Mark Twain's Speeches

Part 1

Produced by David Widger

MARK TWAIN'S SPEECHES

by Mark Twain

CONTENTS

INTRODUCTION

PREFACE

THE STORY OF A SPEECH

PLYMOUTH ROCK AND THE PILGRIMS

COMPLIMENTS AND DEGREES

BOOKS, AUTHORS, AND HATS

DEDICATION SPEECH

DIE SCHRECKEN DER DEUTSCHEN SPRACHE

GERMAN FOR THE HUNGARIANS

A NEW GERMAN WORD

UNCONSCIOUS PLAGIARISM

THE WEATHER

THE BABIES

OUR CHILDREN AND GREAT DISCOVERIES

EDUCATING THEATRE-GOERS

THE EDUCATIONAL THEATRE

POETS AS POLICEMEN

PUDD'NHEAD WILSON DRAMATIZED

DALY THEATRE

THE DRESS OF CIVILIZED WOMAN

DRESS REFORM AND COPYRIGHT

COLLEGE GIRLS

GIRLS

THE LADIES

Part 2

WOMAN'S PRESS CLUB

VOTES FOR WOMEN

WOMAN-AN OPINION

ADVICE TO GIRLS

TAXES AND MORALS

TAMMANY AND CROKER

MUNICIPAL CORRUPTION

MUNICIPAL GOVERNMENT

CHINA AND THE PHILIPPINES

THEORETICAL MORALS

LAYMAN'S SERMON

UNIVERSITY SETTLEMENT SOCIETY

PUBLIC EDUCATION ASSOCIATION

EDUCATION AND CITIZENSHIP

COURAGE

THE DINNER TO MR. CHOATE

ON STANLEY AND LIVINGSTONE

HENRY M. STANLEY

DINNER TO MR. JEROME

HENRY IRVING

DINNER TO HAMILTON W. MABIE

INTRODUCING NYE AND RILEY

DINNER TO WHITELAW REID

ROGERS AND RAILROADS

THE OLD-FASHIONED PRINTER

SOCIETY OF AMERICAN AUTHORS

READING-ROOM OPENING

LITERATURE

Part 3

DISAPPEARANCE OF LITERATURE

THE NEW YORK PRESS CLUB DINNER

THE ALPHABET AND SIMPLIFIED SPELLING

SPELLING AND PICTURES

BOOKS AND BURGLARS

AUTHORS' CLUB

BOOKSELLERS

“MARK TWAIN'S FIRST APPEARANCE”

MORALS AND MEMORY

QUEEN VICTORIA

JOAN OF ARC

ACCIDENT INSURANCE—ETC.

OSTEOPATHY

WATER-SUPPLY

MISTAKEN IDENTITY

CATS AND CANDY

OBITUARY POETRY

CIGARS AND TOBACCO

BILLIARDS

THE UNION RIGHT OR WRONG

AN IDEAL FRENCH ADDRESS

STATISTICS

GALVESTON ORPHAN BAZAAR

SAN FRANCISCO EARTHQUAKE

CHARITY AND ACTORS

RUSSIAN REPUBLIC

RUSSIAN SUFFERERS

WATTERSON AND TWAIN AS REBELS

Part 4

ROBERT FULTON FUND

FULTON DAY, JAMESTOWN

LOTOS CLUB DINNER IN HONOR OF MARK TWAIN

COPYRIGHT

IN AID OF THE BLIND

DR. MARK TWAIN, FARMEOPATH

MISSOURI UNIVERSITY SPEECH

BUSINESS

CARNEGIE THE BENEFACTOR

ON POETRY, VERACITY, AND SUICIDE

WELCOME HOME

AN UNDELIVERED SPEECH

SIXTY-SEVENTH BIRTHDAY

TO THE WHITEFRIARS

THE ASCOT GOLD CUP

THE SAVAGE CLUB DINNER

GENERAL MILES AND THE DOG

WHEN IN DOUBT, TELL THE TRUTH

THE DAY WE CELEBRATE

INDEPENDENCE DAY

AMERICANS AND THE ENGLISH

ABOUT LONDON

PRINCETON

THE ST. LOUIS HARBOR-BOAT “MARK TWAIN”

SEVENTIETH BIRTHDAY

INTRODUCTION

These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand.

