Part 18

I gazed with interest at the place where one of the greatest figures in the history of the world had lived and died.

A shady, lovable old town it seemed. We drove into a pleasant street, which looked so clear and green, from the mirror of its canal to the Gothic arch of its close arbor of fragrant lime-trees, that it was like a tunnel of illuminated beryl. The extraordinary brilliance of the windows added to the jewel-like effect. Each pane was a separate glittering square of crystal, and the green light flickered and glanced on the quaint little tilted spying-mirrors in which Dutch ladies see the life of the streets, themselves unseen.

The houses were of brown or purplish brick, with curiously ornamented doorways, the stucco decorations running in wavy lines up to the level of the first story windows; the door-steps white as pearl in the green glimmer; but there was nothing striking in the way of architecture until we swept into sight of an old Gothic building, blazing with colored coats-of-arms, ancient and resplendent.

"That's the Gemeenlandshuis van Delfsland," said Cousin Robert, with a beautiful confidence in our comprehension; and then, slowing down the car before a dark, high wall, with a secretive-looking door in the midst, "Here's the Prinzenhof, where William the Silent lived, and where Balthazar Gerard killed him."

"Oh," I exclaimed, as he was driving on, "can't we stop--can't we go in?"

"We could, but--I should not like to make us late for dinner," Cousin Robert demurred.

"Dinner? Why, it's ages before dinner, and----"

"We dine at half-past five," said he.

Phil and I gazed at each other with lifted eyebrows. Phil was pale, and I felt a sudden constriction of the throat. The idea of eating dinner at the hour when our souls cried for tea and toast, was little short of ghastly. Noblesse obliged us to conceal our loathing, but I did venture meekly to suggest that if we drove faster afterwards perhaps we might spare a few minutes for the Prinzenhof.

"There are things in The Hague you will want to stop for, too," said Robert. "But my sisters and I can bring you to see the pictures, and the Royal Palace and the Huis ten Bosch to-morrow; besides, I remember my mother meant to put off dinner for us until six, so we will, maybe, not be too late."

One should be thankful for the smallest mercies; and I hoped that the craving for tea might have subsided into callous resignation by six. What Phil, as a born Englishwoman, must have been feeling, I could easily conceive; and it was a pity this shock to her system had arrived on our first day, for only just before the blow she had said that Holland seemed too enchanting: she was glad, after all, that she had come, and would like to learn the language.

Luckily, Cousin Robert had remembered the change in the domestic program before it was too late, otherwise I am sure he would have denied us the Prinzenhof, and we should have had to sneak back by ourselves to-morrow. As it was we were allowed to have our own way, practically for the first time since we came to Holland.

Robert rang a bell, and a man appeared, who let us into the courtyard, more like the courtyard of a monastery than a palace; and among the historical dust-motes which clung to Cousin Robert's memory was the fact that the place actually had been a monastery, sacred to St. Agatha.

We crossed the courtyard, and just inside another door found ourselves on the scene of the great tragedy.

I knew it by instinct, before anybody told me; for suddenly the whole story came back just as I heard it from my father, not as I've read it in books of history. So vividly did he paint each detail, that I used to grow hysterical in my infantine way, and he was scolded by mother for "filling the child's mind with horrors."

Yes, there was the stairway, with the pale light coming from the low window; there was the white wall which had been spattered with the hero's life blood; there was the open door of the dining-hall where he had been carried back to die; there the white pillar behind which the murderer crouched, and there the dark archway through which Gerard had run, his heart beating thickly with the hope of escape, and the thought of the horse waiting beyond the ramparts and the moat.

I fancied I could see the prince, handsome still, in the fashion of dress he affected, since the days of the Water Beggars' fame. A stately figure in his rough and wide-brimmed hat, with the silk cord of the Beggars round the felt crown; and I could almost smell the smoke from the murderer's pistol, bought with the money William's generosity had given. There were the holes in the wall made by the poisoned bullets. How real it all seemed, how the centuries between slipped away! Let me see, what had the date been? I ought to remember. July----

"Phil, what day of the month is this?" I demanded with a start.

Phil turned at the open door of the dining-hall, which I could see had been made into a museum.

"July tenth," she answered promptly; for you can never catch Phil tripping as to a date, or a day of the week, even if you should shake her out of her first sleep to ask.

"Then it's the anniversary of his death!" I exclaimed. "July 10, 1584, it was. How strange we should have come on the very day! It makes it seem a pilgrimage."

"I don't find it strange," said Cousin Robert. "Many people come every day of the year."

Having thus poured the cold water of common sense on my sentiment, he dragged us into the dining-hall museum to see relics of William, and I should have been resentful, had not my eyes suddenly met other eyes looking down from the wall. They were the eyes of William the Silent himself when he was young--painted eyes, yet they spoke to me.

I don't know how fine that portrait may be as a work of art, but it is marvelously real. I understood in a moment why little, half-deformed Anna of Saxony had been so mad to marry him; I knew that, in her place, I should have overcome just as many obstacles to make that dark, haunting face the face of my husband.

Of course I've often read that William of Orange was a handsome man, as well as a dashing and extravagant gallant in his young days, but never till now had I realized how singularly attractive he must have been. The face in the portrait was sad, and as thoughtful as if he had sat to the artist on the day he heard the dreadful secret of the fate which Philip of Spain and Francis of France were plotting for the Netherlands, the day that decided his future, and gave him his name of "William the Silent." Yet in spite of its melancholy, almost sternness, it won me as no pictured face of a man ever did before.

"This is a great day for me," I said to Phil, who was close behind; "not only am I seeing Holland for the first time, but I've fallen in love with William the Silent."

I laughed as I made this announcement, though I was half in earnest; and turning to see whether I had shocked Cousin Robert, I found him in conversation with a tall, black-haired young man, near the door.

The man--he wore a gray suit, and carried a straw hat in his hand--had his back to me, and I remembered having seen the same back in the museum before we came in. Now he was going out, and evidently he and Cousin Robert had recognized each other as acquaintances. As I looked, he turned, and I saw his face. It was so like the face of the portrait that I felt myself grow red. How I did hope he hadn't overheard that silly speech!