Socr. I thought you were going to say, with truth, madly. However, this is the very thing I was seeking for. For we said that love was a kind of madness, did we not?
Phæ. Yes.
Socr. But there are two kinds of madness, one arising from human diseases, the other from an inspired deviation from established customs.
Phæ. Certainly.
108. Socr. But dividing the divine mania of the four deities into four parts, and assigning prophetic inspiration to Apollo, mystic to Bacchus, poetic to the Muses, and the fourth to Venus and Love, we said that the madness of Love is the best, and I know not how representing the passion of love, probably lighting on some truth and perhaps carried off elsewhere, we compounded a speech not altogether improbable, and sang a kind of mythical hymn, in a seemly and devotional manner, in honour of my lord and thine, Phædrus, Love, the guardian of beautiful boys.
Phæ. And one by no means unpleasant to me to hear.
Socr. Let us endeavour to find out, then, from the speech itself, how it was able to pass from censure to praise.
Phæ. What mean you by this?
109. Socr. To me it appears that in all other respects we have really been jesting; but as regards the two methods that are seen in these casually uttered speeches, if any one could apprehend their power by art, it would be by no means an unwelcome circumstance.
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Footnote 131:
The two methods are “definition” and “division,” afterwards explained.
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Phæ. What methods are these?
Socr. The one is to see under one aspect and to bring together under one general idea, many things scattered in various places, that, by defining each, a person may make it clear what the subject is that he wishes to discuss, as just now with respect to love, its nature being defined, whether it was well or ill described; at all events for that reason my speech was able to attain perspicuity and consistency.
Phæ. And what is the other method you speak of, Socrates?
110. Socr. The being able, on the other hand, to separate that general idea into species, by joints, as nature points out, and not to attempt to break any part, after the manner of an unskilful cook; but as, just now, my two speeches comprehended mental derangement under one common class. But as from one body there spring two sets of members bearing the same name, one called the left the other the right, so my speeches having considered mental derangement as naturally one class in us, then the speech that had to divide the left part, did not leave off dividing this again until having found in its members a kind of left-handed love, it reviled it deservedly: but the other taking us to the right hand side of madness, and having found a kind of love bearing the same name as the former, but divine, brought it to light and commended it as the cause of the greatest blessings to us.
111. Phæ. You speak most truly.
Socr. For my part, Phædrus, I am not only myself a lover of these divisions and generalisations, in order that I may be able both to speak and think; but if I perceive any one else able to comprehend the one and the many, as they are in nature, him “I follow behind as in the footsteps of a god.” But whether I designate those who are able to do this, rightly or not, God knows, however I have hitherto called them dialecticians. But now, tell me by what name ought we to call those who take lessons from you and Lysias? is this that art of speaking, by the use of which Thrasymachus and others have become able speakers themselves, and make others so who are willing to bring presents to them, as to kings?
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Footnote 132:
See Homer’s Odyssey, v. 193.
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Phæ. They are indeed royal men, yet not skilled in the particulars about which you enquire. However you appear to me to call this method rightly, in calling it dialectical; but the rhetorical appears to me still to escape us.
112. Socr. How say you? A fine thing indeed that must be, which is destitute of this and yet can be apprehended by art. It must on no account be neglected by you and me; but we must consider what is the remaining part of rhetoric.
Phæ. There are indeed very many things, Socrates, which you will find in the books written on the art of speaking.
Socr. You have reminded me very opportunely. The exordium, I think, must first be spoken at the beginning of the speech. You mean these, do you not? the refinements of the art?
Phæ. Yes.
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