So the late autumn of that year found Barty and his aunt at Malines, or Mechelen, as it calls itself in its native tongue.
They had comfortable lodgings of extraordinary cheapness in one of the dullest streets of that most picturesque but dead-alive little town, where the grass grew so thick between the paving-stones here and there that the brewers' dray-horses might have browsed in the "Grand Brul"--a magnificent but generally deserted thoroughfare leading from the railway station to the Place d'Armes, where rose still unfinished the colossal tower of one of the oldest and finest cathedrals in the world, whose chimes wafted themselves every half-quarter of an hour across the dreamy flats for miles and miles, according to the wind, that one might realize how slow was the flight of time in that particular part of King Leopold's dominions.
"'And from a tall tower in the town Death looks gigantically down!'"
said Barty to his aunt--quoting (or misquoting) a bard they were very fond of just then, as they slowly walked down the "Grand Brul" in solitude together, from the nineteenth century to the fourteenth in less than twenty minutes--or three chimes from St. Rombault, or fifty skrieks from the railway station.
But for these a spirit of stillness and mediæval melancholy brooded over the quaint old city and great archiepiscopal see and most important railway station in all Belgium. Magnificent old houses in carved stone with wrought-iron balconies were to be had for rents that were almost nominal. From the tall windows of some of these a frugal, sleepy, priest-ridden old nobility looked down on broad and splendid streets hardly ever trodden by any feet but their own, or those of some stealthy Jesuit priest, or Sister of Mercy.
Only during the Kermesse, or at carnival-time, when noisy revelers of either sex and ungainly processions of tipsy masques and mummers waked Mechelen out of its long sleep, and all the town seemed one vast estaminet, did one feel one's self to be alive. Even at night, and in the small hours, frisky masques and dominoes walked the moonlit streets, and made loud old Flemish mediæval love, à la Teniers.
There was a beautiful botanical garden, through which a river flowed under tall trees, and turned the wheels of the oldest flour-mills in Flanders. This was a favorite resort of Barty's,--and he had it pretty much to himself.
And for Lady Caroline there were, besides St. Rombault, quite half-a-dozen churches almost as magnificent if not so big, and in them as many as you could wish of old Flemish masters, beginning with Peter Paul Rubens, who pervades the land of his birth very much as Michael Angelo pervades Florence and Rome.
And these dim places of Catholic worship were generously open to all, every day and all day long, and never empty of worshippers, high and low, prostrate in the dust, or kneeling with their arms extended and their heads in the air, their wide-open, immovable, unblinking eyes hypnotized into stone by the cross and the crown of thorns. Mostly peasant women, these: with their black hoods falling from their shoulders, and stiff little close white caps that hid the hair.
Out of cool shadowy recesses of fretted stone and admirably carved wood emanations seemed to rise as from the long-forgotten past--tons of incense burnt hundreds of years ago, and millions of closely packed supplicants, rich and poor, following each other in secula seculorum! Lady Caroline spent many of her hours haunting these crypts--and praying there.
At the back of their house in the Rue des Ursulines Blanches, Barty's bedroom window overlooked the playground of the convent "des Soeurs Rédemptoristines": all noble ladies, most beautifully dressed In scarlet and ultramarine, with long snowy veils, and who were Waited upon by non-noble sisters in garments of a like hue but less expensive texture.
So at least said little Finche Torfs, the daughter of the house--little Frau, as Lady Caroline called her, and who seems to have been one of the best creatures in the world; she became warmly attached to both her lodgers, who reciprocated the feeling in full; it was her chief pleasure to wait on them and look after them at all times of the day, though Lady Caroline had already a devoted maid of her own.
Little Frau's father was a well-to-do burgher with a prosperous ironmongery in the "Petit Brul."
This was his private house, where he pursued his hobby, for he was an amateur photographer, very fond of photographing his kind and simple-minded old wife, who was always attired in rich Brussels silks and Mechelen lace on purpose. She even cooked in them, though not for her lodgers, whose mid-day and evening meals were sent from "La Cigogne," close by, in four large round tins that fitted into each other, and were carried in a wicker-work cylindrical basket. And it was little Frau's delight to descant on the qualities of the menu as she dished and served it. I will not attempt to do so.
But after little Frau had cleared it all away, Barty would descant on the qualities of certain English dishes he remembered, to the immense amusement of Aunt Caroline, who was reasonably fond of what is good to eat.
