“Where's he been?”
“I don't know. He remained out without my permission.”
“He did, eh?”
Inspector Dunbar thrust forth a long finger at the shrinking form in the doorway.
“Mr. Soames,” he said, “you will be going to your own room and waiting there until I ring for you.”
“Yes, sir,” said Soames, holding his hat in both bands, and speaking huskily. “Yes, sir: certainly, sir.”
He crossed the lobby and disappeared.
“There is no other way out, is there?” inquired the detective, glancing at Dr. Cumberly.
“There is no other way,” was the reply; “but surely you don't suspect”...
“I would suspect the Archbishop of Westminster,” snapped Dunbar, “if he came in like that! Now, sir,”--he turned to Leroux--“you were alone, here, to-night?”
“Quite alone, Inspector. The truth is, I fear, that my servants take liberties in the absence of my wife.”
“In the absence of your wife? Where is your wife?”
“She is in Paris.”
“Is she a Frenchwoman?”
“No! oh, no! But my wife is a painter, you understand, and--er--I met her in Paris--er--... Must you insist upon these--domestic particulars, Inspector?”
“If Mr. Exel is anxious to turn in,” replied the inspector, “after his no doubt exhausting duties at the House, and if Dr. Cumberly--”
“I have no secrets from Cumberly!” interjected Leroux. “The doctor has known me almost from boyhood, but--er--” turning to the politician--“don't you know, Exel--no offense, no offense”...
“My dear Leroux,” responded Exel hastily, “I am the offender! Permit me to wish you all good night.”
He crossed the study, and, at the door, paused and turned.
“Rely upon me, Leroux,” he said, “to help in any way within my power.”
He crossed the lobby, opened the outer door, and departed.
“Now, Mr. Leroux,” resumed Dunbar, “about this matter of your wife's absence.”
A WINDOW IS OPENED
Whilst Henry Leroux collected his thoughts, Dr. Cumberly glanced across at the writing-table where lay the fragment of paper which had been clutched in the dead woman's hand, then turned his head again toward the inspector, staring at him curiously. Since Dunbar had not yet attempted even to glance at the strange message, he wondered what had prompted the present line of inquiry.
“My wife,” began Leroux, “shared a studio in Paris, at the time that I met her, with an American lady a very talented portrait painter--er--a Miss Denise Ryland. You may know her name?--but of course, you don't, no! Well, my wife is, herself, quite clever with her brush; in fact she has exhibited more than once at the Paris Salon. We agreed at--er--the time of our--of our--engagement, that she should be free to visit her old artistic friends in Paris at any time. You understand? There was to be no let or hindrance.... Is this really necessary, Inspector?”
“Pray go on, Mr. Leroux.”
“Well, you understand, it was a give-and-take arrangement; because I am afraid that I, myself, demand certain--sacrifices from my wife--and--er--I did not feel entitled to--interfere”...
“You see, Inspector,” interrupted Dr. Cumberly, “they are a Bohemian pair, and Bohemians, inevitably, bore one another at times! This little arrangement was intended as a safety-valve. Whenever ennui attacked Mrs. Leroux, she was at liberty to depart for a week to her own friends in Paris, leaving Leroux to the bachelor's existence which is really his proper state; to go unshaven and unshorn, to dine upon bread and cheese and onions, to work until all hours of the morning, and generally to enjoy himself!”
The Yellow Claw · The Wunder Library — complete classics, free to read, with narration.