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The New York Times Current History: the European War, February, 1915

by Various

By Various · History · Public domain

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The New York Times Current History: the European War, February, 1915 is a public-domain classic of history by Various.

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Author
Various
Length
96,449 words · about 8 hours to read
Chapters
74
Price
Free — public domain

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Part 1

The New York Times

CURRENT HISTORY: THE EUROPEAN WAR

FEBRUARY, 1915

(Photo (C) by American Press Assn.)]

Commander of the German Armies in the East.

(Photo from Brown Bros.)]

The New Russia Speaks

An Appeal by Russian Authors, Artists, and Actors

We appeal to our country, we appeal to the whole civilized world.

What our heart and our reason refused to believe has come indisputably true, to the greatest shame of humanity. Every new day brings new horrible proofs of the cruelty and the vandalism of the Germans in the bloody clash of nations which we are witnessing, in that neutral slaughtering of brothers provoked by the madness of these same Germans; in their vainglorious ambition to rule the world with violence, they are throwing upon the scales of the world's justice nothing but the sword. We fancy that Germany, oblivious of her past fame, has turned to the altars of her cruel national gods whose defeat has been accomplished by the incarnation of the one gracious god upon earth. Her warriors seem to have assumed the miserable duty of reminding humanity of the latent vigor of the aboriginal beast within man, of the fact that even the leading nations of civilization, by letting loose their ill-will, may easily fall back on an equal footing with their forefathers--those half naked bands that fifteen centuries ago trampled under their heavy feet the ancient inheritance of civilization. As in the days of yore, again priceless productions of art, temples, and libraries perish in conflagration, whole cities and towns are wiped off the face of the earth, rivers are overflowing with blood, through heaps of cadavers savage men are hewing their path, and those whose lips are shouting in honor of their criminal supreme commander are inflicting untold tortures and infamies upon defenseless people, upon aged men and women, upon captives and wounded.

Let these horrible crimes be entered upon the Book of Fate with eternal letters! These crimes shall awake within us one sole burning wish--to wrest the arms from the barbarous hands, to deprive Germany forever of that brutal power upon whose achievement she has concentrated all her thoughts. Already the seed of national pride and of hatred, widely sown by her, has awakened a magnificent growth. This hatred may spread like wildfire among other nations, and then will resound the voice of those blinded by wrath, the voice of those demanding vengeance, the voice of those repudiating everything great and beautiful among the creations of the German genius to the rejoicing and for the benefit of all mankind.

But let us remember the disastrous results of such a course--for the black crimes thrust by Germany upon herself by drawing the sword, and the outrages in which she has indulged herself while drunk with victory are the inevitable fruits of the darkness which she has voluntarily entered. At present she is pursuing this course, encouraged even by her poets, scientists, and social and political leaders.

Her adversaries, carrying peace and victory to their peoples, shall indeed be inspired solely by holy motives.

Signed by:

K. ARSENIEV, I. BUNIN, A. VESSELOVSKI, NESTOR KOTLIAREVSKI, and D. OVSIANIKO-KULIKOVSKI, Honorary Members of the Academy.

F. KORSCH, Regular Member of the Academy.

A. GRUZINSKI, President of the Society of the Amateurs of Russian Literature.

Prof. P. SAKULIN, Vice President.

Prof. L. LOPATIN, President of the Moscow Psychological Association.

N. DAVYDOV, President of the Tolstoy League of Moscow.

Prince V. GOLYTZIN, President of the Literary, Dramatic and Musical Society of A.N. Ostrovski.

S. SHPAZINSKI, President of the League of Russian Authors and Composers.

I. KONDRATIEV, Secretary.

I. POPOV, President of the Literary-Artistic Circle.

S. IVANTZOV, Vice President.

V. FRITSCHE, President of the Council of the Newspaper Writers and Authors' Association.

V. ANZIMIROV, Chairman of the Board.

JULIUS BUNIN, President of the Literary Circle "Sreda" and the Vice President of the Moscow Society for Aid to Authors and Newspaper Writers.