He would paint in words (he was better in words than any other medium--oil, water, or distemper) the boiled leg of mutton, not overdone; the mashed turnips; the mealy potato; the caper-sauce. He would imitate the action of the carver and the sound of the carving-knife making its first keen cut while the hot pink gravy runs down the sides. Then he would wordily paint a French roast chicken and its rich brown gravy and its water-cresses; the pommes sautées; the crisp, curly salade aux fines herbes! And Lady Caroline, still hungry, would laugh till her eyes watered, as well as her mouth.
When it came to the sweets, the apple-puddings and gooseberry-pies and Devonshire cream and brown sugar, there was no more laughing, for then Barty's talent soared to real genius--and genius is a serious thing. And as to his celery and Stilton cheese--But there! it's lunch-time, and I'm beginning to feel a little puckish myself....
Every morning when it was fine Barty and his aunt would take an airing round the town, which was enclosed by a ditch where there was good skating in the winter, on long skates that went very fast, but couldn't cut figures, 8 or 3!
There were no fortifications or ramparts left. But a few of the magnificent old brick gateways still remained, admitting you to the most wonderful old streets with tall pointed houses--clean little slums, where women sat on their door-steps making the most beautiful lace in the world--odd nooks and corners and narrow ways where it was easy to lose one's self, small as the town really was; innumerable little toy bridges over toy canals one could have leaped at a bound, overlooked by quaint, irregular little dwellings, of colors that had once been as those of the rainbow, but which time had mellowed into divine harmonies, as it does all it touches--from grand old masters to oak palings round English parks; from Venice to Mechelen and its lace; from a disappointed first love to a great sorrow.
Occasionally a certain distinguished old man of soldier-like aspect would pass them on horseback, and gaze at their two tall British figures with a look of curious and benign interest, as if he mentally wished them well, and well away from this drear limbo of penitence and exile and expiation.
They learnt that he was French, and a famous general, and that his name was Changarnier; and they understood that public virtue has to be atoned for.
And he somehow got into the habit of bowing to them with a good smile, and they would smile and bow back again. Beyond this they never exchanged a word, but this little outward show and ceremony of kindly look and sympathetic gesture always gave them a pleasant moment and helped to pass the morning.
All the people they met were to Lady Caroline like people in a dream: silent priests; velvet-footed nuns, who were much to her taste; quiet peasant women, in black cloaks and hoods, driving bullock-carts or carts drawn by dogs, six or eight of these inextricably harnessed together and panting for dear life; blue-bloused men in French caps, but bigger and blonder than Frenchmen, and less given to epigrammatic repartee, with mild, blue, beery eyes, à fleur de tête, and a look of health and stolid amiability; sturdy green-coated little soldiers with cock-feathered brigand hats of shiny black, the brim turned up over the right eye and ear that they might the more conveniently take a good aim at the foe before he skedaddled at the mere sight of them; fat, comfortable burgesses and their wives, so like their ancestors who drink beer out of long glasses and smoke long clay pipes on the walls of the Louvre and the National Gallery that they seemed like old friends; and quaint old heavy children who didn't make much noise!
And whenever they spoke French to you, these good people, they said "savez-vous?" every other second; and whenever they spoke Flemish to each other it sounded so much like your own tongue as it is spoken in the north of England that you wondered why on earth you couldn't understand a single word.
Now and then, from under a hood, a handsome dark face with Spanish eyes would peer out--eloquent of the past history of the Low Countries, which Barty knew much better than I. But I believe there was once a Spanish invasion or occupation of some kind, and I dare say the fair Belgians are none the worse for it to-day. (It might even have been good for some of us, perhaps, if that ill-starred Armada hadn't come so entirely to grief. I'm fond of big, tawny-black eyes.)
All this, so novel and so strange, was a perpetual feast for Lady Caroline. And they bought nice, cheap, savory things on the way home, to eke out the lunch from "la Cigogne."
In the afternoon Barty would take a solitary walk in the open country, or along one of those endless straight chaussées, paved in the middle, and bordered by equidistant poplars on either side, and leading from town to town, and the monotonous perspective of which is so desolating to heart and eye; backwards or forwards, it is always the same, with a flat sameness of outlook to right and left, and every 450 seconds the chime would boom and flounder heavily by, with a dozen sharp railway whistles after it, like swordfish after a whale, piercing it through and through.
Barty evidently had all this in his mind when he wrote the song of the seminarist in "Gleams," beginning:
The Martian · The Wunder Library — complete classics, free to read, with narration.