Hermione was silent, for there was nothing to be said. She knew how well he loved her, and when she was with him she submitted in a measure to his influence; so that often she was on the point of yielding, and telling him that she no longer hesitated. It was when she was away from him that she doubted herself, and refused to be persuaded. Paul needed only a very little to complete his conquest, but that little he could not command. He had reached the point at which a man talks of the woman he loves or of himself, and of nothing else, and the depth of his passion seemed to dull his speech. A little more eloquence, a little more gentleness, a little more of that charm which Alexander possessed in such abundance, might have been enough to turn the scale. But they were lacking. The very intensity of what he felt made him for the time a man of one idea only, and even the freedom with which he could speak to Hermione about his love for her was a disadvantage to him. It had grown to be too plain a fact, and there was too little left to the imagination. He felt that he wearied her, or he fancied that he did, which amounted to the same; and he either remained tongue-tied, or repeated in one form or another his half-savage 'I will.' He began to long for a change in their relations, or for some opportunity of practically showing her how much he would sacrifice for her sake. But in these days there are no lists for the silent knights; there are no jousts where a man may express his declaration of love by tying a lady's colors to his arm, and breaking the bones of half a dozen gentlemen before her eyes. And yet the instinct to do something of the kind is sometimes felt even now,--the longing to win by physical prowess what it is at present the fashion to get by persuasion.
Paul felt it strongly enough, and was disgusted with his own stupidity. Of what use was it that during so many years he had cultivated the art of conversation as a necessary accomplishment, if at his utmost need his wits were to abandon him, and leave him uncouth and taciturn as he had been in his childhood? He looked at Hermione's downcast face; at the perfect figure displayed by her tightly fitting costume of gray; at her small hands, as she stood still and tried to thrust the point of her dainty parasol into the crevice between two stones of the pavement. He gazed at her, and was seized with a very foolish desire to take her up in his arms and walk away with her, whether she liked it or not. But just at that moment Hermione glanced at him with a smile, not at all as he had expected that she would look.
"I think we had better go back to the shop," said she. So they turned, and walked slowly towards the narrow door.
"These Orientals are so full of wonderful imagery!" Chrysophrasia was saying to Professor Cutter as the pair came in. "It is delightful to hear them talk,--so different from an English shopkeeper."
"Very," assented the learned man. "Their imagery is certainly remarkable. Their scale of prices seems to be founded upon it, as logarithms depend for their existence on the square root of minus one, an impossible quantity."
"Dear me! Could you explain that to Marchetto? It might make a difference, you know."
"I am afraid not," answered the professor gravely. "Marchetto is not a mathematician; are you, Marchetto?"
"No surr, Effendim. Marchetto very honest man. Twenty-five pounds, lady--ah! but it is birindji--there is not a Pacha in Stamboul"----
"You have said that before," observed the scientist, "Try and say something new."
"New!" cried Marchetto. "It is not new. Any one say it new, he lie! Old--eski, eski! Very old! Twenty-five-six pounds, lady! Hein! Pacha give more."
"I fear that the traditions of his race are very strong," remarked Chrysophrasia, languidly examining the embroidery, a magnificent piece of work, about a yard and a half square, wrought in gold and silver threads upon a dark-red velvet ground; evidently of considerable antiquity, but in excellent preservation. "Paul, dear," continued Miss Dabstreak, seeing Patoff enter with Hermione, "what would you give for this lovely thing? How hard it is to bargain! How low! How infinitely fatiguing! Do help me!"
"Begin by offering him a quarter of what he asks,--that is a safe rule," answered Paul.
"How much is a quarter of twenty-five--let me see--three times eight are--do tell me, somebody! Figures drive me quite mad."
"I have known of such cases," assented the professor. "Eight and a quarter, Miss Dabstreak. Say eight,--I dare say it will do as well."
"Marchetto," said Chrysophrasia sadly, "I am afraid your embroidery is only worth eight pounds."
The Jew was kneeling on the floor, squatting upon his heels. He put on an injured expression, and looked up at Miss Dabstreak's face.
"Eight pounds!" he exclaimed, in holy horror. "You know where this come from, lady? Ha! Laleli Khanum house--dead--no more like it." Marchetto of course knew the story of Alexander's confinement, and by a ready lie turned it to his advantage. Every one looked surprised, and began to examine the embroidery more closely.
"Really!" ejaculated Chrysophrasia. "How strange this little world is! To think of all this bit of broidered velvet has seen,--what joyous sights! It may have been in the very room where she died. But she was a wicked old woman, Marchetto. I could not give more than eight pounds for anything which belonged to so depraved a creature."
"Hein?" ejaculated the Jew, with a soft smile. "I know what you want. Here!" he exclaimed, springing up, and rummaging among his shelves. Presently he brought out a shabby old green cloth caftan, trimmed with a little tarnished silver lace, and held it up triumphantly to Chrysophrasia's sight.
"Twenty-five-six pounds!" he cried, exultingly. "Cheap. Him coat of very big saint-man--die going to Mecca last year. Cheap, lady--twenty-five-six pounds!"
"I think you are fairly caught, aunt Chrysophrasia," observed Paul, with a laugh.
"Who would have guessed that there was so much humor in an Israelite?" asked Chrysophrasia, with a sad intonation. "I cannot wear the saint's tea-gown, Marchetto," she continued; "otherwise I would gladly give you twenty-five pounds for it. Eight pounds for the embroidery,--no more. It is not worth so much. I even think I see a nauseous tint of magenta in the velvet."
"Twenty-four-five pounds, lady. I lose pound--your backsheesh."
How long the process of bargaining might have been protracted is uncertain. At that moment Balsamides Bey entered the shop. It appeared that he had called at the Carvels', and, being told that the party were in Stamboul, had gone straight to the Jew's shop, in the hope of finding them there. He was introduced to the professor by Paul, with a word of explanation. Marchetto's face fell as he saw the adjutant, who had a terribly acute knowledge of the value of things. Balsamides was asked to give his opinion. He examined the piece carefully.
"Where did you get it?" he asked, in Turkish.
"From the Valide Khan," answered the Jew, in the same language. "It is a genuine piece,--a hundred years old at least."
"You probably ask a pound for every year, and a backsheesh for the odd months," said the other.
"Twenty pounds," answered Marchetto, imperturbably.
Paul Patoff · The Wunder Library — complete classics, free to read, with narration.