Part 32

It is a remarkable fact, that the flow of sand in the hour-glass is perfectly equable, whatever may be the quantity in the glass; that is, the sand runs no faster when the upper half of the glass is quite full than when it is nearly empty. It would, however, be natural enough to conclude that, when full of sand, it would be more swiftly urged through the aperture, than when the glass was only a quarter full, and near the close of the hour.

The fact of the even flow of sand may be proved by a very simple experiment. Provide some silver sand, dry it over or before the fire, and pass it through a tolerably fine sieve. Then take a tube, of any length or diameter, closed at one end, in which make a small hole, say the eighth of an inch; stop this with a peg, and fill up the tube with the sifted sand. Hold the tube steadily, or fix it to a wall, or frame, at any height from a table; remove the peg, and permit the sand to flow in any measure for any given time, and note the quantity. Then, let the tube be emptied, and only half or a quarter filled with sand, measure again, for a like time, and the same quantity of sand will flow: even if you press the sand in the tube with a ruler or stick, the flow of the sand through the hole will not be increased.

The above is explained by the fact, that when the sand is poured into the tube, it fills it with a succession of conical heaps, and that all the weight which the bottom of the tube sustains, is only that of the heap which first falls upon it; as the succeeding heaps do not press downward, but only against the sides or walls of the tube.

RESISTANCE OF SAND.

From the above experiment it may be concluded, that it is extremely difficult to thrust sand out of a tube by means of a fitting plug or piston; and this, upon trial, is found to be the case. Fit a piston to a tube (exactly like a boy’s pop-gun), pour some sand in, and try with the utmost strength of the arm to push out the sand. It will be found impossible to do this: rather than the sand should be shot out, the tube will burst at the sides.

GLASS BROKEN BY SAND.

If bullets be let fall on glass which has been cooled in the open air, they will not break it; but, if a few grains of sand be let fall on the same kind of glass, it will be broken into a thousand pieces! This is explained by the lead not scratching the surface of the glass; whereas the sand, being sharp and angular, scratches sufficiently to break it.

TO BLEACH IVORY.

Place any piece of discoloured ivory beneath a glass, expose it to the sun, and it will soon be restored to pure whiteness; whereas, if the ivory be exposed to the sun without the glass covering, it will become more discoloured.

VANISHING SHELLS.

Put into a little diluted muriatic acid, a common whelk-shell, when it will be completely dissolved, and not a sensible trace of it left behind.

If an oyster-shell, or land snail-shell be put into the acid, their substances will disappear, but the form or skeleton of the shells will remain.

THE MAGIC EGG.

Fill a basin with dilute muriatic acid, and put into it an egg, which will sink; but, in a few seconds, the whole of the egg-shell being covered with bubbles of carbonic acid gas, will rise to the surface, a portion of the egg will be lifted above the surface, and the whole egg will slowly rotate. This rotation is formed by the bubbles of gas forming at the under part of the egg, and over all the submersed portions, which render them lighter than the portions above the liquid level, till the under portion ascends and the other descends.

THE MAGIC WHIRLPOOL.

Fill a glass tumbler with water, throw upon its surface a few fragments or thin shavings of camphor, and they will instantly begin to move and acquire a motion, both progressive and rotatory, which will continue for a considerable time. During these rotations, if the water be touched by any substance which is at all greasy, the floating particles will quickly dart back, and, as if by a stroke of magic, be instantly deprived of their motion and vivacity.

In like manner, if thin slices of cork be steeped in sulphuric ether in a closed bottle, for two or three days, and then placed upon the water, they will rotate for several minutes, like the camphor; until the slices of cork having discharged all their ether, and become soaked with water, they will keep at rest.

If the water be made hot, the motion of the camphor will be more rapid than in cold water, but it will cease in proportionately less time. Thus, provide two glasses, one containing water at 58 degrees, and the other at 210 degrees; place raspings of camphor upon each at the same time; the camphor in the first glass will rotate for about five hours, until all but a very minute portion has evaporated, while the rotation of the camphor in the hot water will last only nineteen minutes; about half the camphor will pass off, and the remaining pieces, instead of being dull, white, and opaque, will be vitreous and transparent, and evidently soaked with water. The gyrations, too, which at first will be very rapid, will gradually decline in velocity, until they become quite sluggish.

The stilling influence of oil upon waves has become proverbial: the extraordinary manner in which a small quantity of oil instantly spreads over a very large surface of troubled water, and the stealthy manner in which even a rough wind glides over it, must have excited the admiration of all who have witnessed it.

By the same principle, a drop of oil may be made to stop the motion of the camphor as follows: throw some camphor, both in slices and in small particles, upon the surface of water, and while they are rotating, dip a glass rod into oil of turpentine, and allow a single drop thereof to trickle down the inner side of the glass to the surface of the water; the camphor will instantly dart to the opposite point of the liquid surface, and cease to rotate. If a piece of hard tallow or lard be employed, the motion of the camphor will be more slowly stopped than by oil or fluid grease, as the latter spreads over the surface of the water with greater rapidity.

If a few drops of sulphuric or muriatic acid be let fall into the water, they will gradually stop the motion of the camphor; but, if camphor be dropped into nitric acid diluted with its own bulk of water, it will rotate rapidly for a few seconds and then stop.

If a piece of the rotating camphor be attentively examined with a lens, the currents of the water can be well distinguished, jetting out, chiefly from the corners of the camphor, and bearing it round with irregular force.

The currents, as given out by the camphor, may also be seen by means of the microscope; a drop or two of pure water being placed upon a slip of glass, with a particle of camphor floating upon it. By this means, the currents may be detected, and it will be seen that they cause the rotations.

Or, a flat watch-glass, called a lunar, may be employed, raised a few inches, and supported on a wire ring, kept steady by thrusting one end into an upright piece of wood, like a retort stand. Then put the camphor and water in the watch-glass, and place under the frame a sheet of white paper, so that it may receive the shadow of the glass, camphor, &c., to be cast by a steady light placed above, and somewhat on one side of the watch-glass. On observing the shadow, which may be considered a magnified representation of the object itself, the rotations and currents can be distinguished.

Abridged from the Magazine of Popular Science, vol. iii.

MAGIC PORCELAIN.

A peculiar kind of porcelain was formerly manufactured in China, which exhibited its colour and devices only when filled with water. Though the art of manufacturing this porcelain has been lost, and the mode cannot now be described with accuracy, the following has been conjectured as not very remote from the truth. The first requisite was that the vessel be extremely thin, so that the figures to be formed might be sufficiently clear and perceptible. After the vessel has been baked, the figures, which were mostly fish, (as those were most appropriate with the water), were formed on the inside; and, after the colour had dried, a second extremely thin coat, of the same substance as that of which the vessel was constructed, was lain on the inside and varnished. The fish, or other device, would then, it is evident, be enclosed between the two coats of the ware of which the vessel was made. All that remained to be done was to grind the outside of the vessel as close to the figures as possible, to varnish it again, and bake it a second time; and though, after this operation, the figures and embellishments would not be at all perceptible, yet, so soon as the vessel was filled with water, they would at once be rendered clear and distinct to a degree scarcely credible. Attempts have been made to revive this beautiful art, but hitherto without success.

A GALVANIC TONGUE.