Woodland Tales is a public-domain classic of literature and fiction by Ernest Thompson Seton.
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WOODLAND TALES
WOODLAND TALES
BY ERNEST THOMPSON SETON
WITH 100 DRAWINGS
THE AUTHOR
AUTHOR OF "WILD ANIMALS AT HOME," "WILD ANIMALS I HAVE KNOWN," "TWO LITTLE SAVAGES," "BIOGRAPHY OF A GRIZZLY," "LIFE HISTORIES OF NORTHERN ANIMALS," "ROLF IN THE WOODS," "THE BOOK OF WOODCRAFT." CHIEF OF THE WOODCRAFT LEAGUE OF AMERICA
GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1922
COPYRIGHT, 1905, 1920, 1921, BY
ERNEST THOMPSON SETON
ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
COPYRIGHT 1903, 1904, BY THE CENTURY COMPANY
PRINTED IN THE UNITED STATES AT THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
PREFACE
To the Guide
These Mother Carey Tales were written for children of all ages, who have not outgrown the delight of a fairy tale. It might almost be said that they were written chiefly for myself, for I not only have had the pleasure of telling them to the little ones, and enjoying their quick response, but have also had the greater pleasure of thinking them and setting them down.
As I write, I look from a loved window, across a landscape that I love, and my eye rests on a tall beautiful pine planted with my own hands years ago. It is a mass of green fringes, with gem-like tips of buds and baby cones, beautiful, exquisitely beautiful, whether seen from afar as a green spire, or viewed close at hand as jewellery. It is beautiful, fragile and--unimportant, as the world sees it; yet through its wind-waved mass one can get little glimpses of the thing that backs it all, the storm-defying shaft, the enduring rigid living growing trunk of massive timber that gives it the nobility of strength, and adds value to the rest; sometimes it must be sought for, but it always surely is there, ennobling the lesser pretty things.
I hope this tree is a fair image of my fairy tale. I know my child friends will love the piney fringes and the jewel cones, and they can find the unyielding timber in its underlying truth, if they seek for it. If they do not, it is enough to have them love the cones.
All are not fairy tales. Other chapters set forth things to see, thing to do, things to go to, things to know, things to remember. These, sanctified in the blue outdoors, spell "Woodcraft," the one pursuit of man that never dies or palls, the thing that in the bygone ages gifted him and yet again will gift him with the seeing eye, the thinking hand, the body that fails not, the winged soul that stores up precious memories.
It is hoped that these chapters will show how easy and alluring, and how good a thing it is.
While they are meant for the children six years of age and upward, it is assumed that Mother (or Father) will be active as a leader; therefore it is addressed, first of all, to the parent, whom throughout we shall call the "Guide."
* * * * *
Some of these stories date back to my school days, although the first actually published was "Why the Chicadee Goes Crazy Twice a Year." This in its original form appeared in "Our Animal Friends" in September, 1893. Others, as "The Fingerboard Goldenrod," "Brook-Brownie," "The Bluebird," "Diablo and the Dogwood," "How the Violets Came," "How the Indian Summer Came," "The Twin Stars," "The Fairy Lamps," "How the Littlest Owl Came," "How the Shad Came," appeared in slightly different form in the Century Magazine, 1903 and 1904.
* * * * *
My thanks are due to the Authorities of the American Museum who have helped me with specimens and criticism; to the published writings of Dr. W. J. Holland and Clarence M. Weed for guidance in insect problems; to Britton and Browne's "Illustrated Flora, U. S. and Canada"; and to the Nature Library of Doubleday, Page & Co., for light in matters botanic; to Mrs. Daphne Drake and Mrs. Mary S. Dominick for many valuable suggestions, and to my wife, Grace Gallatin Seton, for help with the purely literary work.
Also to Oliver P. Medsger, the naturalist of Lincoln High School, Jersey City, N. J., for reading with critical care those parts of the manuscript that deal with flowers and insects, as well as for the ballad of the Ox-eye, the story of its coming to America, and the photograph of the Mecha-meck.
