These were things which I myself saw in my childhood. If, however, I were to relate what I heard of in those years it would be a much more gruesome narrative: stories of men and women torn from their families and their villages, and sold, or lost in gambling, or exchanged for a couple of hunting dogs, and then transported to some remote part of Russia for the sake of creating a new estate; of children taken from their parents and sold to cruel or dissolute masters; of flogging ‘in the stables,’ which occurred every day with unheard-of cruelty; of a girl who found her only salvation in drowning herself; of an old man who had grown grey-haired in his master’s service, and at last hanged himself under his master’s window; and of revolts of serfs, which were suppressed by Nicholas I.’s generals by flogging to death each tenth or fifth man taken out of the ranks, and by laying waste the village, whose inhabitants, after a military execution, went begging for bread in the neighbouring provinces, as if they had been the victims of a conflagration. As to the poverty which I saw during our journeys in certain villages, especially in those which belonged to the imperial family, no words would be adequate to describe the misery to readers who have not seen it.
* * * * *
To become free was the constant dream of the serfs--a dream not easily realized, for a heavy sum of money was required to induce a landowner to part with a serf. ‘Do you know,’ my father said to me once, ‘that your mother appeared to me after her death? You young people do not believe in these things, but it was so. I sat one night very late in this chair, at my writing-table, and slumbered, when I saw her enter from behind, all in white, quite pale, and with her eyes gleaming. When she was dying she begged me to promise that I would give liberty to her maid, Másha, and I did promise; but then what with one thing and another, nearly a whole year passed without my having fulfilled my intention. Then she appeared, and said to me in a low voice, “Alexis, you promised me to give liberty to Másha: have you forgotten it?” I was quite terrified: I jumped out of my chair, but she had vanished. I called the servants, but no one had seen anything. Next morning I went to her grave and had a litany sung, and immediately gave liberty to Másha.’
When my father died, Másha came to his burial, and I spoke to her. She was married, and quite happy in her family life. My brother Alexander, in his jocose way, told her what my father had said, and we asked her what she knew of it.
‘These things,’ she replied, ‘happened a long time ago, so I may tell you the truth. I saw that your father had quite forgotten his promise, so I dressed up in white and spoke like your mother. I recalled the promise he had made to her--you won’t bear a grudge against me, will you?’
‘Of course not!’
* * * * *
Ten or twelve years after the scenes described in the early part of this chapter, I sat one night in my father’s room, and we talked of things past. Serfdom had been abolished, and my father complained of the new conditions, though not very severely; he had accepted them without much grumbling.
‘You must agree, father,’ I said, ‘that you often punished your servants cruelly, and without any reason.’
‘With the people,’ he replied, ‘it was impossible to do otherwise;’ and, leaning back in his easy-chair, he remained plunged in thought. ‘But what I did was nothing worth speaking of,’ he said after a long pause. ‘Take that same Sábleff: he looks so soft, and talks in such a meek voice; but he was really terrible with his serfs. How many times they plotted to kill him! I, at least, never took advantage of my maids, whereas that old devil Tónkoff went on in such a way that the peasant women were going to inflict a terrible punishment upon him.... Good-bye; bonne nuit!’
I well remember the Crimean war. At Moscow it affected people but little. Of course, in every house lint and bandages for the wounded were made at evening parties; not much of it, however, reached the Russian armies, immense quantities being stolen and sold to the armies of the enemy. My sister Hélène and other young ladies sang patriotic songs, but the general tone of life in society was hardly influenced by the great struggle that was going on. In the country, on the contrary, the war caused much gloominess. The levies of recruits followed one another rapidly, and we continually heard the peasant women singing their funereal songs. The Russian people look upon war as a calamity which is being sent upon them by Providence, and they accepted this war with a solemnity that contrasted strangely with the levity I saw elsewhere under similar circumstances. Young though I was, I realized that feeling of solemn resignation which pervaded our villages.
My brother Nicholas was smitten like many others by the war fever, and before he had ended his course at the corps he joined the army in the Caucasus. I never saw him again.
In the autumn of 1854 our family was increased by the arrival of two sisters of our stepmother. They had had their own house and some vineyards at Sebastopol, but now they were homeless, and came to stay with us. When the allies landed in the Crimea, the inhabitants of Sebastopol were told that they need not be afraid, and had only to stay where they were; but after the defeat at the Alma, they were ordered to leave with all haste, as the city would be invested within a few days. There were few conveyances, and there was no way of moving along the roads in face of the troops which were marching southward. To hire a cart was almost impossible, and the ladies, having abandoned all they had on the road, had a very hard time of it before they reached Moscow.
