The Yellow Claw

Part 1

Produced by Donald Lainson; Anonymous Volunteers; David Widger

THE YELLOW CLAW

by Sax Rohmer

CONTENTS

CHAPTER

I THE LADY OF THE CIVET FURS

II MIDNIGHT--AND MR. KING

III INSPECTOR DUNBAR TAKES CHARGE

IV A WINDOW IS OPENED

V DOCTORS DIFFER

VI AT SCOTLAND YARD

VII THE MAN IN THE LIMOUSINE

VIII CABMEN TWO

IX THE MAN IN BLACK

X THE GREAT UNDERSTANDING

XI PRESENTING M. GASTON MAX

XII MR. GIANAPOLIS

XIII THE DRAFT ON PARIS

XIV EAST 18642

XV CAVE OF THE GOLDEN DRAGON

XVI HO-PIN'S CATACOMBS

XVII KAN-SUH CONCESSIONS

XVIII THE WORLD ABOVE

XIX THE LIVING DEAD

XX ABRAHAM LEVINSKY BUTTS IN

XXI THE STUDIO IN SOHO

XXII M. MAX MOUNTS CAGLIOSTRO'S STAIRCASE

XXIII RAID IN THE RUE ST.-CLAUDE

Part 2

XXIV OPIUM

XXV FATE'S SHUTTLECOCK

XXVI “OUR LADY OF THE POPPIES”

XXVII GROVE OF A MILLION APES

XXVIII THE OPIUM AGENT

XXIX M. MAX OF LONDON AND M. MAX OF PARIS

XXX MAHARA

XXXI MUSK AND ROSES

XXXII BLUE BLINDS

XXXIII LOGIC VS. INTUITION

XXXIV M. MAX REPORTS PROGRESS

XXXV TRACKER TRACKED

XXXVI IN DUNBAR'S ROOM

XXXVII THE WHISTLE

XXXVIII THE SECRET TRAPS

XXXIX THE LABYRINTH

XL DAWN AT THE NORE

XLI WESTMINSTER--MIDNIGHT

THE YELLOW CLAW

THE LADY OF THE CIVET FURS

Henry Leroux wrote busily on. The light of the table-lamp, softened and enriched by its mosaic shade, gave an appearance of added opulence to the already handsome appointments of the room. The little table-clock ticked merrily from half-past eleven to a quarter to twelve.

Into the cozy, bookish atmosphere of the novelist's study penetrated the muffled chime of Big Ben; it chimed the three-quarters. But, with his mind centered upon his work, Leroux wrote on ceaselessly.

An odd figure of a man was this popular novelist, with patchy and untidy hair which lessened the otherwise striking contour of his brow. A neglected and unpicturesque figure, in a baggy, neutral-colored dressing-gown; a figure more fitted to a garret than to this spacious, luxurious workroom, with the soft light playing upon rank after rank of rare and costly editions, deepening the tones in the Persian carpet, making red morocco more red, purifying the vellum and regilding the gold of the choice bindings, caressing lovingly the busts and statuettes surmounting the book-shelves, and twinkling upon the scantily-covered crown of Henry Leroux. The door bell rang.

Leroux, heedless of external matters, pursued his work. But the door bell rang again and continued to ring.

“Soames! Soames!” Leroux raised his voice irascibly, continuing to write the while. “Where the devil are you! Can't you hear the door bell?”

Soames did not reveal himself; and to the ringing of the bell was added the unmistakable rattling of a letter-box.

“Soames!” Leroux put down his pen and stood up. “Damn it! he's out! I have no memory!”

He retied the girdle of his dressing-gown, which had become unfastened, and opened the study door. Opposite, across the entrance lobby, was the outer door; and in the light from the lobby lamp he perceived two laughing eyes peering in under the upraised flap of the letter-box. The ringing ceased.

Part 3

“Are you VERY angry with me for interrupting you?” cried a girl's voice.

“My dear Miss Cumberly!” said Leroux without irritation; “on the contrary--er--I am delighted to see you--or rather to hear you. There is nobody at home, you know.”...

“I DO know,” replied the girl firmly, “and I know something else, also. Father assures me that you simply STARVE yourself when Mrs. Leroux is away! So I have brought down an omelette!”

“Omelette!” muttered Leroux, advancing toward the door; “you have--er--brought an omelette! I understand--yes; you have brought an omelette? Er--that is very good of you.”

He hesitated when about to open the outer door, raising his hands to his dishevelled hair and unshaven chin. The flap of the letter-box dropped; and the girl outside could be heard stifling her laughter.

“You must think me--er--very rude,” began Leroux; “I mean--not to open the door. But”...

