Part 45

Four years had since passed; they had overcome the desire to enter the premises or to look over the wall, but they told wondrous tales of the garden and of a beautiful fairy who dwelt in it, and whose soft, melodious voice was sometimes heard in the stillness of the night singing sweet, transporting songs. No one had seen her, this fairy, but she was certainly beautiful, and of course young; there were also some bold individuals who asserted that when the moon shone brightly and goldenly, the young fairy was then to be seen in the tops of the trees or upon the edge of the wall. Light as an elf, transparent as a moonbeam, she there swung to and fro, executing the singular dances and singing songs that brought tears to the eyes and compassion to the hearts of those who heard them. On hearing these tales, the Romans would make the sign of the cross, and pass more quickly by the walls of this garden, which thenceforth they called “The Charmed Garden.” It was indeed a charmed garden! It was an island of happiness, behind these walls, concealed from the knavery of the world. Like an eternal smile of the Divinity rested the heavens over this ever-blooming, ever-fragrant garden, in whose myrtle-bushes the nightingales sang, and in whose silver-clear basins the goldfishes splashed.

Yes, it was indeed a charmed garden, and also had its fairy, who, if she did not compete with the moonbeams in rocking herself on the tops of the trees and the edges of the wall, was nevertheless as delicate as an elf, and who tripped from flower to brook and from brook to hill as lightly and gracefully as the gazelle. The whole spring, the whole youth of nature, flashed and beamed from this beautiful maiden-face, so full of childlike innocence, purity, and peace. No storm had as yet passed over these smiling features, not the smallest leaf of this rose had been touched by an ungentle hand; freely and freshly had she blossomed in luxuriant natural beauty; she had drunk the dews of heaven, but not the dew of tears, for those deeply-dark beaming eyes had wept only such tears as where called forth by emotions of joy and happiness.

She sat under a myrtle, whose blossoming branches bent down to her as if they would entwine that pure and tender brow with a bridal wreath. With her head thrown back upon these branches, she reposed with an inimitable grace her reclining form. A white transparent robe, held by a golden clasp, fell in waves to her feet, which were encased in gold-embroidered slippers of dark-red leather. A blushing rose was fastened by a diamond pin in the folds of her dress upon her budding bosom, finely contrasting with the delicate flush upon her cheeks. A guitar rested upon her full round arm. She had been singing, this beautiful fairy child, but her song was now silenced, and she was glancing up to the clouds, following their movements with her dreamy, thoughtful eyes. A smile hovered about her fresh, youthful lips--the smile peculiar to innocence and happiness.

She dreamed; precious, ecstatic images passed before her mental eyes; she dreamed of a distant land in which she had once been, of a distant house in which she had once dwelt. It was even more beautiful and splendid than this which she now occupied, but it had lacked this blue sky and fragrant atmosphere; it lacked these trees and flowers, these myrtle bushes, and these songs of the nightingale, and upon a few summer days had followed long, dull winter months with their cold winding-sheet of snow, with their benumbing masses of ice, and the fantastic flowers painted on the windows by the frost. And yet, and yet, there had been a sun which shone into her heart warmer than this bright sun of Italy, and the thought of which spread a purple glow upon her cheeks. This sun had shone upon her from the tender glances of a lady whom she had loved as a tutelar genius, as a divinity, as the bright star of her existence! Whenever that lady had come to her in the solitary house in which she then dwelt, then had all appeared to her as in a transfiguration; then had even her peevish old servant learned to smile and become humble and friendly; then all was joy and happiness, and whoever saw that beautiful and brilliant lady, had thought himself blessed, and had fallen down to adore her.

Of that lady was the young maiden now thinking, of that memorable woman with the flashing eyes whose tender glance had always penetrated the heart of the child with delight, whose tender words yet resounded like music in her ears.

Where was she now, this lady of her love, her longings? why had she been brought away from that house with its snowy winding-sheet and the ice drapery upon its windows? Where lay that house, and where had she to seek it with her thoughts? What was the language she had there spoken, and which she now secretly spoke in her heart, although nobody else addressed her in it, no one about her understood it; and wherefore had her friend and protector, he who had brought her here, who had always been with her, wherefore had he suddenly given himself the appearance of no longer understanding it?

And even as she was thinking of him, of this dear friend and protector, he came along down the alley; his tall form appeared at the end of the walk; she recognized his noble features, with the proud eagle glance and the bold arched brow.

The young maiden arose from her seat and hastened to meet him.

“How charming that you have come, Paulo,” she gayly said, stretching forth her little hands toward him. “I must ask you something, and that directly, Paulo. Tell me quickly what is that language called in which we formerly conversed together, and why have we ceased to speak it since we came here to Rome?”

