Part 9

“Because you all want to divert your minds from some fixed idea, for which a revolution would be a radical cure,” replied the physician. “The Genoese regrets his republic, the Milanese pines for his independence, the Piemontese longs for a constitutional government, the Romagna cries for liberty--”

“Of which it knows nothing,” interrupted the Duchess. “Alas! there are men in Italy so stupid as to long for your idiotic Charter, which destroys the influence of woman. Most of my fellow-countrywomen must need read your French books--useless rhodomontade--”

“Useless!” cried the Frenchman.

“Why, monsieur,” the Duchess went on, “what can you find in a book that is better than what we have in our hearts? Italy is mad.”

“I cannot see that a people is mad because it wishes to be its own master,” said the physician.

“Good Heavens!” exclaimed the Duchess, eagerly, “does not that mean paying with a great deal of bloodshed for the right of quarreling, as you do, over crazy ideas?”

“Then you approve of despotism?” said the physician.

“Why should I not approve of a system of government which, by depriving us of books and odious politics, leaves men entirely to us?”

“I had thought that the Italians were more patriotic,” said the Frenchman.

Massimilla laughed so slyly that her interlocutor could not distinguish mockery from serious meaning, nor her real opinion from ironical criticism.

“Then you are not a liberal?” said he.

“Heaven preserve me!” said she. “I can imagine nothing in worse taste than such opinions in a woman. Could you love a woman whose heart was occupied by all mankind?”

“Those who love are naturally aristocrats,” the Austrian General observed, with a smile.

“As I came into the theatre,” the Frenchman observed, “you were the first person I saw; and I remarked to his Excellency that if there was a woman who could personify a nation it was you. But I grieve to discover that, though you represent its divine beauty, you have not the constitutional spirit.”

“Are you not bound,” said the Duchess, pointing to the ballet now being danced, “to find all our dancers detestable and our singers atrocious? Paris and London rob us of all our leading stars. Paris passes judgment on them, and London pays them. Genovese and la Tinti will not be left to us for six months--”

At this juncture, the Austrian left the box. Vendramin, the Prince, and the other two Italians exchanged a look and a smile, glancing at the French physician. He, for a moment, felt doubtful of himself,--a rare thing in a Frenchman,--fancying he had said or done something incongruous; but the riddle was immediately solved.

“Do you thing it would be judicious,” said Emilio, “if we spoke our mind in the presence of our masters?”

“You are in a land of slaves,” said the Duchess, in a tone and with a droop of the head which gave her at once the look for which the physician had sought in vain. “Vendramin,” she went on, speaking so that only the stranger could hear her, “took to smoking opium, a villainous idea suggested to him by an Englishman who, for other reasons of his, craved an easy death--not death as men see it in the form of a skeleton, but death draped with the frippery you in France call a flag--a maiden form crowned with flowers or laurels; she appears in a cloud of gunpowder borne on the flight of a cannon-ball--or else stretched on a bed between two courtesans; or again, she rises in the steam of a bowl of punch, or the dazzling vapor of a diamond--but a diamond in the form of carbon.

“Whenever Vendramin chooses, for three Austrian lire, he can be a Venetian Captain, he can sail in the galleys of the Republic, and conquer the gilded domes of Constantinople. Then he can lounge on the divans in the Seraglio among the Sultan’s wives, while the Grand Signor himself is the slave of the Venetian conqueror. He returns to restore his palazzo with the spoils of the Ottoman Empire. He can quit the women of the East for the doubly masked intrigues of his beloved Venetians, and fancy that he dreads the jealousy which has ceased to exist.

“For three zwanziger he can transport himself into the Council of Ten, can wield there terrible power, and leave the Doges’ Palace to sleep under the watch of a pair of flashing eyes, or to climb a balcony from which a fair hand has hung a silken ladder. He can love a woman to whom opium lends such poetic grace as we women of flesh and blood could never show.

“Presently he turns over, and he is face to face with the dreadful frown of the senator, who holds a dagger. He hears the blade plunged into his mistress’ heart. She dies smiling on him; for she has saved him.

“And she is a happy woman!” added the Duchess, looking at Emilio.

“He escapes and flies to command the Dalmatians, to conquer the Illyrian coast for his beloved Venice. His glory wins him forgiveness, and he enjoys a life of domestic happiness,--a home, a winter evening, a young wife and charming children, who pray to San Marco under the care of an old nurse. Yes, for three francs’ worth of opium he furnishes our empty arsenal, he watches convoys of merchandise coming in, going to the four quarters of the world. The forces of modern industry no longer reign in London, but in his own Venice, where the hanging gardens of Semiramis, the Temple of Jerusalem, the marvels of Rome, live once more. He adds to the glories of the middle ages by the labors of steam, by new masterpieces of art under the protection of Venice, who protected it of old. Monuments and nations crowd into his little brain; there is room for them all. Empires and cities and revolutions come and vanish in the course of a few hours, while Venice alone expands and lives; for the Venice of his dreams is the empress of the seas. She has two millions of inhabitants, the sceptre of Italy, the mastery of the Mediterranean and the Indies!”

“What an opera is the brain of man! What an unfathomed abyss!--even to those who, like Gall, have mapped it out,” cried the physician.

“Dear Duchess,” said Vendramin, “do not omit the last service that my elixir will do me. After hearing ravishing voices and imbibing music through every pore, after experiencing the keenest pleasures and the fiercest delights of Mahomet’s paradise, I see none but the most terrible images. I have visions of my beloved Venice full of children’s faces, distorted, like those of the dying; of women covered with dreadful wounds, torn and wailing; of men mangled and crushed by the copper sides of crashing vessels. I begin to see Venice as she is, shrouded in crape, stripped, robbed, destitute. Pale phantoms wander through her streets!

“Already the Austrian soldiers are grinning over me, already my visionary life is drifting into real life; whereas six months ago real life was the bad dream, and the life of opium held love and bliss, important affairs and political interests. Alas! To my grief, I see the dawn over my tomb, where truth and falsehood mingle in a dubious light, which is neither day nor darkness, but partakes of both.”

“So you see that in this head there is too much patriotism,” said the Prince, laying his hand on the thick black curls that fell on Vendramin’s brow.

“Oh, if he loves us he will give up his dreadful opium!” said Massimilla.