CONTENTS
Things to See in Springtime
The Seeing Eye
TALE NO. PAGE
1. Blue-eyes, the Snow-child, or the Story of Hepatica 3
2. The Story of the Dawnsinger, or How the Bloodroot Came 5
3. The Prairie-girl with Yellow Hair 6
4. The Cat's-eye Toad, a child of Maka Ina 11
5. How the Bluebird Came 14
6. Robin, the Bird that Loves to Make Clay Pots 17
7. Brook Brownie, or How the Song Sparrow Got his Streaks 20
8. Diablo and the Dogwood 20
9. The Woolly-bear 23
10. How the Violets Came 25
11. Cocoons 26
12. Butterflies and Moths 28
13. The Mourning-cloak Butterfly or the Camberwell Beauty 30
14. The Wandering Monarch 32
15. The Bells of the Solomon Seal 35
16. The Silver Bells of the False Solomon Seal 37
Things to See in Summertime
17. How the Mouse-bird made Fun of the Brownie 43
18. The Pot-herb that Sailed with the Pilgrims 44
19. How the Red Clover Got the White Mark on Its Leaves 47
20. The Shamrock and Her Three Sisters 51
21. The Indian Basket-Maker 53
22. Crinkleroot; or Who Hid the Salad? 56
23. The Mecha-meck 61
24. Dutchman's Breeches 63
25. The Seven Sour Sisters 65
26. Self-heal or Blue-curls in the Grass 65
27. The Four Butterflies You See Every Summer 67
28. The Beautiful Poison Caterpillar 72
29. The Great Splendid Silk-moth or Samia Cecropia 77
30. The Green Fairy with the Long Train 79
31. The Wicked Hoptoad and the Little Yellow Dragon 82
32. The Fairy Bird or the Humming-bird Moth 85
33. Ribgrass or Whiteman's-Foot 88
34. Jack-in-the-Pulpit 91
35. How the Indian Pipe Came 91
36. The Cucumber Under the Brownie's Umbrella 93
37. The Hickory Horn-Devil 95
Things to See in Autumntime
38. The Purple and Gold of Autumn 103
39. Why the Chicadee Goes Crazy Twice a Year 104
40. The Story of the Quaking Aspen or Poplar 107
41. The Witch-hazel 109
42. How the Shad Came and How the Chestnut Got Its Burrs 112
43. How the Littlest Owl Came 113
44. The Wood-witch and the Bog-nuts 114
45. The Mud-dauber Wasp 117
46. The Cicada and the Katydid 121
47. The Digger Wasp That Killed the Cicada 123
48. How the Indian Summer Came 126
Things to See in Wintertime
49. The North Star, or the Home Star 129
50. The Pappoose on the Squaw's Back 131
51. Orion the Hunter, and his Fight with the Bull 133
52. The Pleiades, that Orion Fired at the Bull 134
53. The Twin Stars 136
54. Stoutheart and His Black Cravat 137
55. Tracks and the Stories They Tell 138
56. A Rabbit's Story of His Life 140
57. The Singing Hawk 144
58. The Fingerboard Goldenrod 145
59. Woodchuck Day--February Second 149
Things to Know
The Story of The Trail
60. How the Pine Tree Tells its Own Story 153
61. Blazes 155
62. Totems 155
63. Symbols 159
64. Sign Language 161
65. The Language of Hens 161
66. Why the Squirrel Wears a Bushy Tail 162
67. Why the Dog Wags His Tail 163
68. Why the Dog Turns Around Three Times Before Lying Down 164
69. The Deathcup of Diablo 165
70. The Poison Ivy, or the Three-fingered Demon of the Woods 169
71. The Medicine in the Sky 170
72. The Angel of the Night 172
Things to Do
The Thinking Hand
73. Bird-nesting in Winter 177
74. The Ox-eye Daisy or Marguerite 179
75. The Monkey-hunt 181
76. The Horsetail and the Jungle 185
77. The Woods in Winter 186
78. The Fish and the Pond 187
79. Smoke Prints of Leaves 189
80. Bird-boxes 189
81. A Hunter's Lamp 193
82. The Coon Hunt 194
83. The Indian Pot 195
84. Snowflakes 197
85. Are you Alive? Farsight 199
86. Are you Alive? Quicksight 200
87. Are you Alive? Hearing 200
88. Are you Alive? Feeling 201
89. Are you Alive? Quickness 202
90. Are you Alive? Guessing Length 203
91. Are you Alive? Aim or Limb-control 204
92. A Treasure Hunt 205
93. Moving Pictures 205
94. The Natural Autograph Album 207
95. The Crooked Stick 208
96. The Animal Dance of Nana-bo-jou 209
97. The Caribou Dance 212
98. The Council Robe 216
Things to Remember
The Winged Soul that Stores up Precious Memories.
99. How the Wren Became King of the Birds 221
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