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The Gypsies

by Charles Godfrey Leland

By Charles Godfrey Leland · History · Public domain

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The Gypsies is a public-domain classic of history by Charles Godfrey Leland.

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Author
Charles Godfrey Leland
Length
100,469 words · about 8 hours to read
Chapters
51
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Free — public domain

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Part 1

Transcribed from the 1882 Houghton, Mifflin and Company edition by David Price, ccx074@pglaf.org

THE GYPSIES

BY CHARLES G. LELAND

AUTHOR OF "THE ENGLISH GYPSIES AND THEIR LANGUAGE," "ANGLO-ROMANY BALLADS," "HANS BREITMANN'S BALLADS," ETC.

BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge

Copyright, 1882, BY CHARLES G. LELAND.

All rights reserved.

PREFACE.

The reader will find in this book sketches of experiences among gypsies of different nations by one who speaks their language and is conversant with their ways. These embrace descriptions of the justly famed musical gypsies of St. Petersburg and Moscow, by whom the writer was received literally as a brother; of the Austrian gypsies, especially those composing the first Romany orchestra of that country, selected by Liszt, and who played for their friend as they declared they had never played before for any man; and also of the English, Welsh, Oriental, and American brethren of the dark blood and the tents. I believe that the account of interviews with American gypsies will possess at least the charm of novelty, but little having as yet been written on this extensive and very interesting branch of our nomadic population. To these I have added a characteristic letter in the gypsy language, with translation by a lady, legendary stories, poems, and finally the substance of two papers, one of which I read before the British Philological Society, and the other before the Oriental Congress at Florence, in 1878. Those who study ethnology will be interested to learn from these papers, subsequently combined in an article in the "Saturday Review," that I have definitely determined the existence in India of a peculiar tribe of gypsies, who are par eminence the Romanys of the East, and whose language is there what it is in England, the same in vocabulary, and the chief slang of the roads. This I claim as a discovery, having learned it from a Hindoo who had been himself a gypsy in his native land. Many writers have suggested the Jats, Banjars, and others as probable ancestors or type-givers of the race; but the existence of the Rom himself in India, bearing the distinctive name of Rom, has never before been set forth in any book or by any other writer. I have also given what may in reason be regarded as settling the immensely disputed origin of the word "Zingan," by the gypsies' own account of its etymology, which was beyond all question brought by them from India.

In addition to this I have given in a chapter certain conversations with men of note, such as Thomas Carlyle, Lord Lytton, Mr. Roebuck, and others, on gypsies; an account of the first and family names and personal characteristics of English and American Romanys, prepared for me by a very famous old gypsy; and finally a chapter on the "Shelta Thari," or Tinkers' Language, a very curious jargon or language, never mentioned before by any writer except Shakespeare. What this tongue may be, beyond the fact that it is purely Celtic, and that it does not seem to be identical with any other Celtic dialect, is unknown to me. I class it with the gypsy, because all who speak it are also acquainted with Romany.

For an attempt to set forth the tone or feeling in which the sketches are conceived, I refer the reader to the Introduction.

When I published my "English Gypsies and their Language," a reviewer declared that I "had added nothing to our" (that is, his) "knowledge on the subject." As it is always pleasant to meet with a man of superior information, I said nothing. And as I had carefully read everything ever printed on the Romany, and had given a very respectable collection of what was new to me as well as to all my Romany rye colleagues in Europe, I could only grieve to think that such treasures of learning should thus remain hidden in the brain of one who had never at any time or in any other way manifested the possession of any remarkable knowledge. Nobody can tell in this world what others may know, but I modestly suggest that what I have set forth in this work, on the origin of the gypsies, though it may be known to the reviewer in question, has at least never been set before the public by anybody but myself, and that it deserves further investigation. No account of the tribes of the East mentions the Rom or Trablus, and yet I have personally met with and thoroughly examined one of them. In like manner, the "Shelta Thari" has remained till the present day entirely unknown to all writers on either the languages or the nomadic people of Great Britain. If we are so ignorant of the wanderers among us, and at our very doors, it is not remarkable that we should be ignorant of those of India.

INTRODUCTION.

I have frequently been asked, "Why do you take an interest in gypsies?"

And it is not so easy to answer. Why, indeed? In Spain one who has been fascinated by them is called one of the aficion, or affection, or "fancy;" he is an aficionado, or affected unto them, and people there know perfectly what it means, for every Spaniard is at heart a Bohemian. He feels what a charm there is in a wandering life, in camping in lonely places, under old chestnut-trees, near towering cliffs, al pasar del arroyo, by the rivulets among the rocks. He thinks of the wine skin and wheaten cake when one was hungry on the road, of the mules and tinkling bells, the fire by night, and the cigarito, smoked till he fell asleep. Then he remembers the gypsies who came to the camp, and the black-eyed girl who told him his fortune, and all that followed in the rosy dawn and ever onward into starry night.

"Y se alegre el alma llena De la luz de esos luceros."

And his heart is filled with rapture At the light of those lights above.

