Primitive Psycho-Therapy and Quackery

CHAPTER I. Medical Amulets

MEDICAL AMULETS

Among the various subjects which belong to the province of medical folk-lore, one of the most interesting relates to amulets and protective charms, which represent an important stage in the gradual development of Medicine as a science. And especially noteworthy among medical amulets are those inscribed with mystic sentences, words, or characters, for by their examination and study we may acquire some definite knowledge of the mental condition of the people who made use of them.

Satisfactorily to explain the derivation of the English word "amulet" has taxed the ingenuity of etymologists, and its origin is admittedly obscure. According to some authorities, the Latin amuletum was derived from amoliri, to avert or repel; but the greater weight of evidence points to the Arabic verb hamala, meaning "to carry." The definitions usually given embody both of these ideas; for amulets, in the ancient medical conception of the term, were any objects, ornamental or otherwise, worn on the bodies of men or animals, and believed to neutralize the ill effects of noxious drugs, incantations, witchcrafts, and all morbific agencies whatever.[4:1] To the Oriental mind amulets symbolize the bond between a protective power and dependent mundane creatures; they are prophylactics against the forces of evil, and may be properly characterized as objects superstitiously worn, whose alleged magical potency is derived from the faith and imagination of the wearer.[4:2]

The use of amulets has been attributed to religious sentimentality or religiosity. The latter word has been defined as "an excessive susceptibility to the religious sentiments, especially wonder, awe, and reverence, unaccompanied by any correspondent loyalty to divine law in daily life."[4:3]

Any one desirous of moralizing on the subject may find a theme presenting aspects both sad and comical. When, however, one reflects that amulets, in some one of their protean forms, have been invested with supernatural preventive and healing powers by the people of all lands and epochs, and that they have been worn not only by kings and princes, but by philosophers, prelates, and physicians of eminence as well, it is evident that the subject deserves more than a passing consideration.

It would be vain to seek the origin of their employment, which lies hidden behind the misty veil of remote antiquity. The eastern nations of old, as is well known, were much addicted to the use of amulets; and from Chaldea, Egypt, and Persia the practice was transmitted westward, and was thus extended throughout the civilized world. Among the great number of popular amulets in ancient times, many were fashioned out of metals, ivory, stone, and wood, to represent deities, animals, birds, and fishes; others were precious stones or cylinders inscribed with hieroglyphics; necklaces of shell or coral, crescent- or hand-shaped charms, and grotesque images. Their virtues were derived either from the material, from the shape, or from the magic rites performed at the time of their preparation. According to a popular belief, which prevailed throughout the East in the earlier centuries of the Christian era, all objects, whether inanimate stones and metals, or brutes and plants, possessed an indwelling spirit or soul, which was the cause of the efficiency of all amulets.[5:1] They were therefore akin to fetishes, in the present acceptation of the term; for a fetish, as defined in the classification of medicines and therapeutic agents in the collections of the National Museum at Washington, D. C., is a material object supposed to be the abode of a spirit, or representing a spirit, which may be induced or compelled to help the possessor.

According to Juvenal ("Satires," Book III, v, 1), Grecian athletes wore protective charms in the arena, to counterbalance the magical devices of their opponents. It is probable that the ethics of modern athletic contests would not countenance such expedients. But so implicit was the confidence of the Roman citizen in his amulet, that a failure to avert sickness or evil of any sort was not attributed to inherent lack of power in the charm itself, but rather to some mistake in the method of its preparation.[6:1]

In the time of the Emperor Hadrian (A. D. 76-138), and of his successors, the Antonines, the resources of occult science, known only to the initiated few, were believed to be sufficiently powerful, through the agency of spells and charms, to control the actions of evil spirits.[6:2] The early Christians readily adopted the pagan custom of wearing amulets as remedies against disease, and as bodily safeguards, in spite of the emphatic condemnation of the Church.