Paulo’s brow became slightly clouded, but when he looked into her beautiful face, animated by expectant curiosity, this expression of displeasure quickly vanished from his features, and, threatening her with his finger, he said:

“Always this same question, Natalie; and yet I have so often begged of you to forget the past, and live only in the present, my dear, sweet child! The past is sunken in an immeasurable gulf behind you, which you can never pass, and if it stretches out its arms to you, it will only be for the purpose of dragging you down into the abyss with it. Forget it, therefore, my Natalie, and yield thyself to this beautiful and delightful present, to increase for you the attractions of which will ever be the dearest task of my life.”

“It is true,” said the young maiden, sighing, “I am wrong to be always recurring to those long-past times; you must pardon me, Paulo, but you will also acknowledge that my enigmatical past justifies me in feeling some curiosity. Only think how it began! You one day came rushing to my room, you pressed me all trembling to your heart, and silently bore me away. ‘Natalie,’ said you, ‘danger threatens you; I will save, or perish with you!’ You mounted your horse with me in your arms. Behind us screamed and moaned the servants of my house, but you regarded them not, and I trustingly clung to your heart, for I knew that if danger threatened me, you would surely save me! Oh, do you yet remember that fabulous ride? How we rested in out-of-the-way houses, or with poor peasant people, and then proceeded on farther and farther! And how the sun constantly grew warmer, melting the snow, and you constantly became more cheerful and happy, until, one day, you impetuously pressed me to your bosom, and said: ‘Natalie, we are saved! Life and the future are now yours! Look around you, we are in Italy. Here you can be free and happy!’”

“And was not that a good prophecy?” asked Paulo. “Has it not been fulfilled? Are you not happy?”

“I should be so,” sighed Natalie, “could I avoid thinking so often of that past! Those words which you then spoke to me were the last I ever heard in that language, which I had always spoken until then, but of which I know not the name! From that hour you spoke to me in an unknown tongue, and I felt like a poor deserted orphan, from whom was taken her last possession, her language!”

“And yet whole peoples have been robbed of that last and dearest possession!” said Paulo, his brow suddenly darkening, “and not, as in your case, to save life and liberty, but for the purpose of enslaving and oppressing them.”

Natalie, perceiving the sudden sadness of her friend, attempted to smile, and, grasping his hand, she said:

“Come, Paulo, we are naughty children, and vex ourselves with vagaries, while all nature is so cheerful and so replete with divine beauty. Only see with what glowing splendor the departing sun rests upon the tops of the cypresses! Ah, it is nowhere so beautiful as here in my dear garden. This is my world and my happiness! Sometimes, Paulo, it makes me shudder to think that the walls surrounding us might suddenly tumble down, and all the tall houses standing behind them, and all the curious people lounging in the streets, could then look in upon my paradise! That must be terrible, and yet Marianne tells me that other people live differently from us, that their houses are not surrounded by walls, and that no watchman with dogs drives away troublesome visitors from them. And yet, she says, they smilingly welcome such inconvenient people, receiving them with friendly words, while they only thank God when they finally go and leave the occupants in peace. Is it then true, Paulo, that people can be so false to each other, and that those who live in the world never dare to speak as they think?”

“It is, alas! but too true, Natalie,” said Paulo, with a sad smile.

“Then never let me become acquainted with such a world,” said the young maiden, clinging to Paulo’s arm. “Let me always remain here in our solitude, which none but good people can share with us. For Marianne is good, as also Cecil, your servant; and Carlo--oh, Carlo would give his life for me. He is not false, like other people; I can confide in him.”

“Think you so!” asked Paulo, looking deep into her eyes with a scrutinizing glance.

She bore his glances with a cheerful and unembarrassed smile, and a roguish nod of her little head.

“You must certainly wish to paint me again, that you look at me so earnestly. No, Paulo, I will not sit to you again, you paint me much too handsome; you make an angel of me, while I am yet only a poor little thing, who lives but by your mercy, and does not even know her own name!”

“Angels never have a name, they are only known as angels, and need no further designation. As there is an Angel Gabriel, so there is an Angel Natalie!”

“Mocker,” said she, laughing, “there are no feminine angels! But now come, be seated. Here is my guitar, and I will sing you a song for which Carlo yesterday brought me the melody.”

“And the words?” asked Paulo.

“Well, as to the words, they must come in the singing--to-day one set of words, to-morrow another. Who can know what glows in your heart at any given hour, and what you may feel in the next, and which will escape you in words unknown to yourself, and which unconsciously and involuntarily stream from your lips.”

“You are my charming poetess, my Sappho!” exclaimed Paulo, kissing her hand.

“Ah, would that you spoke true!” said she, with sparkling eyes and a deeper flush upon her cheeks. “Let me be a poetess like Sappho, and I would, like her, joyfully leap from the rocks into the sea. Oh, there are yet poetesses--Carlo has told me of them. All Rome now worships the great improvisatrice, Corilla. I should like to know her, Paulo, only to adore her, only to see her in her splendor and her beauty!”