Part 2

N. TELESHEV, Chairman of the Moscow Board of the Mutual Aid Fund for Authors and Scientists.

A. BAKHRUSHIN, Chairman of the Board of the Literary-Theatrical Museum of the Academy of Sciences in Moscow.

JOANN BRUSSOV, Member of the Committee of the Society of Free Esthetics.

P. STRUVE, editor of the magazine, Russkaia Mysl.

N. MIKHAILOV, editor of the magazine, Vestnik Vospitania, (Educational Messenger.)

D. TIKHOMIROV, editor of the magazine, Yunaia Rossiia, (Young Russia.)

S. MAKHALOV RAZUMOVSKI, and D. GOLUBEV. TH. ARNOLD, Prof. N. BAZHENOV, Y. BALTRUSHAITIS, A. BIBIKOV, BOGDANOVITSCH, I. BELORUSSOV, Lecturer D. GENKIN, SERGIUS GLAGOL, MAXIME GORKY, V. YERMILOV, V. KALLASH, Prof. A. KIESEVETTER, E. KURTSCH-EK, V. LADYSHENSKI, A. LEDNITZKI, SERGIUS NAIDENOV, Prof. M. ROZANOV, Prof. M. ROSTOVTZEV, A. SERAFIMOVICH, SKITALETS, (S. PETROV,) I. SURGUTSCHEV, Lecturer K. USPENSKI, L. KHITROVO, A. TZATURIAN, Prof. A. TZINGER, I. TSHEKHOV, Lecturer S. SHAMBINAGO, N. SHKLIAR, and I. SHMELEV, the representatives of the Publishing House of the Authors in Moscow.

RUSSIAN PAINTERS.--A. ARKHIPOV, Member of Academy; A. ALADZHALOV, V. BKSHEIEV, V. BYTSCHKOV, A. VASNETZOV, Member of Academy; VICTOR VASNETZOV, S. VINOGRADOV, Member of Academy; S. ZHUKOVSKI, M. ZAITZEV, P. KELIN, A. KORIN, K. KOROVIN, S. KONENKOV, K. LEBEDEV, S. MALIUTIN, S. MERKULOV, sculptor; S. MILORADOVITCH, Y. MINTSCHENKO, L. PASTERNAK, V. PEREPLETTSCHIKOV, K. PERVUKHIN, A. STEPANOV, Member of Academy; A. SREDIN, E. SHANKS, and M. SHEMIAKIN.

F.O. SHEICHTEL, the President of the Association of the Moscow Architects, Member of the Academy.

REPRESENTING THE GREAT IMPERIAL THEATRE.--U. AVRANEK, Ancient Artist; K. ANTAROVA, L. BALANOVSKAIA, A. BOGDANOVICH, A. BONATCHITCH, N. BAKALEINIKOV, K. VALTZ, R. VASILEVSKI, P. VASILIEV, S. GARDENIN, A. GERASIMENKO, E. GREMINA, E. DAVYDOVA, A. DOBROVOLSKAIA, N. DOCTOR, E. KUPER, M. KUZHIAMSKI, A. LABINSKI, V. LOSSKI, E. LUTSCHEZARSKAIA, N. MAMONTOV, S. MIGDI, A. NEZHDANOVA, S. OLSHANSKI, V. OSIPOV, N. OSTROGRADSKAIA, V. OBTSCHINIKOV, F. ORESHKEVITCH, O. PABLOVA, TH. PAVLOVSKI, A. PRAVDINA, V. PETROV, G. PIROGOV, E. PODOLSKAIA, L. SAVRANSKI, M. SEMENOVA, S. SINITZYNA, LEONID SOBINOV, E. STEPANOVA, V. SUK, TOLKATCHEV, TRIANDOPHILION, P. TIKHONOV, A. USPENSKI, N. THEODOROV, P. FIGUROV, R. FIDELMAN, L. FILSHIN, TH. SHALIAPIN, V. SHKAFER, and F. ZRIST.

