Part 10

“I will cure your friend,” said the Frenchman.

“Achieve that, and we shall love you,” said the Duchess. “But if on your return to France you do not calumniate us, we shall love you even better. The hapless Italians are too much crushed by foreign dominion to be fairly judged--for we have known yours,” she added, with a smile.

“It was more generous than Austria’s,” said the physician, eagerly.

“Austria squeezes and gives us nothing back, and you squeeze to enlarge and beautify our towns; you stimulated us by giving us an army. You thought you could keep Italy, and they expect to lose it--there lies the difference.

“The Austrians provide us with a sort of ease that is as stultifying and heavy as themselves, while you overwhelmed us by your devouring energy. But whether we die of tonics or of narcotics, what does it matter? It is death all the same, Monsieur le docteur.”

“Unhappy Italy! In my eyes she is like a beautiful woman whom France ought to protect by making her his mistress,” exclaimed the Frenchman.

“But you could not love us as we wish to be loved,” said the Duchess, smiling. “We want to be free. But the liberty I crave is not your ignoble and middle-class liberalism, which would kill all art. I ask,” said she, in a tone that thrilled through the box,--“that is to say, I would ask,--that each Italian republic should be resuscitated, with its nobles, its citizens, its special privileges for each caste. I would have the old aristocratic republics once more with their intestine warfare and rivalry that gave birth to the noblest works of art, that created politics, that raised up the great princely houses. By extending the action of one government over a vast expanse of country it is frittered down. The Italian republics were the glory of Europe in the middle ages. Why has Italy succumbed when the Swiss, who were her porters, have triumphed?”

“The Swiss republics,” said the doctor, “were worthy housewives, busy with their own little concerns, and neither having any cause for envying another. Your republics were haughty queens, preferring to sell themselves rather than bow to a neighbor; they fell too low ever to rise again. The Guelphs are triumphant.”

“Do not pity us too much,” said the Duchess, in a voice that made the two friends start. “We are still supreme. Even in the depths of her misfortune Italy governs through the choicer spirits that abound in her cities.

“Unfortunately the greater number of her geniuses learn to understand life so quickly that they lie sunk in poverty-stricken pleasure. As for those who are willing to play the melancholy game for immortality, they know how to get at your gold and to secure your praises. Ay, in this land--pitied for its fallen state by traveled simpletons and hypocritical poets, while its character is traduced by politicians--in this land, which appears so languid, powerless, and ruinous, worn out rather than old, there are puissant brains in every branch of life, genius throwing out vigorous shoots as an old vine-stock throws out canes productive of delicious fruit. This race of ancient rulers still gives birth to kings--Lagrange, Volta, Rasori, Canova, Rossini, Bartolini, Galvani, Vigano, Beccaria, Cicognara, Corvetto. These Italians are masters of the scientific peaks on which they stand, or of the arts to which they devote themselves. To say nothing of the singers and executants who captivate Europe by their amazing perfections: Taglioni, Paganini, and the rest. Italy still rules the world which will always come to worship her.

“Go to Florian’s to-night; you will find in Capraja one of our cleverest men, but in love with obscurity. No one but the Duke, my master, understands music so thoroughly as he does; indeed he is known here as il Fanatico.”

After sitting a few minutes listening to the eager war of words between the physician and the Duchess, who showed much ingenious eloquence, the Italians, one by one, took leave, and went off to tell the news in every box, that la Cataneo, who was regarded as a woman of great wit and spirit, had, on the question of Italy, defeated a famous French doctor. This was the talk of the evening.

As soon as the Frenchman found himself alone with the Duchess and the Prince, he understood that they were to be left together, and took leave. Massimilla bowed with a bend of the neck that placed him at such a distance that this salute might have secured her the man’s hatred, if he could have ignored the charm of her eloquence and beauty.

Thus at the end of the opera, Emilio and Massimilla were alone, and holding hands they listened together to the duet that finishes Il Barbiere.

“There is nothing but music to express love,” said the Duchess, moved by that song as of two rapturous nightingales.

A tear twinkled in Emilio’s eye; Massimilla, sublime in such beauty as beams in Raphael’s Saint-Cecilia, pressed his hand, their knees touched, there was, as it seemed, the blossom of a kiss on her lips. The Prince saw on her blushing face a glow of joy like that which on a summer’s day shines down on the golden harvest; his heart seemed bursting with the tide of blood that rushed to it. He fancied that he could hear an angelic chorus of voices, and he would have given his life to feel the fire of passion which at this hour last night had filled him for the odious Clarina; but he was at the moment hardly conscious of having a body.

