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The World's Greatest Books — Volume 11 — Ancient and Mediæval History

by Arthur Mee

By Arthur Mee · History · Public domain

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The World's Greatest Books — Volume 11 — Ancient and Mediæval History is a public-domain classic of history by Arthur Mee.

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Author
Arthur Mee
Length
103,821 words · about 9 hours to read
Chapters
43
Price
Free — public domain

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Part 1

THE WORLD'S GREATEST BOOKS

JOINT EDITORS

ARTHUR MEE Editor and Founder of the Book of Knowledge

J.A. HAMMERTON Editor of Harmsworth's Universal Encyclopædia

VOL. XI

ANCIENT HISTORY MEDIÆVAL HISTORY

* * * * *

Table of Contents

ANCIENT HISTORY

EGYPT

MASPERO, GASTON Dawn of Civilization Struggle of the Nations Passing of the Empires

JEWS

JOSEPHUS, FLAVIUS Antiquities of the Jews Wars of the Jews

MILMAN, HENRY History of the Jews

GREECE

HERODOTUS History

THUCYDIDES Peloponnesian War

XENOPHON Anabasis

GROTE, GEORGE History of Greece

SCHLIEMANN, HEINRICH Troy and Its Remains

ROME

CÆSAR, JULIUS Commentaries on the Gallic War

TACITUS, PUBLIUS CORNELIUS Annals

SALLUST, CATOS CRISPUS Conspiracy of Catiline

GIBBON, EDWARD Decline and Fall of the Roman Empire

MOMMSEN, THEODOR History of Rome

MEDIÆVAL HISTORY

HOLY ROMAN EMPIRE

Part 2

GIBBON, EDWARD The Holy Roman Empire

EUROPE

GUIZOT, F.P.G. History of Civilization in Europe

HALLAM, HENRY View of the State of Europe During the Middle Ages

EGYPT

LANE-POOLE, STANLEY Egypt in the Middle Ages

ENGLAND

HOLINSHED, RAPHAEL Chronicles of England, Scotland and Ireland

FREEMAN, E.A. Norman Conquest of England

FROUDE, JAMES ANTHONY History of England

A Complete Index of THE WORLD'S GREATEST BOOKS will be found at the end of Volume XX.

* * * * *

Acknowledgment

Acknowledgment and thanks for permitting the use of the following selections--"The Dawn of Civilisation," "The Struggle of the Nations" and "The Passing of the Empires," by Gaston Maspero--which appear in this volume, are hereby tendered to the Society for Promoting Christian Knowledge, of London, England.

* * * * *

Ancient History

GASTON MASPERO

The Dawn of Civilisation

Gaston Camille Charles Maspero, born on June 23, 1846, in Paris, is one of the most renowned of European experts in philology and Egyptology, having in great part studied his special subjects on Oriental ground. After occupying for several years the Chair of Egyptology in the École des Hautes Études at the Sorbonne in Paris, he became, in 1874, Professor of Egyptian Philology and Archæology at the Collège de France. From 1881 to 1886 he acted in Egypt as director of the Boulak Museum. It was under his superintendence that this museum became enriched with its choicest antique treasures. Dr. Maspero retired in 1886, but in 1899 again went to Egypt as Director of Excavations. His works are of the utmost value, his skill in marshalling facts and deducting legitimate inferences being unrivalled. His masterpiece is an immense work, with the general title of "History of the Ancient Peoples of the Classic East," divided into three parts, each complete in itself: (1) "The Dawn of Civilisation"; (2) "The Struggle of the Nations"; (3) "The Passing of the Empires."

I.--The Nile and Egypt

A long, low, level shore, scarcely rising above the sea, a chain of vaguely defined and ever-shifting lakes and marshes, then the triangular plain beyond, whose apex is thrust thirty leagues into the land--this, the Delta of Egypt, has gradually been acquired from the sea, and is, as it were, the gift of the Nile. Where the Delta ends, Egypt proper begins. It is only a strip of vegetable mould stretching north and south between regions of drought and desolation, a prolonged oasis on the banks of the river, made by the Nile, and sustained by the Nile. The whole length of the land is shut in by two ranges of hills, roughly parallel at a mean distance of about twelve miles.

During the earlier ages the river filled all this intermediate space; and the sides of the hills, polished, worn, blackened to their very summits, still bear unmistakable traces of its action. Wasted and shrunken within the deeps of its own ancient bed, the stream now makes a way through its own thick deposits of mud. The bulk of its waters keep to the east, and constitutes the true Nile, the "Great River" of the hieroglyphic inscriptions. At Khartoum the single channel in which the river flowed divides, and two other streams are opened up in a southerly direction, each of them apparently equal in volume to the main stream.

