Part 16

"Are you betting on the magnolia tree with anybody this winter?" she asked, her eyes, too, on the high nest.

"No one left to bet with, Pet. Everybody knows now that it can live through the worst that can come to it. Let's see, it's twenty years since I planted it there, and I've won twenty jack-knives betting that it would live, twenty different winters. Twenty years! Sally, that's a good while, my honey. Why, twenty years ago you didn't come knee-high to a puddle-duck. We had just moved down here from St. Louis, your mother and I, twenty years ago."

As he talked, the moment shaped itself for Madeira as a little negligible interim, wedged in between the restless night, with its defined purposes, and the next hour, when he should have consummated at least one of the night's purposes.

"That mother of yours was a lovely little thing, Sally."

The girl was sure of it. She had felt the loveliness of her mother all her life. Once she had gone to her mother's old Kentucky home, and though her mother's people were all dead long ago, the great Kentucky house was still there, and, standing before it, she had been almost able to see the aura of influence that it had been in the moulding of the loveliness of her mother, the southern girl, lifting from it to ensphere her, the western girl.

"I know she was lovely," said Sally.

"Oh my, yes,--just about at her loveliest twenty years ago. But as for twenty years, Sally, why, I can go a lot farther back than that. I can go back forty years, close to my beginning. This is all sort of different from my beginning, Sally." Out beyond the window, into the September sunshine, rolled the fat corn lands, hundreds upon hundreds of acres, the wheat flats, the miles of cattle range of Madeira Place. Around them shut the strong walls of the old Peele house, a memorable house in its way, massive and wide-porched and staunch.

"You can hardly imagine anything more different from this than was my beginning," went on Madeira. "This is pretty luxurious, isn't it? In its way, though it is down here on the Di, it's just about as good for a country house as the places you saw on the Hudson, aint it?"

"Oh, it has a lot more soul and story than the Hudson places," she acquiesced at once. Sometimes she could feel that desire of his to give her as good as the best palpitate like a pulse through his words.

"Well, anyhow, Lord knows it's mighty different from what I began with, Sally. Why, Honey, in my boy-days living on a farm in Missouri was mighty much like living on the fringes of hellen-blazes. Br-r-rt!" He clamped and unclamped his big hand, watching the strong muscle-play in it. "I can feel my fingers burn to this day where the frozen fodder sawed and rasped 'em in winter and the hot plough-handles bit and blistered 'em in summer. And then, afterwards, those old St. Louis days meant hard pulling, too, of another kind. From grocery clerk, to dry-goods clerk, to old Peele's real estate office, it was pull, pull, if not over one thing, over another. Takes a thundering lot of pulling to pull out in this world, Sally." All in a minute his voice sounded perplexed and resentful.

"Well, you did it, didn't you? You pulled out. I'm proud of you. I like the way you did it."

"Do you, Pet? Do you like me?" he queried with a peculiar anxiety.

"Yes, sir, I do."

Black Chloe, who had been making slow trips between kitchen and dining-room for some minutes, stopped now to say, in a sort of Arabian Nights measure, "Ef you raddy fuh yo' brekfus, yo' brekfus raddy fuh you."

"Better than anybody?" pursued Madeira, but his daughter was drawing him to the table, and he did not notice that her only answer was a quivering laugh.

They sat down to a breakfast-table whose delightful appearance was due to that sense of colour in Sally Madeira's temperament. Both ate some fruit, because it was juicy and went down easily, and both looked at their coffee-cups.

"Why don't you eat your breakfast, Daddy?"

"Why don't you?" Perhaps if he had waited for her to tell him, her gladness would have sent her story bubbling to her lips, but he did not wait. "I'm bothered, Honey, that's why I can't eat."

"What's the bother, Dad?"

Madeira, considering that this was his opportunity, closed in determinedly, with that iron grip of his. "It's that man Steering, Honey."

"Taken a foolish old dislike to him, haven't you, Dad?" She was ready for him, eager to get her case before him, to make her points quickly and surely.

"Foolish," Madeira gasped and put his hand to his vest pocket. "Sally, girl, it's a matter of life and death, I take it." He rose from his chair, his face grey. Staggering a little to the left, he moved to the window, where he stood with his hands in his pockets, his eyes on the Garden of Dreams. Behind him the girl sat on quietly. She had put one hand to her chin, so that her face was up-tilted. The light from the window was strong on it.

"Sally," began Madeira again, "I've never asked very much of you, have I? Always let you do as you please, haven't I? And it's too late now to try to force you to do anything, isn't it? Besides, I wouldn't do it anyway. I wouldn't like it that way. But I'm going to ask you to do something for me. Then I'm going to leave the doing wholly to you. I'm going to ask you to drop that man Steering. I thought it all out last night, Sally. I know that he and I are going to mix up if he doesn't keep well out of my sight. I'm going to ask you to drop him, for my sake, Pet."

He came back toward her, and again he half reeled as he started. With one hand on her shoulder, he looked down at her. By now she was staring unseeingly at the bird that stared at the nest in the magnolia tree. "Are you going to do what I want, Honey?" His hand shook on her shoulder and when she turned to look up at him the ashen hue of his face frightened her. She nestled her cheek into his hand. "It's the God's truth I'm telling you, Sally," went on Madeira, "it's life or death, I think. I've got to get rid of Steering--I--I--oh, I hate him so."

"And you won't tell me why, Daddy?"

"And I won't--I can't--there's reason enough, Sally, that's all I can say. Can't you let it go at that, and help me out?"

"Yes, Dad, yes," she said. "You've done such a lot for me, you've helped me out--it--be--a pity,"--her voice went astray in her throat, and in the strong light Madeira saw a wild pain on her upturned face--"pity if I couldn't do anything you ask me to--wouldn't it?" She got up suddenly and ran to the door.

"Sally!" he called, "Sally, you don't mean--you don't--it isn't that"--but she was gone.