Origen (A. D. 186-253), a native of Alexandria, wrote that in his time it was customary for a person ailing from any cause to write certain characters on paper or metal, and fasten the amulet, thus improvised, upon the part of the body affected.[7:1] Passages from the books of the Gospel (literally "good spell") were especial favorites as such preservatives; they were usually inscribed on parchment, and were even placed upon horses.[7:2] Amulets were also employed to propitiate the goddess Fortune, and to thwart her evil designs. So insistent was the belief in the virtues of these objects, and to such a pitch of credulity did the popular mind attain, that special charms in great variety were devised against particular diseases, as well as against misfortunes and evil of whatever kind.[7:3]

Medieval astrology was a chief factor in promoting the use of amulets. Magic lent its aid to such an extent that, in certain lands, a chief part of Medicine consisted in the selection of suitable amulets against disease, and in their preparation.[7:4]

The almost universal dependence upon amulets, as prophylactics or healing agencies, originated through popular ignorance and fear.

With the advent of Christianity, many former superstitious beliefs were abandoned. Yet the process was very gradual.

The newest converts from paganism, while renouncing the forms which they had of necessity abjured, were disposed to attribute to Christian symbols some of the virtues which they had believed to inhere in heathen emblems and tokens.[8:1] The amulets and charms used by prehistoric man were silent appeals for protection against the powers of evil, the hostile forces which environed him.[8:2]

The doctrines of the Gnostics have been held by some writers to be responsible for the introduction of many amulets and charms in the early centuries of this era. Notwithstanding the fact (says Edward Berdoe in his "Origin of the Art of Healing") that the spirit of Christianity in its early day was strenuously opposed to all magical and superstitious practices, the nations which it subdued to the faith in Christ were so wedded to their former customs that they could not be entirely divorced from them. Thus, in the case of amulets, it was found necessary to substitute Christian words and tokens for their heathen counterparts.

Amulets and charms were much in vogue in ancient Egypt, and so great was the traditional reputation of the people of that country, as expert magicians, that throughout Europe in medieval times, strolling fortune-tellers and Gypsies were called Egyptians, and by this name they are still known in France. A written medical charm usually consisted of a piece of skin or parchment, upon which were inscribed a few words or mystic symbols. This was enclosed in a small bag or case, which was suspended from the wearer's neck.

The physician of the fifteenth century was wont to write his prescription in mysterious characters, and bind it upon the affected portion of the patient's body.[9:1]

In the rabbinical medicine, occult methods, involving astrology and the wearing of parchment amulets and charms, were more in evidence than the use of drugs; and among the inhabitants of ancient Babylon, traditional spells for driving out the demons of sickness were much employed.[9:2]

The forms of words embodied in charms and incantations were originally intended to be sung, and usually contained some rhyme, jingle, or alliterative verses.

The origin of these may be ascribed to the use of lullabies and cradle-songs, as a means of soothing infants, and lulling them to sleep. But formerly sick persons of all ages were comforted by these simple melodies. Dr. Joseph Frank Payne, in the "Fitz-Patrick Lectures," delivered at Oxford in 1904, remarked that many of the nursery rhymes of to-day are relics of literary forms which had formerly a deeper and sometimes a more formidable meaning.

For a goodly proportion of these magical therapeutic formulas had evidently a definite purpose, namely, the expulsion of the demons, who were believed to be the originators of disease.

Charm-magic, or the cure of disease through the instrumentality of written medical charms, may be properly classed as one method of utilizing the therapeutic force of suggestion. In ancient Assyria sacred inscriptions were placed upon the walls of the sick-room, and holy texts were displayed on either side of the threshold.

The Roman writer, Quintus Serenus Samonicus, author of "Carmen de Medicina," is said to have recommended as a cure for quartan ague, the placing of the fourth book of the Iliad under the patient's head.[10:1] Charm-magic has been regarded as a survival of animism, the theory which endows the phenomena of nature with personal life. It has also been defined as the explanation of all natural phenomena, not due to obvious material causes, by attributing them to spiritual agencies.

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