“I quite understand,” concluded the voice of the unseen one. “You are a most untidy object! And I shall tell Mira DIRECTLY she returns that she has no right to leave you alone like this! Now I am going to hurry back upstairs; so you may appear safely. Don't let the omelette get cold. Good night!”

“No, certainly I shall not!” cried Leroux. “So good of you--I--er--do like omelette.... Good night!”

Calmly he returned to his writing-table, where, in the pursuit of the elusive character whose exploits he was chronicling and who had brought him fame and wealth, he forgot in the same moment Helen Cumberly and the omelette.

The table-clock ticked merrily on; SCRATCH--SCRATCH--SPLUTTER--SCRATCH--went Henry Leroux's pen; for this up-to-date litterateur, essayist by inclination, creator of “Martin Zeda, Criminal Scientist” by popular clamor, was yet old-fashioned enough, and sufficient of an enthusiast, to pen his work, while lesser men dictated.

So, amidst that classic company, smiling or frowning upon him from the oaken shelves, where Petronius Arbiter, exquisite, rubbed shoulders with Balzac, plebeian; where Omar Khayyam leaned confidentially toward Philostratus; where Mark Twain, standing squarely beside Thomas Carlyle, glared across the room at George Meredith, Henry Leroux pursued the amazing career of “Martin Zeda.”

It wanted but five minutes to the hour of midnight, when again the door bell clamored in the silence.

Leroux wrote steadily on. The bell continued to ring, and, furthermore, the ringer could be heard beating upon the outer door.

“Soames!” cried Leroux irritably, “Soames! Why the hell don't you go to the door!”

Leroux stood up, dashing his pen upon the table.

“I shall have to sack that damned man!” he cried; “he takes too many liberties--stopping out until this hour of the night!”

He pulled open the study door, crossed the hallway, and opened the door beyond.

In, out of the darkness--for the stair lights had been extinguished--staggered a woman; a woman whose pale face exhibited, despite the ravages of sorrow or illness, signs of quite unusual beauty. Her eyes were wide opened, and terror-stricken, the pupils contracted almost to vanishing point. She wore a magnificent cloak of civet fur wrapped tightly about her, and, as Leroux opened the door, she tottered past him into the lobby, glancing back over her shoulder.

With his upraised hands plunged pathetically into the mop of his hair, Leroux turned and stared at the intruder. She groped as if a darkness had descended, clutched at the sides of the study doorway, and then, unsteadily, entered--and sank down upon the big chesterfield in utter exhaustion.

Leroux, rubbing his chin, perplexedly, walked in after her. He scarcely had his foot upon the study carpet, ere the woman started up, tremulously, and shot out from the enveloping furs a bare arm and a pointing, quivering finger.

“Close the door!” she cried hoarsely--“close the door!... He has... followed me!”...

The disturbed novelist, as a man in a dream, turned, retraced his steps, and closed the outer door of the flat. Then, rubbing his chin more vigorously than ever and only desisting from this exercise to fumble in his dishevelled hair, he walked back into the study, whose Athenean calm had thus mysteriously been violated.

Two minutes to midnight; the most respectable flat in respectable Westminster; a lonely and very abstracted novelist--and a pale-faced, beautiful woman, enveloped in costly furs, sitting staring with fearful eyes straight before her. This was such a scene as his sense of the proprieties and of the probabilities could never have permitted Henry Leroux to create.

His visitor kept moistening her dry lips and swallowing, emotionally.

Standing at a discreet distance from her:--

“Madam,” began Leroux, nervously.

She waved her hand, enjoining him to silence, and at the same time intimating that she would explain herself directly speech became possible. Whilst she sought to recover her composure, Leroux, gradually forcing himself out of the dreamlike state, studied her with a sort of anxious curiosity.

It now became apparent to him that his visitor was no more than twenty-five or twenty-six years of age, but illness or trouble, or both together, had seared and marred her beauty. Amid the auburn masses of her hair, gleamed streaks, not of gray, but of purest white. The low brow was faintly wrinkled, and the big--unnaturally big--eyes were purple shaded; whilst two heavy lines traced their way from the corner of the nostrils to the corner of the mouth--of the drooping mouth with the bloodless lips.

Part 4

Her pallor became more strange and interesting the longer he studied it; for, underlying the skin was a yellow tinge which he found inexplicable, but which he linked in his mind with the contracted pupils of her eyes, seeking vainly for a common cause.

He had a hazy impression that his visitor, beneath her furs, was most inadequately clothed; and seeking confirmation of this, his gaze strayed downward to where one little slippered foot peeped out from the civet furs.

Leroux suppressed a gasp. He had caught a glimpse of a bare ankle!

He crossed to his writing-table, and seated himself, glancing sideways at this living mystery. Suddenly she began, in a voice tremulous and scarcely audible:--

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