This man understands it. So, too, does many an Englishman. But I cannot tell you why. Why do I love to wander on the roads to hear the birds; to see old church towers afar, rising over fringes of forest, a river and a bridge in the foreground, and an ancient castle beyond, with a modern village springing up about it, just as at the foot of the burg there lies the falling trunk of an old tree, around which weeds and flowers are springing up, nourished by its decay? Why love these better than pictures, and with a more than fine-art feeling? Because on the roads, among such scenes, between the hedge-rows and by the river, I find the wanderers who properly inhabit not the houses but the scene, not a part but the whole. These are the gypsies, who live like the birds and hares, not of the house-born or the town-bred, but free and at home only with nature.

I am at some pleasant watering-place, no matter where. Let it be Torquay, or Ilfracombe, or Aberystwith, or Bath, or Bournemouth, or Hastings. I find out what old churches, castles, towns, towers, manors, lakes, forests, fairy-wells, or other charms of England lie within twenty miles. Then I take my staff and sketch-book, and set out on my day's pilgrimage. In the distance lie the lines of the shining sea, with ships sailing to unknown lands. Those who live in them are the Bohemians of the sea, homing while roaming, sleeping as they go, even as gypsies dwell on wheels. And if you look wistfully at these ships far off and out at sea with the sun upon their sails, and wonder what quaint mysteries of life they hide, verily you are not far from being affected or elected unto the Romany. And if, when you see the wild birds on the wing, wending their way to the South, and wish that you could fly with them,--anywhere, anywhere over the world and into adventure,--then you are not far in spirit from the kingdom of Bohemia and its seven castles, in the deep windows of which AEolian wind-harps sing forever.

Now, as you wander along, it may be that in the wood and by some grassy nook you will hear voices, and see the gleam of a red garment, and then find a man of the roads, with dusky wife and child. You speak one word, "Sarishan!" and you are introduced. These people are like birds and bees, they belong to out-of-doors and nature. If you can chirp or buzz a little in their language and know their ways, you will find out, as you sit in the forest, why he who loves green bushes and mossy rocks is glad to fly from cities, and likes to be free of the joyous citizenship of the roads, and everywhere at home in such boon company.

When I have been a stranger in a strange town, I have never gone out for a long walk without knowing that the chances were that I should meet within an hour some wanderer with whom I should have in common certain acquaintances. These be indeed humble folk, but with nature and summer walks they make me at home. In merrie England I could nowhere be a stranger if I would, and that with people who cannot read; and the English-born Romany rye, or gentleman speaking gypsy, would in like manner be everywhere at home in America. There was a gypsy family always roaming between Windsor and London, and the first words taught to their youngest child were "Romany rye!" and these it was trained to address to me. The little tot came up to me,--I had never heard her speak before,--a little brown-faced, black-eyed thing, and said, "How-do, Omany 'eye?" and great was the triumph and rejoicing and laughter of the mother and father and all the little tribe. To be familiar with these wanderers, who live by dale and down, is like having the bees come to you, as they did to the Dacian damsel, whose death they mourned; it is like the attraction of the wild deer to the fair Genevieve; or if you know them to be dangerous outlaws, as some are, it is like the affection of serpents and other wild things for those whom nature has made their friends, and who handle them without fear. They are human, but in their lives they are between man as he lives in houses and the bee and bird and fox, and I cannot help believing that those who have no sympathy with them have none for the forest and road, and cannot be rightly familiar with the witchery of wood and wold. There are many ladies and gentlemen who can well-nigh die of a sunset, and be enraptured with "bits" of color, and captured with scenes, and to whom all out-of-doors is as perfect as though it were painted by Millais, yet to whom the bee and bird and gypsy and red Indian ever remain in their true inner life strangers. And just as strange to them, in one sense, are the scenes in which these creatures dwell; for those who see in them only pictures, though they be by Claude and Turner, can never behold in them the fairy-land of childhood. Only in Ruysdael and Salvator Rosa and the great unconscious artists lurks the spell of the Romany, and this spell is unfelt by Mr. Cimabue Brown. The child and the gypsy have no words in which to express their sense of nature and its charm, but they have this sense, and there are very, very few who, acquiring culture, retain it. And it is gradually disappearing from the world, just as the old delicately sensuous, naive, picturesque type of woman's beauty--the perfection of natural beauty--is rapidly vanishing in every country, and being replaced by the mingled real and unreal attractiveness of "cleverness," intellect, and fashion. No doubt the newer tend to higher forms of culture, but it is not without pain that he who has been "in the spirit" in the old Sabbath of the soul, and in its quiet, solemn sunset, sees it all vanishing. It will all be gone in a few years. I doubt very much whether it will be possible for the most unaffectedly natural writer to preserve any of its hieroglyphics for future Champollions of sentiment to interpret. In the coming days, when man shall have developed new senses, and when the blessed sun himself shall perhaps have been supplanted by some tremendous electrical light, and the moon be expunged altogether as interfering with the new arrangements for gravity, there will doubtless be a new poetry, and art become to the very last degree self-conscious of its cleverness, artificial and impressional; yet even then weary scholars will sigh from time to time, as they read in our books of the ancient purple seas, and how the sun went down of old into cloud-land, gorgeous land, and then how all dreamed away into night!

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