wunder · Library
Sally of Missouri cover

Sally of Missouri

by Rose E. (Rose Emmet) Young

By Rose E. (Rose Emmet) Young · Literature & Fiction · Public domain

Start reading free → Jump to chapter 1

About this book

Sally of Missouri is a public-domain classic of literature and fiction by Rose E. (Rose Emmet) Young.

The complete text is on this page and the chapter pages below — all 36 chapters, about 54,911 words (~5 hours of reading), free to read online with no signup.

Sally of Missouri at a glance

Author
Rose E. (Rose Emmet) Young
Length
54,911 words · about 5 hours to read
Chapters
36
Price
Free — public domain

Learn more about literature and fiction

Short, fact-checked Wunder courses related to Sally of Missouri — free to read, no signup. Or browse every course.

Poems with The Ballad of Reading GaolHe does not wear his scarlet coat. A 1913 Methuen volume sets Wilde's prison ballad after poems of marble, yellow fog, and a bronze sphinx.20 min courseThe Princess and the GoblinMacDonald’s mountain fairy tale: Irene’s invisible thread, Curdie’s soft-footed goblins, a kiss deferred, and an “inside house” that outranks a…18 min courseThe Count of Monte CristoOn the 24th of February, 1815, the look-out at Notre-Dame de la Garde signalled the three-master Pharaon. A young man who is not the captain is…22 min courseThe Turn of the ScrewRead Henry James's ghost story as a test of testimony: a young governess confronts apparitions, silence, class power, and the danger of certainty.30 min courseHow to Read PoetryCrack open any poem with tools for meter, imagery, and meaning.30 min courseHow do mangrove forests protect coasts and raise young fish?Follow mangrove roots, nurseries, blue carbon, shoreline buffering, and restoration at the tidal edge.10 min course

Read Sally of Missouri online — full text

Part 1

SALLY OF MISSOURI

R. E. YOUNG

New York: McClure, Phillips & Co.: Mcmiii

Copyright, 1903, by McClure, Phillips & Co.

Published, October, 1903

Dedicated to Florence Wickliffe

CONTENTS

CHAPTER PAGE

I. STEERING OF NEW YORK, 3

II. PINEY OF THE WOODS, 23

III. THE PROMISED LAND, 36

IV. FOR THE BENEFIT OF CARINGTON, 62

V. BOOM TIME IN THE TOWN THAT JACK BUILT, 73

VI. FATHER AND DAUGHTER, 95

VII. THE GARDEN OF DREAMS, 109

VIII. WHEN A GIRL FINDS HERSELF, 119

IX. GOOD-BYE! 137

X. WHO'S GOT THE TIGMORES? 153

XI. TALL THINGS, 170

XII. THE COLOSSUS OF CANAAN, 194

XIII. MISS SALLY MADEIRA'S SWEETHEART, 203

XIV. WHEN THE MEAL GAVE OUT, 222

XV. A MISTAKE SOMEWHERE, 242

XVI. MADEIRA'S PEACE, 251

XVII. JUST A BOY, 258

XVIII. A PRETTY PRECARIOUSNESS, 268

XIX. WHEN DREAMS COME TRUE, 274

SALLY OF MISSOURI

Part 2

PRINCIPAL CHARACTERS IN THE STORY

Steering, of New York

Old Bernique, of French St. Louis

Piney, of the Woods

Crittenton Madeira, of Canaan

Sally, of Missouri

There are also some kind-hearted people: Farmers, Housewives, Store-keepers, Miners, etc.

Chapter One

STEERING OF NEW YORK

"Hoo-ee-ow-ohme!"

It was half a sob, half a laugh, and, half sobbing, half laughing, the young man stopped his horse on the crest of the Tigmore Hills, in the Ozark Uplift, raised in his stirrups, and looked the country through and through, as though he must see into its very heart. In the brilliant mid-afternoon light the Southwest unrolled below him and around him in a ragged bigness and an unconquered loneliness. As far as eye could reach tumbled the knobs, the flats, the waste weedy places, the gullies, the rock-pitted sweeps of table-land and the timbered hills of the Uplift. The buffalo grass trembled across the lowlands in long, shaking billows that had all the effect of scared flight. From the base of the Tigmores a line of river bottom stretched westward, and beyond the bottom curved a pale, quiet river. In the distance wraiths of blue smoke falteringly bespoke the presence of people and cabins; on a cleared hill an object that might be horse or dog or man was silhouetted, small and vague; and in the farthest west the hoister of a deserted zinc mine cut up against the sky a little lonely way. The near and dominant things were constantly those tremulous, fleeing billows of grass, the straight strong trees, the sullen rocks, the silent, shivering water.

"Hoo-ee-ow!"

