Part 44

Where was Alexis Razumovsky?

Ah, well for her! He stood at her bedside, he pressed her cold hand in his; he yet, in the face of death, thanked her for all the benefits she had heaped upon him. But alas! she was also surrounded by others--by wild, pale, terrible forms, which were unseen by all except the dying empress! She there saw the tortured face of Anna Leopoldowna, whom she had let die in prison; there grinned at her the idiotic face of Ivan, whose mind she had destroyed; there saw she the angry-flashing eyes and bloody form of Eleonore Lapuschkin, and, springing up from her bed, the empress screeched with terror, and folded her trembling hands in prayer to God for grace and mercy for her daughter, for Natalie, that He would turn away the horrible curse that Eleonore had hurled at her child.

Alexis Razumovsky stood by her bedside, weeping. Overcome, as it seemed, by his sorrow, another left the death-chamber of the empress, and rushed to his horse, standing ready in the court below! This other was Count Rasczinsky, the confidant of the empress.

The bells rang in St. Petersburg, the cannon roared; there were both joy and sorrow in what the bells and cannon announced!

The Empress Elizabeth was dead; the Emperor Peter III. ascended the throne of the czars as absolute ruler of the Russian realm. The first to bow before him was his wife. With her son of five years old in her arms, she had thrown herself upon her knees, and touching the floor with her forehead, she had implored grace and love for herself and her son; and Peter, raising her up, had presented her to the people as his empress.

In St. Petersburg the bells rang, the cannon thundered--“The empress is dead, long live the emperor!”

Before the villa stopped a foam-covered steed, from which dismounted a horseman, who knocked at the closed door. To the porter who looked out from a sliding window he showed the written order of Elizabeth for his admission. The porter opened the door, and with the loud cry, “Natalie, Natalie!” the Count Rasczinsky rushed into the hall of the house.

The bells continued to ring, the cannon to thunder. There was great rejoicing in St. Petersburg.

Issuing from the villa, Count Rasczinsky again mounted his foaming steed.

Like a storm-wind swept he over the plain--but not toward St. Petersburg, not toward the city where the people were saluting their new emperor!

Away, away, far and wide in the distance, his horse bounded and panted, bleeding with the spurs of his rider. Excited constantly to new speed, he as constantly bounds onward.

Like a nocturnal spectre flies he through the desert waste; the storm-wind drives him forward, it lifts the mantle that enwraps him like a cloud, and under that mantle is seen an angel-face, the smile of a delicate little girl, two tender childish arms clasping the form of the count, a slight elfish form tremblingly reposing upon the count’s breast.

“You weep not, my angel,” whispered the count, while rushing forward with restless haste.

“No, no, I neither weep nor tremble, for I am with you!” breathed a sweet, childish voice.

“Cling closer to me, my sweet blossom, recline your head against my breast. See, evening approaches!--Night will spread its protecting veil over us, and God will be our conductor and safeguard! I shall save you, my angel, my charming child!”

The steed continues his onward course.

The child smilingly reclines upon the bosom of the rider, over whom the descending sun sheds its red parting beams.

Like a phantom flies he onward, like a phantom he disappears there on the border of the forest. Was it only a delusive appearance, a fata morgana of the desert?

No, again and again the evening breeze raises the mantle of the rider, and the charming angelic brow is still seen resting upon the bosom of the count.

No, it is no dream, it is truth and reality!

Like a storm-wind flies the count over hill and heath, and on his bosom reposes Natalie, the daughter of the empress!

THE CHARMED GARDEN

One must be very happy or very unhappy to love Solitude, to lean upon her silent breast, and, fleeing mankind, to seek in its arms what is so seldom found among men, repose for happiness or consolation for sorrow! For the happy, solitude provides the most delightful festival, as it allows one in the most enjoyable resignation to repose in himself, to breathe out himself, to participate in himself! But it also provides a festival for the unhappy--a festival of the memory, of living in the past, of reflection upon those long-since vanished joys, the loss of which has caused the sorrow! For the children of the world, for the striving, for the seeker of inordinate enjoyments, for the ambitious, for the sensual, solitude is but ill-adapted--only for the happy, for the sorrow-laden, and also for the innocent, who yet know nothing of the world, of neither its pleasures nor torments, of neither its loves nor hatreds!

So thought and spoke the curious Romans when passing the high walls surrounding the beautiful garden formerly belonging to the Count Appiani. At an earlier period this garden had been well known to all of them, as it had been a sort of public promenade, and under its shady walks had many a tender couple exchanged their first vows and experienced the rapture of the first kiss of love. But for the four last years all this had been changed; a rich stranger had come and offered to the impoverished old Count Appiani a large sum for this garden with its decaying villa, and the count had, notwithstanding the murmurs of the Romans, sold his last possession to the stranger. He had said to the grumbling Romans: “You are dissatisfied that I part with my garden for money. You were pleased to linger in the shady avenues, to listen to these murmuring fountains and rustling cypresses; you have walked here, you have here laughed and enjoyed yourselves, while I, sitting in my dilapidated villa, have suffered deprivation and hunger. I will make you a proposition. Collect this sum, you Romans, which this stranger offers me; ye who love to promenade in my garden, unite yourselves in a common work. Let each one give what he can, until the necessary amount is collected, then the garden will be your common property, where you can walk as much as you please, and I shall be happy to be relieved from poverty by my own countrymen, and not compelled to sell to a stranger the garden so agreeable to the Romans!”

But the good Romans had no answer to make to Count Appiani. They, indeed, would have the enjoyment, but it must cost them nothing--in vain had they very much loved this garden, had taken great pleasure under its shady trees; but when it became necessary to pay for these pleasures, they found that they were not worth the cost, that they could very well dispense with them.

The good Romans therefore turned away from this garden, which threatened them with a tax, and sought other places of recreation; while old Count Appiani sold his garden and the ruins of his villa to the rich stranger who had offered him so considerable a sum for them. From that day forward every thing in the garden had assumed a different appearance. Masons, carpenters, and upholsterers had come and so improved the villa, within and without, that it now made a stately and beautiful appearance amid the dense foliage of the trees. It had been expensively and splendidly furnished with every thing desirable for a rich man’s dwelling, and the upholsterers had enough to relate to the listening Romans of the elegant magnificence now displayed in this formerly pitiable villa. How gladly would the former promenaders now have returned to this garden; how gladly would they now have revisited this villa, which, with its deserted halls and its ragged and dirty tapestry, had formerly seemed to them not worth looking at! But their return to it was now rendered impossible; for on the same day in which the new owner took possession of the garden, he had brought with him more than fifty workmen, who had immediately commenced surrounding it with a high wall.

Higher and higher rose the wall; nobody could see over it, as no giant was sufficiently tall; no one could climb over it, as the smoothly-hammered stones of which it was built offered not the least supporting point. The garden with its villa had become a secret mystery to the Romans! They yet heard the rustling of the trees, they saw the green branches waving in the wind; but of what occurred under those branches and in those shaded walks they could know nothing. At first, some curious individuals had ventured to knock at the low, narrow door that formed the only entrance into this walled garden. They had knocked at that door and demanded entrance. Then would a small sliding window be opened, and a gruff, bearded man with angry voice would ask what was wanted, and at the same time inform the knocker that no one could be admitted; that he and his two bulldogs would be able to keep the garden clear of all intruders. And the two great hounds, as if they understood the threats of their master, would show their teeth, and their threatening growl would rise to a loud and angry bark.

They soon ceased to knock at that door, and, as they could not gain admission, they took the next best course, of assuming the appearance of not wishing it.