The Junior Classics, Volume 1: Fairy and Wonder Tales

Part 1

THE JUNIOR CLASSICS

SELECTED AND ARRANGED BY

WILLIAM PATTEN,

MANAGING EDITOR OF THE HARVARD CLASSICS

INTRODUCTION BY CHARLES W. ELIOT, LL.D.,

PRESIDENT EMERITUS OF HARVARD UNIVERSITY

WITH A READING GUIDE BY WILLIAM ALLAN NEILSON, Ph. D., PROFESSOR OF ENGLISH, HARVARD UNIVERSITY, PRESIDENT SMITH COLLEGE, NORTHAMPTON, MASS., SINCE 1917

VOLUME ONE

Fairy and Wonder Tales

INTRODUCTION

The purpose of The Junior Classics is to provide, in ten volumes containing about five thousand pages, a classified collection of tales, stories, and poems, both ancient and modern, suitable for boys and girls of from six to sixteen years of age. Thoughtful parents and teachers, who realize the evils of indiscriminate reading on the part of children, will appreciate the educational value of such a collection. A child’s taste in reading is formed, as a rule, in the first ten or twelve years of its life, and experience has shown that the childish mind will prefer good literature to any other, if access to it is made easy, and will develop far better on literature of proved merit than on trivial or transitory material.

The boy or girl who becomes familiar with the charming tales and poems in this collection will have gained a knowledge of literature and history that will be of high value in other school and home work. Here are the real elements of imaginative narration, poetry, and ethics, which should enter into the education of every English-speaking child.

This collection, carefully used by parents and teachers with due reference to individual tastes and needs, will make many children enjoy good literature. It will inspire them with a love of good reading, which is the best possible result of any elementary education. The child himself should be encouraged to make his own selections from this large and varied collection, the child’s enjoyment being the object in view. A real and lasting interest in literature or in scholarship is only to be developed through the individual’s enjoyment of his mental occupations.

The most important change which has been made in American schools and colleges within my memory is the substitution of leading for driving, of inspiration for drill, of personal interest and love of work for compulsion and fear. The schools are learning to use methods and materials which interest and attract the children themselves. The Junior Classics will put into the home the means of using this happy method.

Committing to memory beautiful pieces of literature, either prose or poetry, for recitation before a friendly audience, acting charades or plays, and reading aloud with vivacity and sympathetic emotion, are good means of instruction at home or at school This collection contains numerous admirable pieces of literature for such use. In teaching English and English literature we should place more reliance upon processes and acts which awaken emotion, stimulate interest, prove to be enjoyable for the actors, and result in giving children the power of entertaining people, of blessing others with noble pleasures which the children create and share.

From the home training during childhood there should result in the child a taste for interesting and improving reading which will direct and inspire its subsequent intellectual life. The training which results in this taste for good reading, however unsystematic or eccentric it may have been, has achieved one principal aim of education; and any school or home training which does not result in implanting this permanent taste has failed in a very important respect. Guided and animated by this impulse to acquire knowledge and exercise the imagination through good reading, the adult will continue to educate him all through life.

The story of the human race through all its slow development should be gradually conveyed to the child’s mind from the time he begins to read, or to listen to his mother reading; and with description of facts and actual events should be mingled charming and uplifting products of the imagination. To try to feed the minds of children upon facts alone is undesirable and unwise. The immense product of the imagination in art and literature is a concrete fact with which every educated human being should be made somewhat familiar, that product being a very real part of every individual’s actual environment.

The right selection of reading matter for children is obviously of high importance. Some of the mythologies, Old Testament stories, fairy tales, and historical romances, on which earlier generations were accustomed to feed the childish mind, contain a great deal that is barbarous, perverse, or cruel; and to this infiltration into children’s minds, generation after generation, of immoral, cruel, or foolish ideas is probably to be attributed in part the slow ethical progress of the race. The commonest justification of this thoughtless practice is that children do not apprehend the evil in the bad mental pictures with which we foolishly supply them; but what should we think of a mother who gave her children dirty milk or porridge, on the theory that the children would not assimilate the dirt? Should we be less careful about mental and moral food materials? The Junior Classics have been selected with this principle in mind, without losing sight of the fact that every developing human being needs to have a vision of the rough and thorny road over which the human race has been slowly advancing during thousands of years.