I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator's spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table—knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand—which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dealt; and because he had his end in mind, he knew when to stop.

Part 5

I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just.

W. D. HOWELLS.

PREFACE

FROM THE PREFACE TO THE ENGLISH EDITION OF “MARK TWAIN'S SKETCHES”

If I were to sell the reader a barrel of molasses, and he, instead of sweetening his substantial dinner with the same at judicious intervals, should eat the entire barrel at one sitting, and then abuse me for making him sick, I would say that he deserved to be made sick for not knowing any better how to utilize the blessings this world affords. And if I sell to the reader this volume of nonsense, and he, instead of seasoning his graver reading with a chapter of it now and then, when his mind demands such relaxation, unwisely overdoses himself with several chapters of it at a single sitting, he will deserve to be nauseated, and he will have nobody to blame but himself if he is. There is no more sin in publishing an entire volume of nonsense than there is in keeping a candy-store with no hardware in it. It lies wholly with the customer whether he will injure himself by means of either, or will derive from them the benefits which they will afford him if he uses their possibilities judiciously.

Respectfully submitted,

THE AUTHOR.

MARK TWAIN'S SPEECHES

THE STORY OF A SPEECH

An address delivered in 1877, and a review of it twenty-nine years later. The original speech was delivered at a dinner given by the publishers of The Atlantic Monthly in honor of the seventieth anniversary o f the birth of John Greenleaf Whittier, at the Hotel Brunswick, Boston, December 17, 1877.

This is an occasion peculiarly meet for the digging up of pleasant reminiscences concerning literary folk; therefore I will drop lightly into history myself. Standing here on the shore of the Atlantic and contemplating certain of its largest literary billows, I am reminded of a thing which happened to me thirteen years ago, when I had just succeeded in stirring up a little Nevadian literary puddle myself, whose spume-flakes were beginning to blow thinly Californiaward. I started an inspection tramp through the southern mines of California. I was callow and conceited, and I resolved to try the virtue of my 'nom de guerre'.

I very soon had an opportunity. I knocked at a miner's lonely log cabin in the foot-hills of the Sierras just at nightfall. It was snowing at the time. A jaded, melancholy man of fifty, barefooted, opened the door to me. When he heard my 'nom de guerre' he looked more dejected than before. He let me in—pretty reluctantly, I thought—and after the customary bacon and beans, black coffee and hot whiskey, I took a pipe. This sorrowful man had not said three words up to this time. Now he spoke up and said, in the voice of one who is secretly suffering, “You're the fourth—I'm going to move.” “The fourth what?” said I. “The fourth littery man that has been here in twenty-four hours—I'm going to move.” “You don't tell me!” said I; “who were the others?” “Mr. Longfellow, Mr. Emerson, and Mr. Oliver Wendell Holmes—consound the lot!”

You can easily believe I was interested. I supplicated—three hot whiskeys did the rest—and finally the melancholy miner began. Said he:

“They came here just at dark yesterday evening, and I let them in of course. Said they were going to the Yosemite. They were a rough lot, but that's nothing; everybody looks rough that travels afoot. Mr. Emerson was a seedy little bit of a chap, red-headed. Mr. Holmes was as fat as a balloon; he weighed as much as three hundred, and had double chins all the way down to his stomach. Mr. Longfellow was built like a prizefighter. His head was cropped and bristly, like as if he had a wig made of hair-brushes. His nose lay straight down his face, like a finger with the end joint tilted up. They had been drinking, I could see that. And what queer talk they used! Mr. Holmes inspected this cabin, then he took me by the buttonhole, and says he:

“'Through the deep caves of thought I hear a voice that sings, Build thee more stately mansions, O my soul!'

“Says I, 'I can't afford it, Mr. Holmes, and moreover I don't want to.' Blamed if I liked it pretty well, either, coming from a stranger, that way. However, I started to get out my bacon and beans, when Mr. Emerson came and looked on awhile, and then he takes me aside by the buttonhole and says:

“'Give me agates for my meat; Give me cantharids to eat; From air and ocean bring me foods, From all zones and altitudes.'

“Says I, 'Mr. Emerson, if you'll excuse me, this ain't no hotel.' You see it sort of riled me—I warn't used to the ways of littery swells. But I went on a-sweating over my work, and next comes Mr. Longfellow and buttonholes me, and interrupts me. Says he:

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