Massimilla, much distressed, ascribed this tear, in her guilelessness, to the remark she had made as to Genovese’s cavatina.

“But, carino,” said she in Emilio’s ear, “are not you as far better than every expression of love, as cause is superior to effect?”

After handing the Duchess to her gondola, Emilio waited for Vendramin to go to Florian’s.

The Cafe Florian at Venice is a quite undefinable institution. Merchants transact their business there, and lawyers meet to talk over their most difficult cases. Florian’s is at once an Exchange, a green-room, a newspaper office, a club, a confessional,--and it is so well adapted to the needs of the place that some Venetian women never know what their husband’s business may be, for, if they have a letter to write, they go to write it there.

Spies, of course, abound at Florian’s; but their presence only sharpens Venetian wits, which may here exercise the discretion once so famous. A great many persons spend the whole day at Florian’s; in fact, to some men Florian’s is so much a matter of necessity, that between the acts of an opera they leave the ladies in their boxes and take a turn to hear what is going on there.

While the two friends were walking in the narrow streets of the Merceria they did not speak, for there were too many people; but as they turned into the Piazzi di San Marco, the Prince said:

“Do not go at once to the cafe. Let us walk about; I want to talk to you.”

He related his adventure with Clarina and explained his position. To Vendramin Emilio’s despair seemed so nearly allied to madness that he promised to cure him completely if only he would give him carte blanche to deal with Massimilla. This ray of hope came just in time to save Emilio from drowning himself that night; for, indeed, as he remembered the singer, he felt a horrible wish to go back to her.

The two friends then went to an inner room at Florian’s, where they listened to the conversation of some of the superior men of the town, who discoursed the subjects of the day. The most interesting of these were, in the first place, the eccentricities of Lord Byron, of whom the Venetians made great sport; then Cataneo’s attachment for la Tinti, for which no reason could be assigned after twenty different causes had been suggested; then Genovese’s debut; finally, the tilting match between the Duchess and the French doctor. Just as the discussion became vehemently musical, Duke Cataneo made his appearance. He bowed very courteously to Emilio, which seemed so natural that no one noticed it, and Emilio bowed gravely in return. Cataneo looked round to see if there was anybody he knew, recognized Vendramin and greeted him, bowed to his banker, a rich patrician, and finally to the man who happened to be speaking,--a celebrated musical fanatic, a friend of the Comtesse Albrizzi. Like some others who frequented Florian’s, his mode of life was absolutely unknown, so carefully did he conceal it. Nothing was known about him but what he chose to tell.

This was Capraja, the nobleman whom the Duchess had mentioned to the French doctor. This Venetian was one of a class of dreamers whose powerful minds divine everything. He was an eccentric theorist, and cared no more for celebrity than for a broken pipe.

His life was in accordance with his ideas. Capraja made his appearance at about ten every morning under the Procuratie, without anyone knowing whence he came. He lounged about Venice, smoking cigars. He regularly went to the Fenice, sitting in the pit-stalls, and between the acts went round to Florian’s, where he took three or four cups of coffee a day; and he ended the evening at the cafe, never leaving it till about two in the morning. Twelve hundred francs a year paid all his expenses; he ate but one meal a day at an eating-house in the Merceria, where the cook had his dinner ready for him at a fixed hour, on a little table at the back of the shop; the pastry-cook’s daughter herself prepared his stuffed oysters, provided him with cigars, and took care of his money. By his advice, this girl, though she was very handsome, would never countenance a lover, lived very steadily, and still wore the old Venetian costume. This purely-bred Venetian girl was twelve years old when Capraja first took an interest in her, and six-and-twenty when he died. She was very fond of him, though he had never even kissed her hand or her brow, and she knew nothing whatever of the poor old nobleman’s intentions with regard to her. The girl had at last as complete control of the old gentleman as a mother has of her child; she would tell him when he wanted clean linen; next day he would come without a shirt, and she would give him a clean one to put on in the morning.

He never looked at a woman either in the theatre or out walking. Though he was the descendant of an old patrician family he never thought his rank worth mentioning. But at night, after twelve, he awoke from his apathy, talked, and showed that he had seen and heard everything. This peaceful Diogenes, quite incapable of explaining his tenets, half a Turk, half a Venetian, was thick-set, short, and fat; he had a Doge’s sharp nose, an inquisitive, satirical eye, and a discreet though smiling mouth.