Part 13

A man at the door told me that every day they come, that every day they keep fresh the memory of their loved one.

"But why does she come so long after he is dead?" I asked.

"She comes to pray for the other aviators," he added simply.

It was a tremendous thing to me. I went into the great, beautiful cathedral and reverently knelt beside them in love and thankfulness that no harm had come to my own wife and baby. But the memory of that woman's brave pilgrimage of prayer each day for a year, "for the other aviators," the picture of the woman and child kneeling, etched its way into my soul to remain forever.

"As I shot down through the night, falling to what I was certain was immediate death, I had just one thought," a young aviator said, as we sat talking in a hotel in Paris.

I said: "What was it?"

"I said to myself: 'What will the poor kiddie do without his dad?"'

Then there is that Silhouette of Sorrow that my friend brought back from Germany, he who was on the Peace Ship Commission, and who saw a train-load of German boys leaving a certain German town to fill in the gaps caused by the losses at Verdun; and because this sorrow is characteristic of the mother sorrow of the whole world, and especially of the American mother, and because it has a note of wonderful triumph, I tell it.

"I thought they were the hardest women in the world," he said, "for as I watched them saying farewell to their boys there wasn't a tear. There was laughter everywhere, shouting and smiles, as if those poor boys were going off to school, or to a picnic, when we all knew that they were going to certain death.

"I felt like cursing their indifference to the common impulses of motherhood. I watched a thousand mothers and women as that train started, and I didn't see a tear. They stood waving their hands and smiling until the train was out of sight. I turned in disgust to walk away when a woman near me fainted, and I caught her as she fell. Then a low moan went up all over that station platform. It was as if those mothers moaned as one. There was no hysteria, just a low moan that swept over them. I saw dozens of them sink to the floor unconscious. They had kept their grief to themselves until their lads had gone. They had sent their boys away with a smile, and had kept their heartache buried until those lads had departed."

I think that this is characteristic of the triumphant motherhood of the whole world. It is a Silhouette of Sorrow, but it has a background of the golden glory of bravery which is the admiration of all the world. A recent despatch says that a woman, an American, sent her boy away smiling a few weeks ago, and then dropped dead on the station, dead of grief.

One who has lived and worked in France has silhouette memories of funeral processions standing out in sombre blackness against a lurid nation. He has memories of funeral trains in little villages and in great cities; he has memories of brave men standing as doorkeepers in hotels, with arms gone, with crosses for bravery on their breasts, but somehow the cloud of sorrow is always fringed with gold and silver. He has memories of funeral services in Notre Dame and the Madeleine, and in little towns all over France, but in and around them all there is somewhere the glory of sunlight, of hope, of courage. Indeed, one cannot have silhouettes, even of sorrow, if there is no background of light and hope.

For we know that even in war-time God "still makes roses," as John Oxenham, the English poet, tells us:

"Man proposes--God disposes; Yet our hope in Him reposes Who in war-time still makes roses."

John Oxenham, one of the outstanding poets of the war, wrote this verse, and for me it has been a sort of a motto of faith during my service in France. I have quoted it everywhere I have spoken, and it has sung its way into my heart, like a benediction with its comfort and its assurance.

It has been surprising, too, the way the boys have grasped at it. I have quoted it to them privately, in groups, and in great crowds down on the line, and back in the rest-camps, and in the ports, and everywhere I have quoted it I have had many requests to give copies of it to the boys. I quoted it once in a negro hut, hesitating before I did so lest they should not appreciate it enough to make quoting it excusable. But I took a chance.

When the service was over a long line of intelligent-looking negro boys waited for me. I thought that they just wanted to shake hands, but much to my astonishment most of them wanted to know if I would give them a copy of that verse, and so I was kept busy for half an hour writing off copies of that brief word of faith.

One never quite knows all that this verse means until he has been in France and has seen the suffering, the heartache, the loneliness, the mud, and dirt and hurt; the wounds and pain and death which are everywhere.

Then he turns from all the suffering to find a blood-red poppy blooming in the field behind him; or a million of them covering a green field like a great blanket. These poppies are exactly like our golden California poppies. Like them they grow in the fields and along the hedges; even covering the unsightly railroad-tracks, as if they would hide the ugly things of life.

I thought to myself: "They look as if they had once been our golden California poppies, but that in these years of war every last one of them had been dipped in the blood of those brave lads who have died for us, and forever after shall they be crimson in memory of these who have given so much for humanity."

One day in early June I was driving through Brittany along the coast of the Atlantic. On the road we passed many old-fashioned men, and women in their little white bonnets and their black dresses.

We stopped at a beautiful little farmhouse for lunch. It attracted us because of its serene appearance and its cleanliness. A gray-haired little old woman was in the yard when we stopped our machine.

The yard was literally sprinkled with blood-red poppies. As we walked in and were making known our desire for lunch a beautiful girl of about twenty-five, dressed in mourning, stepped to the doorway, her black eyes flashing a welcome, and cried out: "Welcome, comrade Americaine." Behind her was a little girl, her very image.

I guessed at once that in this quiet Brittany home the war had reached out its devastating hand. I had remarked earlier in the day as we drove along: "It is all so quiet and beautiful here, with the old-gold broom flowering everywhere on hedge and hill, and with the crimson poppies blowing in the wind, that it doesn't seem as if war had touched Brittany."

A friend who knew better said: "But have you not noticed that women are pulling the carts, women are tilling the fields? Look at that woman over there pulling a plough. Have you not noticed that there are no men but old men everywhere?"

He was right. I could not remember to have seen any young men, and everywhere women were working in the field, and in one place a woman was yoked up with an ox, ploughing, while a young girl drove the odd pair.

"And if that isn't enough, wait until we come to the next cathedral and I'll show you what corresponds to our 'Honor Rolls' in the churches back home. Then you'll know whether war has touched Brittany or not."

We entered with reverent hearts the next ancient cathedral of Brittany, in a little town with a population of only about two thousand, we were told, and yet out of this town close to five hundred boys had been killed in the Great War. Their names were posted, written with many a flourish by some village penman. In the list I saw the names of four brothers who had been killed, and their father. The entire family had been wiped out, all but the women.