Part 14

So I was mistaken. As quiet and peaceful as Brittany was during May and June, as beautiful with broom and poppies as were its fields, it had not gone untouched by the cruel hand of war. It, too, had suffered, as has every hamlet, village, and corner of fair France; suffered grievously.

Thus I was not surprised to hear that this beautiful young woman was wearing black because her husband had been killed, and that the little girl behind her in the doorway had no longer any hope that her soldier daddy would some day come home and romp with her as of old. At the lunch we were told all about it. True, there were tears shed in the telling, and these not alone by these brave Frenchwomen and the little girl, but it was a sweet, simple story of courage. Several times during its telling the little girl ran over to kiss the tears out of her mother's eyes, and to say, with such faith that it thrilled us: "Never mind, mother, the Americains are here now; they will kill the cruel Boches."

After dinner we walked amid the red poppies in the great lawn that was the crowning feature of that white-stone home. On the walls of the ancient house grew the most wonderful roses that I have ever seen anywhere, not excepting California. Great white roses, so large and fragrant that they seemed unreal, delicately moulded red roses, which unfolded like a baby's lips, climbed those ancient stone walls. The younger woman cared for them herself, and was engaged in that task of love even before we went away.

I said to her, in what French I could command: "They are the most beautiful roses I have ever seen."

"Even in your own beautiful America?" she asked with a smile.

"Yes, more beautiful even than in my own America."

"Yes," she said, "they are most beautiful, but they are more than that; they are full of hope for me. They are my promise that I shall see him some time again. They come back each spring. He loved them and cared for them when he was alive. Even on his leave in 1915 he gloried in them. And when they come back each spring they seem to come to give me promise that I shall see him again."

Then I translated Oxenham's verses about the roses for her. The translation was poor, but she caught the idea, and her face beamed with a new light, and she said: "Ah, yes, it is as I believe, that the good God who still makes the beautiful roses, he will not take him away from me forever."

I never read Oxenham's verse now that I do not see that little cottage in Brittany that has sheltered the same family for centuries; twined about with great red and white roses; and the old mother and the young mother and the little lonely girl.

"Yet our hope in Him reposes Who in war-time still makes roses."

Another time, down on the Toul front lines, I had this thought forced home by a strange scene. It was in mid-March and for three days a heavy blizzard had been blowing. I, who had lived in California for several years, wondered at this blizzard and revelled in it, although I had had to drive amid its fury, sometimes creeping along at a snail's pace, without lights, down near the front lines. It was cruelly cold and hard for those of us who were in the "truck gang."

One night during this blizzard, which blew with such fury as I have never seen before, we were lost. At one time we were headed directly for the German lines, which were close, but an American sentry stopped us before we had gone very far, demanding in stern tones: "Where are youse guys goin' that direction?"

I replied: "To Toul."

"To Toul! You're going straight toward the Boche lines. Turn around. You're the third truck that's got lost in this blizzard. Back that opposite way is your direction."

The morning after it had cleared it was worth all the discomfort to see the hills and fields of France. One group of hills which I had heard were the most heavily fortified in all France, loomed like two huge sentinels before the city. The Germans knew this also, and military experts say that that is the reason why they did not try to reach Paris by this route in the beginning of the war.

We were never permitted on these hills, but we had seen them belch fire many a time as the German airplanes came over the city.

But on this morning, after three days of snow, those great black hills were transformed, covered with a pure white blanket. The trees were robed in white. Not a spot of black appeared. Even the great guns on the top of the hill looked like white fingers pointing toward Berlin. The roads and fields and hills of France had suddenly been transformed as by a magic wand into things beautiful and white.

War is black. War is muddy. War is bloody. War is gray. War is full of hate and hurt and wounds and blood and death and heartache and heartbreak and homesickness and loneliness.

Thomas Tiplady, in "The Cross at the Front," was right when he described war as symbolized by the great black cloud of smoke that unrolled in the sky when a great Jack Johnson had exploded. Everything that war touches it makes ugly, except the soul, and it cannot blacken that.

It ruins the fields and makes them torn and cut; it tears the trees into ragged stumps. It kills the grass and tramples it underfoot. It takes the most beautiful architecture in the world and makes a pile of dust and dirt of it. It takes a beautiful face and makes it horrible with the scars of bayonet and burning gases.

But on this morning God seemed to be covering up all of that ugliness and dirt and mud and blackness. Fields that the day before had been nothing but ugly blotches were white and beautiful. Ammunition dumps, horrible in their suggestion of death, seemed now to have been covered over and hidden by some kindly hand of love. The great brown-bronzed hills, the fortifications filled with death and horror were gleaming white in the morning sunlight.

I said to the other driver: "Well, it's too beautiful to be true, isn't it? It's a shame to think that when we get back from the front it will all be gone, melted, and the old mud and dirt will be back again."

"Yes, but it means something to me," he said.

"What does it mean?"

"It means the future."

"What are you talking about, man?"

"Why, it means that some day this land will be beautiful again. It means that, impossible as that idea seems, the war will cease, that people will till these fields again, that grass will grow, that flowers will bloom in these fields again, that people will come back to their homes in peace. It is symbolical of that great white peace that will come forever, when the ugly thing we call war will be buried so deeply underneath the white blanket of peace and brotherhood that the world will know war no more. It's like a rainbow to me. It is a promise."

I had never heard Tom grow so eloquent before, and what he said sounded Christian. It sounded like man's talk to me. It was the dream of the Christ I knew. It was the dream of the prophets of old. It was Tennyson's dream. Such a dream will not die from the earth, and men will just keep on dreaming it until some day it will come true, for--