Which is the true Nile? Is it the Blue Nile, which seems to come down from the distant mountains? Or is it the White Nile, which has traversed the immense plains of equatorial Africa? The old Egyptians never knew. The river kept the secret of its source from them as obstinately as it withheld it from us until a few years ago. Vainly did their victorious armies follow the Nile for months together, as they pursued the tribes who dwelt upon its banks, only to find it as wide, as full, as irresistible in its progress as ever. It was a fresh-water sea--iauma, ioma was the name by which they called it. The Egyptians, therefore, never sought its source. It was said to be of supernatural origin, to rise in Paradise, to traverse burning regions inaccessible to man, and afterwards to fall into a sea whence it made its way to Egypt.

The sea mentioned in all the tales is, perhaps, a less extravagant invention than we are at first inclined to think. A lake, nearly as large as the Victoria Nyanza, once covered the marshy plain where the Bahr-el-Abiad unites with the Sobat and with the Bahr-el-Ghazal. Alluvial deposits have filled up all but its deepest depression, which is known as Birket Nu; but in ages preceding our era it must still have been vast enough to suggest to Egyptian soldiers and boatmen the idea of an actual sea opening into the Indian Ocean.

Everything is dependent upon the river--the soil, the produce of the soil, the species of animals it bears, the birds which it feeds--and hence it was the Egyptians placed the river among their gods. They personified it as a man with regular features, and a vigorous but portly body, such as befits the rich of high lineage. Sometimes water springs from his breast; sometimes he presents a frog, or libation of vases, or bears a tray full of offerings of flowers, corn, fish, or geese. The inscriptions call him "Hapi, father of the gods, lord of sustenance, who maketh food to be, and covereth the two lands of Egypt with his products; who giveth life, banisheth want, and filleth the granaries to overflowing."

He is evolved into two personages, one being sometimes coloured red, the other blue. The former, who wears a cluster of lotus-flowers on his head, presides over Egypt of the south; the latter has a bunch of papyrus for his headdress, and watches over the Delta. Two goddesses, corresponding to the two Hapis--Mirit Qimait for the Upper, and Mirit-Mihit for the Lower Egypt--personified the banks of the river. They are represented with outstretched arms, as though begging for the water that should make them fertile.

II.--The Gods of Egypt

The incredible number of religious scenes to be found represented on the ancient monuments of Egypt is at first glance very striking. Nearly every illustration in the works of Egyptologists shows us the figure of some deity. One would think the country had been inhabited for the most part by gods, with just enough men and animals to satisfy the requirements of their worship. Each of these deities represented a function, a moment in the life of man or of the universe. Thus, Naprit was identified with the ripe ear of wheat; Maskhonit appeared by the child's cradle at the very moment of its birth; and Raninit presided over the naming and nurture of the newly born.

Part 3

In penetrating this mysterious world we are confronted by an actual jumble of gods, many being of foreign origin; and these, with the indigenous deities, made up nations of gods. This mixed pantheon had its grades of noble princes and kings, each of its members representing one of the forces constituting the world. Some appeared in human form; others as animals; others as combinations of human and animal forms.

The sky-gods, like the earth-gods, were separated into groups, the one composed of women: Hathor of Denderah, or Nit of Sais; the other composed of men identical with Horus, or derived from him: Anhuri-Shu of Sebennytos and Thinis; Harmerati, or Horus, of the two eyes, at Pharbæthos; Har-Sapedi, or Horus, of the zodiacal light, in the Wady Tumilat; and, finally, Harhuditi at Edfu. Ra, the solar disc, was enthroned at Heliopolis; and sun-gods were numerous among the home deities. Horus the sun, and Ra the sun-god of Heliopolis, so permeated each other that none could say where the one began and the other ended.

Each of the feudal gods representing the sun cherished pretensions to universal dominion. The goddesses shared in supreme power. Isis was entitled lady and mistress of Buto, as Hathor was at Denderah, and as Nit was at Sais. The animal-gods shared omnipotence with those in human form. Each of the feudal divinities appropriated two companions and formed a trinity; or, as it is generally called, a triad. Often the local deity was content with one wife and one son, but often he was united to two goddesses. The system of triads enhanced, rather than lowered, the prestige of the feudal gods. The son in a divine triad had of himself but limited authority. When Isis and Osiris were his parents, he was generally an infant Horus, whose mother nursed him, offering him her breast. The gods had body and soul, like men; they had bones, muscles, flesh and blood; they hungered and thirsted, ate and drank; they had our passions, griefs, joys and infirmities; and they were subject to age, decrepitude and death, though they lived very far beyond the term of life of men.

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