Part 4

"Oh, I must have it! A ship! Ask a humble-bee directly; be quick!"

Bang! There was a loud report, a gun had gone off in the copse.

"That's my papa," shouted Guido. "I'm sure that was my papa's gun!" Up he jumped, and getting down the ditch, stepped across the water, and, seizing a hazel-bough to help himself, climbed up the bank. At the top he slipped through the fence by the oak and so into the copse. He was in such a hurry he did not mind the thistles or the boughs that whipped him as they sprang back, he scrambled through, meeting the vapour of the gunpowder and the smell of sulphur. In a minute he found a green path, and in the path was his papa, who had just shot a cruel crow. The crow had been eating the birds' eggs, and picking the little birds to pieces.

GOLDEN-BROWN

Three fruit-pickers--women--were the first people I met near the village (in Kent). They were clad in "rags and jags," and the face of the eldest was in "jags" also. It was torn and scarred by time and weather; wrinkled, and in a manner twisted like the fantastic turns of a gnarled tree-trunk, hollow and decayed. Through these jags and tearings of weather, wind, and work, the nakedness of the countenance--the barren framework--was visible; the cheekbones like knuckles, the chin of brown stoneware, the upper-lip smooth, and without the short groove which should appear between lip and nostrils. Black shadows dwelt in the hollows of the cheeks and temples, and there was a blackness about the eyes. This blackness gathers in the faces of the old who have been much exposed to the sun, the fibres of the skin are scorched and half-charred, like a stick thrust in the fire, and withdrawn before the flames seize it. Beside her were two young women, both in the freshness of youth and health. Their faces glowed with a golden-brown, and so great is the effect of colour that their plain features were transfigured. The sunlight under their faces made them beautiful. The summer light had been absorbed by the skin and now shone forth from it again; as certain substances exposed to the day absorb light and emit a phosphorescent gleam in the darkness of night, so the sunlight had been drank up by the surface of the skin, and emanated from it.

Hour after hour in the gardens and orchards they worked in the full beams of the sun, gathering fruit for the London market, resting at midday in the shade of the elms in the corner. Even then they were in the sunshine--even in the shade, for the air carries it, or its influence, as it carries the perfumes of flowers. The heated air undulates over the field in waves which are visible at a distance; near at hand they are not seen, but roll in endless ripples through the shadows of the trees, bringing with them the actinic power of the sun. Not actinic--alchemic--some intangible mysterious power which cannot be supplied in any other form but the sun's rays. It reddens the cherry, it gilds the apple, it colours the rose, it ripens the wheat, it touches a woman's face with the golden-brown of ripe life--ripe as a plum. There is no other hue so beautiful as this human sunshine tint.

The great painters knew it--Rubens, for instance; perhaps he saw it on the faces of the women who gathered fruit or laboured at the harvest in the Low Countries centuries since. He could never have seen it in a city of these northern climes, that is certain. Nothing in nature that I know, except the human face, ever attains this colour. Nothing like it is ever seen in the sky, either at dawn or sunset; the dawn is often golden, often scarlet, or purple and gold; the sunset crimson, flaming bright, or delicately grey and scarlet; lovely colours all of them, but not like this. Nor is there any flower comparable to it, nor any gem. It is purely human, and it is only found on the human face which has felt the sunshine continually. There must, too, I suppose, be a disposition towards it, a peculiar and exceptional condition of the fibres which build up the skin; for of the numbers who work out of doors, very, very few possess it; they become brown, red, or tanned, sometimes of a parchment hue--they do not get this colour.

These two women from the fruit gardens had the golden-brown in their faces, and their plain features were transfigured. They were walking in the dusty road; there was as background a high, dusty hawthorn hedge which had lost the freshness of spring and was browned by the work of caterpillars; they were in rags and jags, their shoes had split, and their feet looked twice as wide in consequence. Their hands were black; not grimy, but absolutely black, and neither hands nor necks ever knew water, I am sure. There was not the least shape to their garments; their dresses simply hung down in straight ungraceful lines; there was no colour of ribbon or flower, to light up the dinginess. But they had the golden-brown in their faces, and they were beautiful.