I soon made friends with the younger of the two sisters, a lady of about thirty, who used to smoke one cigarette after another, and to tell me of all the horrors of their journey. She spoke with tears in her eyes of the beautiful battle-ships which had to be sunk at the entrance of the harbour of Sebastopol, and she could not understand how the Russians would be able to defend Sebastopol from the land; there was no wall even worth speaking of.
I was in my thirteenth year when Nicholas I. died. It was late in the afternoon of February 18 (March 2), that the policemen distributed in all the houses of Moscow a bulletin announcing the illness of the Tsar, and inviting the inhabitants to pray in the churches for his recovery. At that time he was already dead, and the authorities knew it, as there was telegraphic communication between Moscow and St. Petersburg; but not a word having been previously uttered about his illness, they thought that the people must be gradually prepared for the announcement of his death. We all went to church and prayed most piously.
Next day, Saturday, the same thing was done, and even on Sunday morning bulletins about the Tsar’s health were distributed. The news of the death of Nicholas reached us only about midday, through some servants who had been to the market. A real terror reigned in our house and in the houses of our relatives, as the information spread. It was said that the people in the market behaved in a strange way, showing no regret, but indulging in dangerous talk. Full-grown people spoke in whispers, and our stepmother kept repeating, ‘Don’t talk before the men;’ while the servants whispered among themselves, probably about the coming ‘freedom.’ The nobles expected at every moment a revolt of the serfs--a new uprising of Pugachóff.
At St. Petersburg, in the meantime, men of the educated classes, as they communicated to one another the news, embraced in the streets. Everyone felt that the end of the war and the end of the terrible conditions which prevailed under the ‘iron despot’ were near at hand. Poisoning was talked about, the more so as the Tsar’s body decomposed very rapidly, but the true reason only gradually leaked out: a too strong dose of an invigorating medicine that Nicholas had taken.
In the country, during the summer of 1855, the heroic struggle which was going on in Sebastopol for every yard of ground and every bit of its dismantled bastions was followed with a solemn interest. A messenger was sent regularly twice a week from our house to the district town to get the papers; and on his return, even before he had dismounted, the papers were taken from his hands and opened. Hélène or I read them aloud to the family, and the news was at once transmitted to the servants’ room, and thence to the kitchen, the office, the priest’s house, and the houses of the peasants. The reports which came of the last days of Sebastopol, of the awful bombardment, and finally of the evacuation of the town by our troops were received with tears. In every country house round about, the loss of Sebastopol was mourned over with as much grief as the loss of a near relative would have been, although everyone understood that now the terrible war would soon come to an end.
It was in August 1857, when I was nearly fifteen, that my turn came to enter the corps of pages and I was taken to St. Petersburg. When I left home I was still a child; but human character is usually settled in a definite way at an earlier age than is generally supposed, and it is evident to me that under my childish appearance I was then very much what I was to be later on. My tastes, my inclinations, were already determined.
The first impulse to my intellectual development was given, as I have said, by my Russian teacher. It is an excellent habit in Russian families--a habit now, unhappily, on the decline--to have in the house a student who aids the boys and the girls with their lessons, even when they are at a gymnasium. For a better assimilation of what they learn at school, and for a widening of their conceptions about what they learn, his aid is invaluable. Moreover, he introduces an intellectual element into the family and becomes an elder brother to the young people--often something better than an elder brother, because the student has a certain responsibility for the progress of his pupils; and as the methods of teaching change rapidly, from one generation to another, he can assist his pupils much better than the best educated parents could.
Nikolái Pávlovich Smirnóff had literary tastes. At that time, under the wild censorship of Nicholas I., many quite inoffensive works by our best writers could not be published; others were so mutilated as to deprive many passages in them of any meaning. In the genial comedy by Griboyédoff, ‘Misfortune from Intelligence,’ which ranks with the best comedies of Molière, Colonel Skalozúb had to be named ‘Mr. Skalozúb,’ to the detriment of the sense and even of the verses; for the representation of a colonel in a comical light would have been considered an insult to the army. Of so innocent a book as Gógol’s ‘Dead Souls’ the second part was not allowed to appear, nor the first part to be reprinted, although it had long been out of print. Numerous verses of Púshkin, Lérmontoff, A. K. Tolstóy, Ryléeff, and other poets were not permitted to see the light; to say nothing of such verses as had any political meaning or contained a criticism of the prevailing conditions. All these circulated in manuscript, and my teacher used to copy whole books of Gógol and Púshkin for himself and his friends, a task in which I occasionally helped him. As a true child of Moscow he was also imbued with the deepest veneration for those of our writers who lived in Moscow--some of them in the Old Equerries’ Quarter. He pointed out to me with respect the house of the Countess Saliás (Eugénie Tour), who was our near neighbour, while the house of the noted exile Alexander Hérzen always was associated with a certain mysterious feeling of respect and awe. The house where Gógol lived was for us an object of deep respect, and though I was not nine when he died (in 1851), and had read none of his works, I remember well the sadness his death produced at Moscow. Turguéneff well expressed that feeling in a note, for which Nicholas I. ordered him to be put under arrest and sent into exile to his estate.
