me!"

But Barty's reverence and admiration for true scholarship and great literary culture in others amounted to absolute awe, and filled him with self-distrust.

There is no doubt that until he was universally accepted, the crudeness of his literary method was duly criticised with great severity by those professional literary critics who sometimes carp with such a big mouth at their betters, and occasionally kill the Keatses of this world!

In writing, as in everything else, he was an amateur, and more or less remained one for life; but the greatest of his time accepted him at once, and laughed and wept, and loved him for his obvious faults as well as for his qualities. Tous les genres sont bons, hormis le genre ennuyeux! And Barty was so delightfully the reverse of a bore!

Dear me! what matters it how faultlessly we paint or write or sing if no one will care to look or read or listen? He is all fault that hath no fault at all, and we poor outsiders all but yawn in his face for his pains.

They should only paint and write and sing for each other, these impeccables, who so despise success and revile the successful. How do they live, I wonder? Do they take in each other's washing, or review each other's books?

It edifies one to see what a lot of trouble these deriders of other people's popularity will often take to advertise themselves, and how they yearn for that popular acclaim they so scornfully denounce.