The feet, as they walked, were set firm on the ground, and the body advanced with measured, deliberate, yet lazy and confident grace; shoulders thrown back--square, but not over-square (as those who have been drilled); hips swelling at the side in lines like the full bust, though longer drawn; busts well filled and shapely, despite the rags and jags and the washed-out gaudiness of the shawl. There was that in their cheeks that all the wealth of London could not purchase--a superb health in their carriage princesses could not obtain. It came, then, from the air and sunlight, and still more, from some alchemy unknown to the physician or the physiologist, some faculty exercised by the body, happily endowed with a special power of extracting the utmost richness and benefit from the rudest elements. Thrice blessed and fortunate, beautiful golden-brown in their cheeks, superb health in their gait, they walked as the immortals on earth.

As they passed they regarded me with bitter envy, jealousy, and hatred written in their eyes; they cursed me in their hearts. I verily believe--so unmistakably hostile were their glances--that had opportunity been given, in the dead of night and far from help, they would gladly have taken me unawares with some blow of stone or club, and, having rendered me senseless, would have robbed me, and considered it a righteous act. Not that there was any blood-thirstiness or exceptional evil in their nature more than in that of the thousand-and-one toilers that are met on the highway, but simply because they worked--such hard work of hands and stooping backs, and I was idle, for all they knew. Because they were going from one field of labour to another field of labour, and I walked slowly and did no visible work. My dress showed no stain, the weather had not battered it; there was no rent, no rags and jags. At an hour when they were merely changing one place of work for another place of work, to them it appeared that I had found idleness indoors wearisome and had just come forth to exchange it for another idleness. They saw no end to their labour; they had worked from childhood, and could see no possible end to labour until limbs failed or life closed. Why should they be like this? Why should I do nothing? They were as good as I was, and they hated me. Their indignant glances spoke it as plain as words, and far more distinctly than I can write it. You cannot read it with such feeling as I received their looks.

Beautiful golden-brown, superb health, what would I not give for these? To be the thrice-blessed and chosen of nature, what inestimable fortune! To be indifferent to any circumstances--to be quite thoughtless as to draughts and chills, careless of heat, indifferent to the character of dinners, able to do well on hard, dry bread, capable of sleeping in the open under a rick, or some slight structure of a hurdle, propped on a few sticks and roughly thatched with straw, and to sleep sound as an oak, and wake strong as an oak in the morning-gods, what a glorious life! I envied them; they fancied I looked askance at their rags and jags. I envied them, and considered their health and hue ideal. I envied them that unwearied step, that firm uprightness, and measured yet lazy gait, but most of all the power which they possessed, though they did not exercise it intentionally, of being always in the sunlight, the air, and abroad upon the earth. If so they chose, and without stress or strain, they could see the sunrise, they could be with him as it were--unwearied and without distress--the livelong day; they could stay on while the moon rose over the corn, and till the silent stars at silent midnight shone in the cool summer night, and on and on till the cock crew and the faint dawn appeared. The whole time in the open air, resting at mid-day under the elms with the ripple of heat flowing through the shadow; at midnight between the ripe corn and the hawthorn hedge on the white wild camomile and the poppy pale in the duskiness, with face upturned to the thoughtful heaven.

Consider the glory of it, the life above this life to be obtained from constant presence with the sunlight and the stars. I thought of them all day, and envied them (as they envied me), and in the evening I found them again. It was growing dark, and the shadow took away something of the coarseness of the group outside one of the village "pothouses." Green foliage overhung them and the men with whom they were drinking; the white pipes, the blue smoke, the flash of a match, the red sign which had so often swung to and fro in the gales now still in the summer eve, the rude seats and blocks, the reaping-hooks bound about the edge with hay, the white dogs creeping from knee to knee, some such touches gave an interest to the scene. But a quarrel had begun; the men swore, but the women did worse. It is impossible to give a hint of the language they used, especially the elder of the three whose hollow face was blackened by time and exposure. The two golden-brown girls were so heavily intoxicated they could but stagger to and fro and mouth and gesticulate, and one held a quart from which, as she moved, she spilled the ale.