Whoever has committed to memory in childhood such Bible extracts as Genesis i, the Ten Commandments, Psalm xxiii, Matthew v, 8-12, The Lord’s Prayer, and I Corinthians xiii, such English prose as Lincoln’s Gettysburg speech, Bacon’s “Essay on Truth,” and such poems as Bryant’s “Waterfowl,” Addison’s “Divine Ode,” Milton’s Sonnet on his Blindness, Wotton’s “How happy is he born or taught,” Emerson’s “Rhodora,” Holmes’s “Chambered Nautilus,” and Gray’s Elegy, and has stamped them on his brain by frequent repetition, will have set up in his mind high standards of noble thought and feeling, true patriotism, and pure religion. He will also have laid in an invaluable store of good English.

While the majority of the tales and poems are intended for children who have begun to do their own reading, there will be found in every volume selections fit for reading aloud to younger children. Throughout the collection the authors tell the stories in their own words; so that the salt which gave them savor is preserved. There are some condensations however, such as any good teller of borrowed stories would make; but as a rule condensation has been applied only in the case of long works which otherwise could not have been included. The notes which precede the condensations supply explanations, and answer questions which experience has shown boys and girls are apt to ask about the works condensed or their authors.

The Junior Classics constitute a set of books whose contents will delight children and at the same time satisfy the legitimate ethical requirements of those who have the children’s best interests at heart.

Charles W. Eliot

NOTE

Notices of copyright on material used in these volumes appear on the back of the title pages of the particular volumes in which the stories are printed. A complete list of acknowledgments to authors and publishers, for their kind permission to use copyrighted material, is given on pages 3 to 6 of Volume Ten.

CONTENTS

INTRODUCTION Charles, W. Eliot PREFACE William Patten

TALES OF THE AMERICAN INDIANS Manabozho H. R. Schoolcraft Why the Diver Duck Has So Few Tail Feathers H. R. Schoolcraft Manabozho Changed to Wolf H. R. Schoolcraft Why the Woodpecker has Red Feathers H. R. Schoolcraft Manabozho is Robbed H. R. Schoolcraft Manabozho and the Woodpeckers H. R. Schoolcraft The Boy and the Wolves Andrew Lang The Indian Who Lost His Wife Andrew Lang

TALES FROM INDIA Punchkin E. Frere The Sun, Moon and Wind E. Frere Why the Fish Laughed Joseph Jacob The Farmer and Money Lender Joseph Jacob Pride Goeth Before a Fall Joseph Jacob The Wicked Sons Joseph Jacob Tiger, Brahman, and Jackal Flora Annie Steel The Lambikin Flora Annie Steel The Rat’s Wedding Flora Annie Steel The Jackal and the Partridge Flora Annie Steel The Jackal and the Crocodile Flora Annie Steel The Jackal and the Iguana Flora Annie Steel The Bear’s Bad Bargain Flora Annie Steel The Thief and the Fox Ramaswami Raju The Farmer and the Fox Ramaswami Raju The Fools and the Drum Ramaswami Raju The Lion and the Goat Ramaswami Raju The Glowworm and Jackdaw Ramaswami Raju The Camel and the Pig Ramaswami Raju The Dog and the Dog Dealer Ramaswami Raju The Tiger, Fox, and Hunters Ramaswami Raju The Sea, the Fox, and the Wolf Ramaswami Raju The Fox in the Well Ramaswami Raju

Part 2

TALES FROM THE NORSELAND Ashiepattle P. C. Asbjörnsen The Squire’s Bride P. C. Asbjörnsen The Doll in the Grass P. C. Asbjörnsen The Bear and the Fox P. C. Asbjörnsen The Lad Who Went to the North Wind Sir George W. Dasent The Husband Who Was to Mind the House Sir George W. Dasent How One Went Out to Woo Sir George W. Dasent Why the Bear is Stumpy-Tailed Sir George W. Dasent Boots and the Princess Sir George W. Dasent The Witch in the Stone Boat Andrew Lang

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