The Open Air

Part 1

Produced by Malcolm Farmer, Juliet Sutherland, Tom Allen, Charles Franks and the Online Distributed Proofreading Team

THE OPEN AIR

RICHARD JEFFERIES

NOTE

For permission to collect these papers my thanks are due to the Editors of the following publications: The Standard, English Illustrated Magazine, Longman's Magazine, St. James's Gazette, Chambers's Journal, Manchester Guardian, Good Words, and Pall Mall Gazette. R.J.

CONTENTS

SAINT GUIDO

GOLDEN-BROWN

WILD FLOWERS

SUNNY BRIGHTON

THE PINE WOOD

NATURE ON THE ROOF

ONE OF THE NEW VOTERS

THE MODERN THAMES

THE SINGLE-BARREL GUN

THE HAUNT OF THE HARE

THE BATHING SEASON

UNDER THE ACORNS

DOWNS

FOREST

BEAUTY IN THE COUNTRY

OUT OF DOORS IN FEBRUARY

HAUNTS OF THE LAPWING

OUTSIDE LONDON

ON THE LONDON ROAD

RED ROOFS OF LONDON

A WET NIGHT IN LONDON

SAINT GUIDO

Part 2

St. Guido ran out at the garden gate into a sandy lane, and down the lane till he came to a grassy bank. He caught hold of the bunches of grass and so pulled himself up. There was a footpath on the top which went straight in between fir-trees, and as he ran along they stood on each side of him like green walls. They were very near together, and even at the top the space between them was so narrow that the sky seemed to come down, and the clouds to be sailing but just over them, as if they would catch and tear in the fir-trees. The path was so little used that it had grown green, and as he ran he knocked dead branches out of his way. Just as he was getting tired of running he reached the end of the path, and came out into a wheat-field. The wheat did not grow very closely, and the spaces were filled with azure corn-flowers. St. Guido thought he was safe away now, so he stopped to look.

Those thoughts and feelings which are not sharply defined but have a haze of distance and beauty about them are always the dearest. His name was not really Guido, but those who loved him had called him so in order to try and express their hearts about him. For they thought if a great painter could be a little boy, then he would be something like this one. They were not very learned in the history of painters: they had heard of Raphael, but Raphael was too elevated, too much of the sky, and of Titian, but Titian was fond of feminine loveliness, and in the end somebody said Guido was a dreamy name, as if it belonged to one who was full of faith. Those golden curls shaking about his head as he ran and filling the air with radiance round his brow, looked like a Nimbus or circlet of glory. So they called him St. Guido, and a very, very wild saint he was.

St. Guido stopped in the cornfield, and looked all round. There were the fir-trees behind him--a thick wall of green--hedges on the right and the left, and the wheat sloped down towards an ash-copse in the hollow. No one was in the field, only the fir-trees, the green hedges, the yellow wheat, and the sun overhead, Guido kept quite still, because he expected that in a minute the magic would begin, and something would speak to him. His cheeks which had been flushed with running grew less hot, but I cannot tell you the exact colour they were, for his skin was so white and clear, it would not tan under the sun, yet being always out of doors it had taken the faintest tint of golden brown mixed with rosiness. His blue eyes which had been wide open, as they always were when full of mischief, became softer, and his long eyelashes drooped over them. But as the magic did not begin, Guido walked on slowly into the wheat, which rose nearly to his head, though it was not yet so tall as it would be before the reapers came. He did not break any of the stalks, or bend them down and step on them; he passed between them, and they yielded on either side. The wheat-ears were pale gold, having only just left off their green, and they surrounded him on all sides as if he were bathing.

A butterfly painted a velvety red with white spots came floating along the surface of the corn, and played round his cap, which was a little higher, and was so tinted by the sun that the butterfly was inclined to settle on it. Guido put up his hand to catch the butterfly, forgetting his secret in his desire to touch it. The butterfly was too quick--with a snap of his wings disdainfully mocking the idea of catching him, away he went. Guido nearly stepped on a humble-bee--buzz-zz!--the bee was so alarmed he actually crept up Guido's knickers to the knee, and even then knocked himself against a wheat-ear when he started to fly. Guido kept quite still while the humble-bee was on his knee, knowing that he should not be stung if he did not move. He knew, too, that humble-bees have stings though people often say they have not, and the reason people think they do not possess them is because humble-bees are so good-natured and never sting unless they are very much provoked.

Next he picked a corn buttercup; the flowers were much smaller than the great buttercups which grew in the meadows, and these were not golden but coloured like brass. His foot caught in a creeper, and he nearly tumbled--it was a bine of bindweed which went twisting round and round two stalks of wheat in a spiral, binding them together as if some one had wound string about them. There was one ear of wheat which had black specks on it, and another which had so much black that the grains seemed changed and gone leaving nothing but blackness. He touched it and it stained his hands like a dark powder, and then he saw that it was not perfectly black as charcoal is, it was a little red. Something was burning up the corn there just as if fire had been set to the ears. Guido went on and found another place where there was hardly any wheat at all, and those stalks that grew were so short they only came above his knee. The wheat-ears were thin and small, and looked as if there was nothing but chaff. But this place being open was full of flowers, such lovely azure cornflowers which the people call bluebottles.

Guido took two; they were curious flowers with knobs surrounded with little blue flowers like a lady's bonnet. They were a beautiful blue, not like any other blue, not like the violets in the garden, or the sky over the trees, or the geranium in the grass, or the bird's-eyes by the path. He loved them and held them tight in his hand, and went on, leaving the red pimpernel wide open to the dry air behind him, but the May-weed was everywhere. The May-weed had white flowers like a moon-daisy, but not so large, and leaves like moss. He could not walk without stepping on these mossy tufts, though he did not want to hurt them. So he stooped and stroked the moss-like leaves and said, "I do not want to hurt you, but you grow so thick I cannot help it." In a minute afterwards as he was walking he heard a quick rush, and saw the wheat-ears sway this way and that as if a puff of wind had struck them.

Guido stood still and his eyes opened very wide, he had forgotten to cut a stick to fight with: he watched the wheat-ears sway, and could see them move for some distance, and he did not know what it was. Perhaps it was a wild boar or a yellow lion, or some creature no one had ever seen; he would not go back, but he wished he had cut a nice stick. Just then a swallow swooped down and came flying over the wheat so close that Guido almost felt the flutter of his wings, and as he passed he whispered to Guido that it was only a hare. "Then why did he run away?" said Guido; "I should not have hurt him." But the swallow had gone up high into the sky again, and did not hear him. All the time Guido was descending the slope, for little feet always go down the hill as water does, and when he looked back he found that he had left the fir-trees so far behind he was in the middle of the field. If any one had looked they could hardly have seen him, and if he had taken his cap off they could not have done so because the yellow curls would be so much the same colour as the yellow corn. He stooped to see how nicely he could hide himself, then he knelt, and in a minute sat down, so that the wheat rose up high above him.

Continue reading The Open Air free in the Wunder reader →