WILD FLOWERS

A fir-tree is not a flower, and yet it is associated in my mind with primroses. There was a narrow lane leading into a wood, where I used to go almost every day in the early months of the year, and at one corner it was overlooked by three spruce firs. The rugged lane there began to ascend the hill, and I paused a moment to look back. Immediately the high fir-trees guided the eye upwards, and from their tops to the deep azure of the March sky over, but a step from the tree to the heavens. So it has ever been to me, by day or by night, summer or winter, beneath trees the heart feels nearer to that depth of life the far sky means. The rest of spirit found only in beauty, ideal and pure, comes there because the distance seems within touch of thought. To the heaven thought can reach lifted by the strong arms of the oak, carried up by the ascent of the flame-shaped fir. Round the spruce top the blue was deepened, concentrated by the fixed point; the memory of that spot, as it were, of the sky is still fresh--I can see it distinctly--still beautiful and full of meaning. It is painted in bright colour in my mind, colour thrice laid, and indelible; as one passes a shrine and bows the head to the Madonna, so I recall the picture and stoop in spirit to the aspiration it yet arouses. For there is no saint like the sky, sunlight shining from its face.

The fir-tree flowered thus before the primroses--the first of all to give me a bloom, beyond reach but visible, while even the hawthorn buds hesitated to open. Primroses were late there, a high district and thin soil; you could read of them as found elsewhere in January; they rarely came much before March, and but sparingly then. On the warm red sand (red, at least, to look at, but green by geological courtesy, I think) of Sussex, round about Hurst of the Pierre-points, primroses are seen soon after the year has turned. In the lanes about that curious old mansion, with its windows reaching from floor to roof, that stands at the base of Wolstanbury Hill, they grow early, and ferns linger in sheltered overhung banks. The South Down range, like a great wall, shuts off the sea, and has a different climate on either hand; south by the sea--hard, harsh, flowerless, almost grassless, bitter, and cold; on the north side, just over the hill--warm, soft, with primroses and fern, willows budding and birds already busy. It is a double England there, two countries side by side.

On a summer's day Wolstanbury Hill is an island in sunshine; you may lie on the grassy rampart, high up in the most delicate air--Grecian air, pellucid--alone, among the butterflies and humming bees at the thyme, alone and isolated; endless masses of hills on three sides, endless weald or valley on the fourth; all warmly lit with sunshine, deep under liquid sunshine like the sands under the liquid sea, no harshness of man-made sound to break the insulation amid nature, on an island in a far Pacific of sunshine. Some people would hesitate to walk down the staircase cut in the turf to the beech-trees beneath; the woods look so small beneath, so far down and steep, and no handrail. Many go to the Dyke, but none to Wolstanbury Hill. To come over the range reminds one of what travellers say of coming over the Alps into Italy; from harsh sea-slopes, made dry with salt as they sow salt on razed cities that naught may grow, to warm plains rich in all things, and with great hills as pictures hung on a wall to gaze at. Where there are beech-trees the land is always beautiful; beech-trees at the foot of this hill, beech-trees at Arundel in that lovely park which the Duke of Norfolk, to his glory, leaves open to all the world, and where the anemones flourish in unusual size and number; beech-trees in Marlborough Forest; beech-trees at the summit to which the lane leads that was spoken of just now. Beech and beautiful scenery go together.

But the primroses by that lane did not appear till late; they covered the banks under the thousand thousand ash-poles; foxes slipped along there frequently, whose friends in scarlet coats could not endure the pale flowers, for they might chink their spurs homewards. In one meadow near primroses were thicker than the grass, with gorse interspersed, and the rabbits that came out fed among flowers. The primroses last on to the celandines and cowslips, through the time of the bluebells, past the violets--one dies but passes on the life to another, one sets light to the next, till the ruddy oaks and singing cuckoos call up the tall mowing grass to fringe summer.

Before I had any conscious thought it was a delight to me to find wild flowers, just to see them. It was a pleasure to gather them and to take them home; a pleasure to show them to others--to keep them as long as they would live, to decorate the room with them, to arrange them carelessly with grasses, green sprays, tree-bloom--large branches of chestnut snapped off, and set by a picture perhaps. Without conscious thought of seasons and the advancing hours to light on the white wild violet, the meadow orchis, the blue veronica, the blue meadow cranesbill; feeling the warmth and delight of the increasing sun-rays, but not recognising whence or why it was joy. All the world is young to a boy, and thought has not entered into it; even the old men with grey hair do not seem old; different but not aged, the idea of age has not been mastered. A boy has to frown and study, and then does not grasp what long years mean. The various hues of the petals pleased without any knowledge of colour-contrasts, no note even of colour except that it was bright, and the mind was made happy without consideration of those ideals and hopes afterwards associated with the azure sky above the fir-tree. A fresh footpath, a fresh flower, a fresh delight. The reeds, the grasses, the rushes--unknown and new things at every step--something always to find; no barren spot anywhere, or sameness. Every day the grass painted anew, and its green seen for the first time; not the old green, but a novel hue and spectacle, like the first view of the sea.