Pushkin’s great poem, ‘Evghéniy Onyéghin,’ made but little impression upon me, and I still admire the marvellous simplicity and beauty of his style in that poem more than its contents. But Gógol’s works, which I read when I was eleven or twelve, had a powerful effect on my mind, and my first literary essays were in imitation of his humorous manner. An historical novel by Zagóskin, ‘Yúriy Miloslávskiy,’ about the times of the great uprising of 1612, Púshkin’s ‘The Captain’s Daughter,’ dealing with the Pugachóff uprising, and Dumas’ ‘Queen Marguerite’ awakened in me a lasting interest in history. As to other French novels, I have only begun to read them since Daudet and Zola came to the front. Nekrásoff’s poetry was my favourite from early years: I knew many of his verses by heart.
Nikolái Pávlovich Smirnóff early began to make me write, and with his aid I wrote a long ‘History of a Sixpence,’ for which we invented all sorts of characters, into whose possession the sixpence fell.
My brother Alexander had at that time a much more poetical turn of mind. He wrote most romantic stories, and began early to make verses, which he did with wonderful facility and in a most musical and easy style. If his mind had not subsequently been taken up by natural history and philosophical studies, he undoubtedly would have become a poet of mark. In those years his favourite resort for finding poetical inspiration was the gently sloping roof underneath our window. This aroused in me a constant desire to tease him. ‘There is the poet sitting under the chimney-pot, trying to write his verses,’ I used to say; and the teasing ended in a fierce scrimmage, which brought our sister Hélène to a state of despair. But Alexander was so devoid of revengefulness that peace was soon concluded, and we loved each other immensely. Among boys, scrimmage and love seem to go hand in hand.
I had even then taken to journalism. In my twelfth year I began to edit a daily journal. Paper was not to be had at will in our house, and my journal was of a Lilliputian size. As the Crimean war had not yet broken out, and the only newspaper which my father used to receive was the Gazette of the Moscow Police, I had not a great choice of models. As a result my own Gazette consisted merely of short paragraphs announcing the news of the day: as, ‘Went out to the woods. N. P. Smirnóff shot two thrushes,’ and the like.
This soon ceased to satisfy me, and in 1855 I started a monthly review which contained Alexander’s verses, my novelettes, and some sort of ‘varieties.’ The material existence of this review was fully guaranteed, for it had plenty of subscribers; that is, the editor himself and Smirnóff, who regularly paid his subscription, of so many sheets of paper, even after he had left our house. In return, I accurately wrote out for my faithful subscriber a second copy.
When Smirnóff left us, and a student of medicine, N. M. Pávloff, took his place, the latter helped me in my editorial duties. He obtained for the review a poem by one of his friends, and--still more important--the introductory lecture on physical geography by one of the Moscow professors. Of course this had not been printed before: a reproduction would never have found its way into so serious a publication.
Alexander, I need not say, took a lively interest in the review, and its renown soon reached the corps of cadets. Some young writers on the way to fame undertook the publication of a rival. The matter was serious: in poems and novels we could hold our own; but they had a ‘critic,’ and a ‘critic’ who writes, in connection with the characters of some new novel, all sorts of things about the conditions of life, and touches upon a thousand questions which could not be touched upon anywhere else, makes the soul of a Russian review. They had a critic, and we had none! Happily enough, the article he wrote for the first number was shown to my brother. It was rather pretentious and weak, and Alexander at once wrote an anti-criticism, ridiculing and demolishing the critic in a violent manner. There was great consternation in the rival camp when they learned that this anti-criticism would appear in our next issue; they gave up publishing their review and their best writers joined our staff. We triumphantly announced the future ‘exclusive collaboration’ of so many distinguished writers.
Memoirs of a Revolutionist · The Wunder Library — complete classics, free to read, with narration.