A History of Architecture in All Countries, Volumes 1 and 2, 3rd Ed. is a public-domain classic of arts by James Fergusson.
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this has enabled the editor to bring the description of St. Mark’s, Venice, into the first chapter under Italy, to which chronologically it belongs, instead of placing it after the Pointed Italian Gothic style. The Italian Byzantine chapter has been omitted, and the two or three buildings described under it transferred to the Byzantine-Romanesque chapter. By the new arrangement it is possible now to follow almost chronologically the various phases of style in Italy.
In the Book on the Byzantine style, some of the examples in Jerusalem ascribed to Constantine have been transferred to Justinian’s time; but this has naturally followed another very important change—the description of the so-called Mosque of Omar, the Dome of the Rock, has been transferred to the Saracenic style. It is well known that Mr. Fergusson had few supporters in his theories respecting the builders of this structure, and Prof. Hayter Lewis’s work has now removed all doubt as to its having been the work of the Caliph Abd el Melik and his followers. This change has necessitated a complete revision of the description of the Holy Sepulchre, for which Prof. Willis’s and Prof. Hayter Lewis’s works have furnished the chief authorities.
Various corrections have been made in the dates ascribed to the Mosques in Cairo, and the French Expedition in Tunis has enabled the editor to add a plan and view of the great Mosque of Kerouan, the most sacred Mahomedan edifice after that of Mecca, and the one great early example of which scarcely anything was known.
About forty woodcuts have been specially prepared for this new edition, half of which are of subjects not before illustrated, the remainder replacing those which were defective or absolutely incorrect. In addition to these, various alterations where required have been made to other woodcuts.
The several authorities consulted have been acknowledged in the course of the work, but the editor desires here to express his obligations to Mr. Fitzroy Doll, Mr. G. H. Birch, and Mr. Arthur Hill for advice on the German, English, and Irish sections respectively.
PREFACE TO SECOND EDITION.
During the period that has elapsed since the first edition of this work was published, no important work on the History of Architecture has appeared which throws any new light on either the theory or practice of the art, and, except in India, no new buildings have been discovered and no monographs published that materially add to our general stores of knowledge.
The truth of the matter appears to be that the architectural productions of all the countries mentioned in these two volumes have been examined and described to a sufficient extent for the purposes of the general historian. A great deal of course remains to be done before all the information required for the student of any particular style can be supplied, but nothing of any great importance probably remains to be discovered in the countries of the Old World, nor anything that is at all likely to alter any views or theories founded on what we at present know.
The one exception to this satisfactory state of things is our knowledge, or rather want of knowledge, regarding the history of the ancient architecture of the New World, treated of in the last few pages of this work. No important addition has lately been made to the little we knew before, and it is now to be feared that Mr. Squier’s long-expected work on the Antiquities of Peru may never see the light, at least not under the auspices of its author, and the Count de Waldeck’s work adds very little, if anything, to what we knew before. What is really wanted is that some one should make himself personally acquainted with all the various styles existing between the upper waters of the Colorado and the desert of Atacama to such an extent as to be able to establish the relative sequence of their dates and to detect affinities where they exist, or to point out differences that escape the casual observer. Photography may in the next few years do something towards enabling stay-at-home travellers to do a good deal towards this, but photography will never do all, and local knowledge is indispensable for the exact determination of many now obscure questions. The problem is in fact identical with that presented to Indian antiquaries some thirty years ago. At that time we knew less of the history of Indian architecture than we now know of American, but at the present day the date of every building and every cave in India can be determined with almost absolute certainty to within fifty, or at the outside one hundred, years; the sequence is everywhere certain, and all can be referred to the race and religion that practised that peculiar style. In America there are the same strongly marked local peculiarities of style as in India, accompanied by equally easily detected affinities or differences, and what has been done for India could, I am convinced, easily be accomplished for America, and with even more satisfactory and more important results to the history and ethnography of that great country.
The subject is well worthy of the attention of any one who may undertake it, as it is the only means we now know of by which the ancient history of the country can be recovered from the darkness that now enshrouds it and the connexion of the Old world with the New—if any existed—can be traced, but it is practically the only chapter in the history of architecture which remains to be written.
Notwithstanding this paucity of new material, the completion of M. Place’s great work on Khorsabad, Wood’s explorations at Ephesus, Dr. Tristram’s travels in Moab, with other minor works, and new photographs of other places, have furnished some twenty or thirty woodcuts to this work, either of new examples or in substitution for less perfect illustrations. More than this, the experience gained in the interval from reading, and personal familiarity with buildings not before visited, especially in Italy, have enabled me to add considerably to the text and to correct or modify impressions based on less perfect information. These, with a careful revision of the text throughout, will, it is hoped, be found to render this edition an improvement to a considerable extent over that which preceded it.
As mentioned in the preface to the volume containing the History of the Modern Styles of Architecture, the scheme of the present edition is that the two volumes now published shall contain a description of all the ancient styles of architecture known to exist either in the Old or New world, except India.
In the first edition the Indian styles occupied about 300 pages, and were illustrated by 200 woodcuts. In the present one it is proposed to double the extent of the text and to add such further illustrations as may be found requisite fully to illustrate the subject. When this is done it will form a separate volume, either the third of the general History of Architecture, or a complete and independent work by itself, and sold separately. If nothing unforeseen occurs to prevent it, it is expected that the work will be published before the end of next year (1875).
The History of the Modern Styles of Architecture, published last year, will then form the fourth and concluding volume of the work, or may be considered as a complete and independent treatise, and, like the volume containing the History of Indian Architecture, will be sold separately.
As stated in the preface to the first edition, it was originally intended that chapters should be added on what were then known as Celtic or Druidical remains. When, however, the subject came to be carefully looked into for that purpose, it was found that the whole was such a confused mass of conflicting theories and dreams, that no facts or dates were so established that they could be treated as historical. The consequence was that the materials collected for the purpose were, in 1872, published in a separate volume, entitled ‘Rude Stone Monuments,’ in the form rather of an argument than of a history.
As was to be expected, a work of that nature, and which attacked the established faith in the Druids, has been exposed to a considerable amount of hostile criticism, but nothing has yet appeared that at all touches the marrow of the question, or invalidates any of the more important conclusions therein arrived at. On the other hand, everything that has since come to light has tended to confirm them in a most satisfactory manner. Colonel Brunon’s researches, for instance, at and around the Madras’en, in Algeria, have proved that the tumuli in that cemetery belong to Roman times. In India sculptured and inscribed dolmens have been dug up and photographed, so that their age is no longer doubtful, and others, as archaic in form as any, are found belonging to reigning families of chiefs, and still used by them. Last, not least, Dr. Schliemann’s explorations at Hissarlik have deprived the prehistoric advocates of one of their most plausible arguments. At a depth of 8½ metres from the surface he found the remains of a walled city, with paved streets, and rich in gold, silver, and copper, with their alloys electron and bronze, and every sign of a high civilization. Above this, through four or five metres of successive deposits, indicating probably a duration of twice as many centuries, no trace of metal was found, but, as he expresses, an “ungeheure menge,” and, in another place, a “kolossale menge,” an unlimited number of rude stone implements of every sort. Above this again, the remains of the Greek city of Ilium Novum.
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