If we had never before looked upon the earth, but suddenly came to it man or woman grown, set down in the midst of a summer mead, would it not seem to us a radiant vision? The hues, the shapes, the song and life of birds, above all the sunlight, the breath of heaven, resting on it; the mind would be filled with its glory, unable to grasp it, hardly believing that such things could be mere matter and no more. Like a dream of some spirit-land it would appear, scarce fit to be touched lest it should fall to pieces, too beautiful to be long watched lest it should fade away. So it seemed to me as a boy, sweet and new like this each morning; and even now, after the years that have passed, and the lines they have worn in the forehead, the summer mead shines as bright and fresh as when my foot first touched the grass. It has another meaning now; the sunshine and the flowers speak differently, for a heart that has once known sorrow reads behind the page, and sees sadness in joy. But the freshness is still there, the dew washes the colours before dawn. Unconscious happiness in finding wild flowers--unconscious and unquestioning, and therefore unbounded.

I used to stand by the mower and follow the scythe sweeping down thousands of the broad-flowered daisies, the knotted knapweeds, the blue scabious, the yellow rattles, sweeping so close and true that nothing escaped; and, yet although I had seen so many hundreds of each, although I had lifted armfuls day after day, still they were fresh. They never lost their newness, and even now each time I gather a wild flower it feels a new thing. The greenfinches came to the fallen swathe so near to us they seemed to have no fear; but I remember the yellowhammers most, whose colour, like that of the wild flowers and the sky, has never faded from my memory. The greenfinches sank into the fallen swathe, the loose grass gave under their weight and let them bathe in flowers.

One yellowhammer sat on a branch of ash the livelong morning, still singing in the sun; his bright head, his clean bright yellow, gaudy as Spain, was drawn like a brush charged heavily with colour across the retina, painting it deeply, for there on the eye's memory it endures, though that was boyhood and this is manhood, still unchanged. The field--Stewart's Mash--the very tree, young ash timber, the branch projecting over the sward, I could make a map of them. Sometimes I think sun-painted colours are brighter to me than to many, and more strongly affect the nerves of the eye. Straw going by the road on a dusky winter's day seems so pleasantly golden, the sheaves lying aslant at the top, and these bundles of yellow tubes thrown up against the dark ivy on the opposite wall. Tiles, red burned, or orange coated, the sea sometimes cleanly definite, the shadows of trees in a thin wood where there is room for shadows to form and fall; some such shadows are sharper than light, and have a faint blue tint. Not only in summer but in cold winter, and not only romantic things but plain matter-of-fact things, as a waggon freshly painted red beside the wright's shop, stand out as if wet with colour and delicately pencilled at the edges. It must be out of doors; nothing indoors looks like this.

Pictures are very dull and gloomy to it, and very contrasted colours like those the French use are necessary to fix the attention. Their dashes of pink and scarlet bring the faint shadow of the sun into the room. As for our painters, their works are hung behind a curtain, and we have to peer patiently through the dusk of evening to see what they mean. Out-of-door colours do not need to be gaudy--a mere dull stake of wood thrust in the ground often stands out sharper than the pink flashes of the French studio; a faggot; the outline of a leaf; low tints without reflecting power strike the eye as a bell the ear. To me they are intensely clear, and the clearer the greater the pleasure. It is often too great, for it takes me away from solid pursuits merely to receive the impression, as water is still to reflect the trees. To me it is very painful when illness blots the definition of outdoor things, so wearisome not to see them rightly, and more oppressive than actual pain. I feel as if I was struggling to wake up with dim, half-opened lids and heavy mind. This one yellowhammer still sits on the ash branch in Stewart's Mash over the sward, singing in the sun, his feathers freshly wet with colour, the same sun-song, and will sing to me so long as the heart shall beat.