It was too vast, too urgent. Waiting, ready, it lay there aggressively, like a challenge. As the young man faced it, it claimed him, forcing back his past life, his old habits, his old haunts, into the realm of myth and moonshine. His old habits! His old haunts! They hung aloof in his consciousness, shadow pictures, colourless and remote.... That zestful young life at New Haven, the swift years of it, the fine last day of it, Yale honours upon him, his enthusiasms cutting away into the future, his big shoulders squared, his face set toward great things, the righting of wrongs, grand reforms, the careers of nations.... A bachelor hotel; a club whose windows looked out on the avenue; an office where Carington and he had pretended to work down on Nassau Street; drawing-rooms where Carington and he had pretended to be in love, on various streets; the whole gay, meaningless panorama of his life as a homeless, unplaced New York sojourner, who had considered that he had too much money to be anything seriously and too little money to do anything effectively.... Then another picture, jerking, mazy, a study in kinematics--"Crazy Monday" on the Street, Carington and he swept along in that day's whirlwind of speculation.... A blank in the panorama while he got used to things and thought things out.... Then a wintry twilight at the club, Carington and he by the window, talking it over, looking out upon the drifted light of the city, loving the city, in the way of New Yorkers. Then Carington's voice saying, "Bruce? Bruce, m' son? Why don't you try Missouri?" Saying it with that in his voice to indicate that there was nothing else left to try. Then the long thoughtful talk, Carington and he still by the window, while he showed Carington how little chance he had even in Missouri; then Carington's strong-hearted insistence that, in view of the agitation over the ore discoveries at Joplin, he go on "out there" and prospect; and then Carington's foolishly irrelevant heel-piece, "Miss Gossamer sails for Europe Saturday!" and the sudden appeal of the notion to go "out there," its sharp striking-in.... Carington and he taking counsel with some of the other fellows in his rooms later on, all the deep voices roaring at once, all the boys insulting him at once, belittling his cigars, saying sharp things about his pictures, that being their way of showing him that they were badly broken up over his leaving them; all their eyes shining interest in him and hope for him and even envy of him, as the young man who was "going out West," while the great soft fluff of smoke in the room made the past a dream and the present an illusion and the future a phantasm.... Then the long journey overland, the little impetus toward the new life flickering drearily, while he gripped up his heart for any fate, growing quieter and quieter, but more and more determined to take Missouri as she came.... Then Missouri herself, the stop at St. Louis, the dip into the State southwestward, toward the lead and zinc country and his own debatable land; good-bye to the railroad; by team, in company with other prospectors, through the sang hills, up and down stony ridges, along vast cattle ranges.... And now here, quite alone, twenty miles from the railroad, Missouri on all sides of him, close-timbered, rock-ribbed, gulch-broken, mortally lonely, billowing around him, over him, possessing him.

That sense of being possessed by Missouri, committed to her, had grown upon him intolerably all day. All day he had been fighting it and resenting it. At various points along the rocky ridge road he had come upon hill cabins and hill people, and, facing them, his fight and his resentment had been momentarily vicious.

"Gudday, stranger!" the people had called from the porches of the hill cabins, "Hikin' over the Ridge?"

"Yes, friend," Steering had called back, and had then projected his unfailing, anxious question: "Can you tell me how far it is to Poetical?"

At that the people from the porches had got up and come across the baked weeds of the cabin yard. Assembled at the stile-block in front of him, the people invariably lined up as a long, gaunt farmer, a thin, flat-chested woman, a troop of dusty children, and a yellow dog.

"Yass, I cand tell you. It's six sights and a right smart chanst f'm here to Poetical, stranger," the long, gaunt farmer had invariably drawled, with more accommodation than information.

"Six sights--six sights and a right what what?"

"W'y," the Missourian had explained forbearingly, blinking toward the sun, and waving his loosely jointed arms westward, "it's this-a-way--you'll git sight of Poetical f'm six hills, an' whend you git to the bottom of the sixt' hill they's a right smart chanst you won't be to Poetical evum yit awhile. You cand see far in this air. It's some mild f'm here to Poetical, an' sharp ridin' at that."

Each time that Steering had heard that, little varied in phraseology, save for the number of "sights," according to his progress, he had felt so dismal and looked so dismal that, each time, the native before him had added quickly, "Better git off an' spin' the night with us. Aint got much, but what we got's yourn."

Each time the house beyond the stile-block had looked miserably uninviting,--a plough on the front porch, harness on the porch posts; all around the house the yard litter of cheap farm life, a broken-down harrow, broken-backed furniture, straw, corn-shucks, ghosts of past winters and past summers on the farm, that had shuffled out there and died there; each time the cleared patches beyond the house had looked lean; each time the native had been sallow and toil-worn; but each time that welcome word had been a finely perfect thing, good to hear.

Steering had noticed that in declining each invitation he had suddenly stopped short in his inner fight and resentment and assumed his best manner, as though his finest and highest courtesy had responded instinctively to something in kind.

Idling on for a more expansive moment at each cabin door, the conversation had usually shaped itself like this:

"Two has already rid over the Ridge to-day--Old Bernique and the tramp-boy. Old Bernique he's on the trail ag'in. The tramp-boy he's kim along so far with Old Bernique." In saying this, or something very like it, the hill farmer who spoke had always seemed to want it definitely understood that the neighbourhood had its excitements, and seemed to argue that if the stranger knew anything he must know Old Bernique and the tramp-boy. Proceeding leisurely and reflectively, as though he had decided in his own mind how to classify the stranger, the farmer had generally added, "Lots of prospectors ride by nowadays. They head in to the relroad f'm here,--you know you aint a-goin' to ketch the relroad at Poetical?"

Continue reading Sally of Missouri free in the Wunder reader →

Contents — all 36 chapters

More free classics to read

The Burning Spear: Being the Experiences of Mr. John Lavender in the Time of WarJohn GalsworthyJusticeJohn GalsworthyThe Fugitive: a Play in Four ActsJohn GalsworthyA Bit O' LoveJohn GalsworthyThe Mob: a Play in Four ActsJohn GalsworthyThe Pigeon: a Fantasy in Three ActsJohn GalsworthyThe First and the Last: a Drama in Three ScenesJohn GalsworthyThe Skin Game (a Tragi-Comedy)John Galsworthy

The Wunder Library · Learn anything · Home — complete public-domain books, free to read, with narration and illustrations. Sally of Missouri is in the public domain.

© 2026 Wunder Learning LLC · Terms & Privacy