SMALL IMPERIAL THEATRE.--S. AIDAROV, &c., altogether the signatures of forty artists.

ARTISTIC THEATRE.--N. ALEXANDROV, &c., altogether the signatures of forty-nine artists.

THEATRE OF KORSCH.--Director, Mr. TH. KORSH; regisseur, A. LIAROV; representatives of the artists, A. TSCHARIN and G. MARTYNOVA.

THEATRE OF NEZLOBIN.--A. ALIABIEVA-NEZLOBINA; regisseur, N. ZVANTZEV; representatives of the artists, V. NERONOV, E. LILINA, and A. TRETIAKOVA.

MOSCOW DRAMATIC THEATRE.--Director, I. DUVAN; the regisseurs, A. SANIN and I. SCHMIDT; artists, B. BORISOV and M. BLUMENTHAL-TAMARINA.

THEATRE OF MR. P. STRUISKI.--Director, P. STRUISKI; regisseur, V. VISKOVSKI; M. MORAVSKAIA.

CHAMBER THEATRE.--A. KOONEN, N. ASLANOV, A. ZONOV, and A. TAIROV.

OPERA OF S.I. ZIMIN.--Director, S. ZIMIN; the regisseurs, PETER OLENIN and A. IVANOVSKI; conductor, E. PLOTNIKOV; representatives of the artists, M. BOTCHAROV, P. VOLGAR, V. DAMAIEV, S. DRUZIAKINA, M. ZAKREVSKAIA, V. PETROVA-ZVANTZEVA, V. TZIKOK, A. KHOKHLOV, N. SHEVELIEV, M. SHUVANOV, and the whole orchestra and the chorus.

M. IPPOLITOV-IVANOV, Director of the Moscow Conservatory; ancient professor, I. GRZHIMALI; professor, A. ILIINSKI.

P. KOTSCHETOV, Director of the Musical and Dramatical School of the Philharmonic Society; A. BRANDUKOV, Inspector of same school; professor, A. KORESHTSCHENKO.

Y. VASILIEVA, President of the Actors' Aid Society.

Russia in Literature

By British Men of Letters.

The following address, signed by a number of distinguished writers in Great Britain, and intended for publication in Russia, appeared in The London Times on Dec. 23, 1914.

To Our Colleagues in Russia:

At this moment, when your countrymen and ours are alike facing death for the deliverance of Europe, we Englishmen of letters take the opportunity of uttering to you feelings which have been in our hearts for many years. You yourselves perhaps hardly realize what an inspiration Englishmen of the last two generations have found in your literature.

Many a writer among us can still call back, from ten or twenty or thirty years ago, the feeling of delight and almost of bewilderment with which he read his first Russian novel. Perhaps it was "Virgin Soil" or "Fathers and Sons," perhaps "War and Peace," or "Anna Karenina"; perhaps "Crime and Punishment" or "The Idiot"; perhaps, again, it was the work of some author still living. But many of us then felt, as our poet Keats felt on first reading Homer,

"like some watcher of the skies When a new planet swims into his ken."

Part 3

It was a strange world that opened before us, a world full of foreign names which we could neither pronounce nor remember, of foreign customs and articles of daily life which we could not understand. Yet beneath all the strangeness there was a deep sense of having discovered a new home, of meeting our unknown kindred, of finding expressed great burdens of thought which had lain unspoken and half-realized at the depths of our own minds. The books were very different one from another, sometimes they were mutually hostile; yet we found in all some quality which made them one, and made us at one with them. We will not attempt to analyze that quality. It was, perhaps, in part, that deep Russian tenderness, which never derides but only pities and respects the unfortunate; in part that simple Russian sincerity which never fears to see the truth and to express it; but most of all it was that ever-present sense of spiritual values, behind the material and utterly transcending the material, which enables Russian literature to move so naturally in a world of the spirit, where there are no barriers between the ages and the nations, but all mankind is one.

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