The first conscious thought about wild flowers was to find out their names--the first conscious pleasure,--and then I began to see so many that I had not previously noticed. Once you wish to identify them there is nothing escapes, down to the little white chickweed of the path and the moss of the wall. I put my hand on the bridge across the brook to lean over and look down into the water. Are there any fish? The bricks of the pier are covered with green, like a wall-painting to the surface of the stream, mosses along the lines of the mortar, and among the moss little plants--what are these? In the dry sunlit lane I look up to the top of the great wall about some domain, where the green figs look over upright on their stalks; there are dry plants on the coping--what are these? Some growing thus, high in the air, on stone, and in the chinks of the tower, suspended in dry air and sunshine; some low down under the arch of the bridge over the brook, out of sight utterly, unless you stoop by the brink of the water and project yourself forward to examine under. The kingfisher sees them as he shoots through the barrel of the culvert. There the sun direct never shines upon them, but the sunlight thrown up by the ripples runs all day in bright bars along the vault of the arch, playing on them. The stream arranges the sand in the shallow in bars, minute fixed undulations; the stream arranges the sunshine in successive flashes, undulating as if the sun, drowsy in the heat, were idly closing and unclosing his eyelids for sleep.

Plants everywhere, hiding behind every tree, under the leaves, in the shady places, behind the dry furrows of the field; they are only just behind something, hidden openly. The instant you look for them they multiply a hundredfold; if you sit on the beach and begin to count the pebbles by you, their number instantly increases to infinity by virtue of that conscious act.

The bird's-foot lotus was the first. The boy must have seen it, must have trodden on it in the bare woodland pastures, certainly run about on it, with wet naked feet from the bathing; but the boy was not conscious of it. This was the first, when the desire came to identify and to know, fixing upon it by means of a pale and feeble picture. In the largest pasture there were different soils and climates; it was so large it seemed a little country of itself then--the more so because the ground rose and fell, making a ridge to divide the view and enlarge by uncertainty. The high sandy soil on the ridge where the rabbits had their warren; the rocky soil of the quarry; the long grass by the elms where the rooks built, under whose nests there were vast unpalatable mushrooms--the true mushrooms with salmon gills grew nearer the warren; the slope towards the nut-tree hedge and spring. Several climates in one field: the wintry ridge over which leaves were always driving in all four seasons of the year; the level sunny plain and fallen cromlech still tall enough for a gnomon and to cast its shadow in the treeless drought; the moist, warm, grassy depression; the lotus-grown slope, warm and dry.

If you have been living in one house in the country for some time, and then go on a visit to another, though hardly half a mile distant, you will find a change in the air, the feeling, and tone of the place. It is close by, but it is not the same. To discover these minute differences, which make one locality healthy and home happy, and the next adjoining unhealthy, the Chinese have invented the science of Feng-shui, spying about with cabalistic mystery, casting the horoscope of an acre. There is something in all superstitions; they are often the foundation of science. Superstition having made the discovery, science composes a lecture on the reason why, and claims the credit. Bird's-foot lotus means a fortunate spot, dry, warm--so far as soil is concerned. If you were going to live out of doors, you might safely build your kibitka where you found it. Wandering with the pictured flower-book, just purchased, over the windy ridge where last year's skeleton leaves, blown out from the alder copse below, came on with grasshopper motion--lifted and laid down by the wind, lifted and laid down--I sat on the sward of the sheltered slope, and instantly recognised the orange-red claws of the flower beside me. That was the first; and this very morning, I dread to consider how many years afterwards, I found a plant on a wall which I do not know. I shall have to trace out its genealogy and emblazon its shield. So many years and still only at the beginning--the beginning, too, of the beginning--for as yet I have not thought of the garden or conservatory flowers (which are wild flowers somewhere), or of the tropics, or the prairies.

The great stone of the fallen cromlech, crouching down afar off in the plain behind me, cast its shadow in the sunny morn as it had done, so many summers, for centuries--for thousands of years: worn white by the endless sunbeams--the ceaseless flood of light--the sunbeams of centuries, the impalpable beams polishing and grinding like rushing water: silent, yet witnessing of the Past; shadowing the Present on the dial of the field: a mere dull stone; but what is it the mind will not employ to express to itself its own thoughts?

There was a hollow near in which hundreds of skeleton leaves had settled, a stage on their journey from the alder copse, so thick as to cover the thin grass, and at the side of the hollow a wasp's nest had been torn out by a badger. On the soft and spreading sand thrown out from his burrow the print of his foot looked as large as an elephant might make. The wild animals of our fields are so small that the badger's foot seemed foreign in its size, calling up thought of the great game of distant forests. He was a bold badger to make his burrow there in the open warren, unprotected by park walls or preserve laws, where every one might see who chose. I never saw him by daylight: that they do get about in daytime is, however, certain, for one was shot in Surrey recently by sportsmen; they say he weighed forty pounds.