If we can build a Russian republic to give to the persecuted people of the Tsar's domain the same measure of freedom that we enjoy, let us go ahead and do it. We need not discuss the methods by which that purpose is to be attained. Let us hope that fighting will be postponed or averted for a while, but if it must come—
I am most emphatically in sympathy with the movement, now on foot in Russia, to make that country free. I am certain that it will be successful, as it deserves to be. Any such movement should have and deserves our earnest and unanimous co-operation, and such a petition for funds as has been explained by Mr. Hunter, with its just and powerful meaning, should have the utmost support of each and every one of us. Anybody whose ancestors were in this country when we were trying to free ourselves from oppression, must sympathize with those who now are trying to do the same thing in Russia.
The parallel I have just drawn only goes to show that it makes no difference whether the oppression is bitter or not; men with red, warm blood in their veins will not endure it, but will seek to cast it off. If we keep our hearts in this matter Russia will be free.
RUSSIAN SUFFERERS
On December 18, 1905, an entertainment was given at the Casino for the benefit of the Russian sufferers. After the performance Mr. Clemens spoke.
LADIES AND GENTLEMEN,—It seems a sort of cruelty to inflict upon an audience like this our rude English tongue, after we have heard that divine speech flowing in that lucid Gallic tongue.
It has always been a marvel to me—that French language; it has always been a puzzle to me. How beautiful that language is. How expressive it seems to be. How full of grace it is.
And when it comes from lips like those, how eloquent and how liquid it is. And, oh, I am always deceived—I always think I am going to understand it.
Oh, it is such a delight to me, such a delight to me, to meet Madame Bernhardt, and laugh hand to hand and heart to heart with her.
I have seen her play, as we all have, and oh, that is divine; but I have always wanted to know Madame Bernhardt herself—her fiery self. I have wanted to know that beautiful character.
Why, she is the youngest person I ever saw, except myself—for I always feel young when I come in the presence of young people.
I have a pleasant recollection of an incident so many years ago—when Madame Bernhardt came to Hartford, where I lived, and she was going to play and the tickets were three dollars, and there were two lovely women—a widow and her daughter—neighbors of ours, highly cultivated ladies they were; their tastes were fine and elevated, but they were very poor, and they said “Well, we must not spend six dollars on a pleasure of the mind, a pleasure of the intellect; we must spend it, if it must go at all, to furnish to somebody bread to eat.”
And so they sorrowed over the fact that they had to give up that great pleasure of seeing Madame Bernhardt, but there were two neighbors equally highly cultivated and who could not afford bread, and those good-hearted Joneses sent that six dollars—deprived themselves of it—and sent it to those poor Smiths to buy bread with. And those Smiths took it and bought tickets with it to see Madame Bernhardt.
Oh yes, some people have tastes and intelligence also.
Now, I was going to make a speech—I supposed I was, but I am not. It is late, late; and so I am going to tell a story; and there is this advantage about a story, anyway, that whatever moral or valuable thing you put into a speech, why, it gets diffused among those involuted sentences and possibly your audience goes away without finding out what that valuable thing was that you were trying to confer upon it; but, dear me, you put the same jewel into a story and it becomes the keystone of that story, and you are bound to get it—it flashes, it flames, it is the jewel in the toad's head—you don't overlook that.
Now, if I am going to talk on such a subject as, for instance, the lost opportunity—oh, the lost opportunity. Anybody in this house who has reached the turn of life—sixty, or seventy, or even fifty, or along there—when he goes back along his history, there he finds it mile-stoned all the way with the lost opportunity, and you know how pathetic that is.
You younger ones cannot know the full pathos that lies in those words—the lost opportunity; but anybody who is old, who has really lived and felt this life, he knows the pathos of the lost opportunity.
Now, I will tell you a story whose moral is that, whose lesson is that, whose lament is that.
I was in a village which is a suburb of New Bedford several years ago—well, New Bedford is a suburb of Fair Haven, or perhaps it is the other way; in any case, it took both of those towns to make a great centre of the great whaling industry of the first half of the nineteenth century, and I was up there at Fair Haven some years ago with a friend of mine.
There was a dedication of a great town-hall, a public building, and we were there in the afternoon. This great building was filled, like this great theatre, with rejoicing villagers, and my friend and I started down the centre aisle. He saw a man standing in that aisle, and he said “Now, look at that bronzed veteran—at that mahogany-faced man. Now, tell me, do you see anything about that man's face that is emotional? Do you see anything about it that suggests that inside that man anywhere there are fires that can be started? Would you ever imagine that that is a human volcano?”
“Why, no,” I said, “I would not. He looks like a wooden Indian in front of a cigar store.”
“Very well,” said my friend, “I will show you that there is emotion even in that unpromising place. I will just go to that man and I will just mention in the most casual way an incident in his life. That man is getting along toward ninety years old. He is past eighty. I will mention an incident of fifty or sixty years ago. Now, just watch the effect, and it will be so casual that if you don't watch you won't know when I do say that thing—but you just watch the effect.”
He went on down there and accosted this antiquity, and made a remark or two. I could not catch up. They were so casual I could not recognize which one it was that touched that bottom, for in an instant that old man was literally in eruption and was filling the whole place with profanity of the most exquisite kind. You never heard such accomplished profanity. I never heard it also delivered with such eloquence.
I never enjoyed profanity as I enjoyed it then—more than if I had been uttering it myself. There is nothing like listening to an artist—all his passions passing away in lava, smoke, thunder, lightning, and earthquake.
Then this friend said to me: “Now, I will tell you about that. About sixty years ago that man was a young fellow of twenty-three, and had just come home from a three years' whaling voyage. He came into that village of his, happy and proud because now, instead of being chief mate, he was going to be master of a whaleship, and he was proud and happy about it.
“Then he found that there had been a kind of a cold frost come upon that town and the whole region roundabout; for while he had been away the Father Mathew temperance excitement had come upon the whole region. Therefore, everybody had taken the pledge; there wasn't anybody for miles and miles around that had not taken the pledge.
“So you can see what a solitude it was to this young man, who was fond of his grog. And he was just an outcast, because when they found he would not join Father Mathew's Society they ostracized him, and he went about that town three weeks, day and night, in utter loneliness—the only human being in the whole place who ever took grog, and he had to take it privately.
“If you don't know what it is to be ostracized, to be shunned by your fellow-man, may you never know it. Then he recognized that there was something more valuable in this life than grog, and that is the fellowship of your fellow-man. And at last he gave it up, and at nine o'clock one night he went down to the Father Mathew Temperance Society, and with a broken heart he said: 'Put my name down for membership in this society.'
Mark Twain's Speeches · The Wunder Library — complete classics, free to read, with narration.