Reconstruction in Philosophy

CHAPTER I. Changing Conceptions of Philosophy

CHANGING CONCEPTIONS OF PHILOSOPHY

Man differs from the lower animals because he preserves his past experiences. What happened in the past is lived again in memory. About what goes on today hangs a cloud of thoughts concerning similar things undergone in bygone days. With the animals, an experience perishes as it happens, and each new doing or suffering stands alone. But man lives in a world where each occurrence is charged with echoes and reminiscences of what has gone before, where each event is a reminder of other things. Hence he lives not, like the beasts of the field, in a world of merely physical things but in a world of signs and symbols. A stone is not merely hard, a thing into which one bumps; but it is a monument of a deceased ancestor. A flame is not merely something which warms or burns, but is a symbol of the enduring life of the household, of the abiding source of cheer, nourishment and shelter to which man returns from his casual wanderings. Instead of being a quick fork of fire which may sting and hurt, it is the hearth at which one worships and for which one fights. And all this which marks the difference between bestiality and humanity, between culture and merely physical nature, is because man remembers, preserving and recording his experiences.

The revivals of memory are, however, rarely literal. We naturally remember what interests us and because it interests us. The past is recalled not because of itself but because of what it adds to the present. Thus the primary life of memory is emotional rather than intellectual and practical. Savage man recalled yesterday's struggle with an animal not in order to study in a scientific way the qualities of the animal or for the sake of calculating how better to fight tomorrow, but to escape from the tedium of today by regaining the thrill of yesterday. The memory has all the excitement of the combat without its danger and anxiety. To revive it and revel in it is to enhance the present moment with a new meaning, a meaning different from that which actually belongs either to it or to the past. Memory is vicarious experience in which there is all the emotional values of actual experience without its strains, vicissitudes and troubles. The triumph of battle is even more poignant in the memorial war dance than at the moment of victory; the conscious and truly human experience of the chase comes when it is talked over and re-enacted by the camp fire. At the time, attention is taken up with practical details and with the strain of uncertainty. Only later do the details compose into a story and fuse into a whole of meaning. At the time of practical experience man exists from moment to moment, preoccupied with the task of the moment. As he re-surveys all the moments in thought, a drama emerges with a beginning, a middle and a movement toward the climax of achievement or defeat.

Since man revives his past experience because of the interest added to what would otherwise be the emptiness of present leisure, the primitive life of memory is one of fancy and imagination, rather than of accurate recollection. After all, it is the story, the drama, which counts. Only those incidents are selected which have a present emotional value, to intensify the present tale as it is rehearsed in imagination or told to an admiring listener. What does not add to the thrill of combat or contribute to the goal of success or failure is dropped. Incidents are rearranged till they fit into the temper of the tale. Thus early man when left to himself, when not actually engaged in the struggle for existence, lived in a world of memories which was a world of suggestions. A suggestion differs from a recollection in that no attempt is made to test its correctness. Its correctness is a matter of relative indifference. The cloud suggests a camel or a man's face. It could not suggest these things unless some time there had been an actual, literal experience of camel and face. But the real likeness is of no account. The main thing is the emotional interest in tracing the camel or following the fortunes of the face as it forms and dissolves.

Students of the primitive history of mankind tell of the enormous part played by animal tales, myths and cults. Sometimes a mystery is made out of this historical fact, as if it indicated that primitive man was moved by a different psychology from that which now animates humanity. But the explanation is, I think, simple. Until agriculture and the higher industrial arts were developed, long periods of empty leisure alternated with comparatively short periods of energy put forth to secure food or safety from attack. Because of our own habits, we tend to think of people as busy or occupied, if not with doing at least with thinking and planning. But then men were busy only when engaged in the hunt or fishing or fighting expedition. Yet the mind when awake must have some filling; it cannot remain literally vacant because the body is idle. And what thoughts should crowd into the human mind except experiences with animals, experiences transformed under the influence of dramatic interest to make more vivid and coherent the events typical of the chase? As men in fancy dramatically re-lived the interesting parts of their actual lives, animals inevitably became themselves dramatized.

They were true dramatis personæ and as such assumed the traits of persons. They too had desires, hopes and fears, a life of affections, loves and hates, triumphs and defeats. Moreover, since they were essential to the support of the community, their activities and sufferings made them, in the imagination which dramatically revived the past, true sharers in the life of the community. Although they were hunted, yet they permitted themselves after all to be caught, and hence they were friends and allies. They devoted themselves, quite literally, to the sustenance and well-being of the community group to which they belonged. Thus were produced not merely the multitude of tales and legends dwelling affectionately upon the activities and features of animals, but also those elaborate rites and cults which made animals ancestors, heroes, tribal figure-heads and divinities.

I hope that I do not seem to you to have gone too far afield from my topic, the origin of philosophies. For it seems to me that the historic source of philosophies cannot be understood except as we dwell, at even greater length and in more detail, upon such considerations as these. We need to recognize that the ordinary consciousness of the ordinary man left to himself is a creature of desires rather than of intellectual study, inquiry or speculation. Man ceases to be primarily actuated by hopes and fears, loves and hates, only when he is subjected to a discipline which is foreign to human nature, which is, from the standpoint of natural man, artificial. Naturally our books, our scientific and philosophical books, are written by men who have subjected themselves in a superior degree to intellectual discipline and culture. Their thoughts are habitually reasonable. They have learned to check their fancies by facts, and to organize their ideas logically rather than emotionally and dramatically. When they do indulge in reverie and day-dreaming--which is probably more of the time than is conventionally acknowledged--they are aware of what they are doing. They label these excursions, and do not confuse their results with objective experiences. We tend to judge others by ourselves, and because scientific and philosophic books are composed by men in whom the reasonable, logical and objective habit of mind predominates, a similar rationality has been attributed by them to the average and ordinary man. It is then overlooked that both rationality and irrationality are largely irrelevant and episodical in undisciplined human nature; that men are governed by memory rather than by thought, and that memory is not a remembering of actual facts, but is association, suggestion, dramatic fancy. The standard used to measure the value of the suggestions that spring up in the mind is not congruity with fact but emotional congeniality. Do they stimulate and reinforce feeling, and fit into the dramatic tale? Are they consonant with the prevailing mood, and can they be rendered into the traditional hopes and fears of the community? If we are willing to take the word dreams with a certain liberality, it is hardly too much to say that man, save in his occasional times of actual work and struggle, lives in a world of dreams, rather than of facts, and a world of dreams that is organized about desires whose success and frustration form its stuff.

To treat the early beliefs and traditions of mankind as if they were attempts at scientific explanation of the world, only erroneous and absurd attempts, is thus to be guilty of a great mistake. The material out of which philosophy finally emerges is irrelevant to science and to explanation. It is figurative, symbolic of fears and hopes, made of imaginations and suggestions, not significant of a world of objective fact intellectually confronted. It is poetry and drama, rather than science, and is apart from scientific truth and falsity, rationality or absurdity of fact in the same way in which poetry is independent of these things.

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