Part 37

At this moment came a rapping at his door. He went to open it, dreaming no harm. There stood Ridolfo and Ugolino with swords in their right hands; in his left Ugolino carried a brazier.

"Gentlemen," said Cino, "what is the meaning of this? Will you break in upon the repose of your father's guest? And do you come armed against an unarmed man?"

The pair of them, however, came into the room, and Ridolfo locked the door behind him. "Look you, Cino," said he, "our father's guests are not our guests, for our way is to choose our own. There is a vast difference between us, and it lies in this, that you and the like of you are word-mongers, phrasers, heart-strokers; whereas we, Master Cino, are, in Scripture language, doers of the word, rounding our phrases with iron, and putting in full-stops with the point when they are needed. And we do not stroke girls' hearts, Cino, but as often as not break men's heads."

Cino, for all his dismay, could not forbear a glance at the speaker's own damaged pate. "And, after all, Messer Ridolfo, in that you do but as you are done by, and who will blame you?"

"Hark'ee, Master Giurista," broke in Ugolino, "we have come to prove some of these fine words of yours. It will be well for you to answer questions instead of bandying them. Now did you, or did you not report that my sister Selvaggia touched your lips with a coal and set you off singing?"

Cino, with folded arms, bent his head in assent: "I have said it, Messere."

"Good! Now, such singing, though it is not to her taste, might be very much to ours. In fact we have come to hear it, and that you might be robbed of all excuse, we have brought the key with us. Brother, pray blow up the brazier."

Ridolfo, with his great cheeks like bladders, blew the coals to a white heat. "Now then," he said, grinning to Ugolino, "now then, the concert may begin."

Cino, who by this time had seen what was in the wind, saw also what his course must be. Whatever happened he could not allow a poet to be made ridiculous. It was ridiculous to struggle with two armed men, and unseemly; but suffering was never ridiculous. Patience, therefore! He anticipated the burly Ridolfo, who, having done his bellows-work, was now about to pin his victim from behind.

"Pray do not give yourself the pain to hold me, Messere," said he; "I am not the man to deny you your amusement. Do what you will, I shall not budge from here."

He stood where he was with his arms crossed, and he kept his word. The red cinder hissed upon his lips; he shut his eyes, he ground his teeth together, the sweat beaded his forehead and glistened in his hair. Once he reeled over, and would have fallen if Ridolfo had not been there to catch him; but he did not sing the tune they had expected, and presently they let him alone. So much for Italian humour, which, you will see, does not lack flavour. It was only the insensate obtuseness of the gull which prevented Ugolino dying of laughter. Ridolfo was annoyed.

"Give me cold iron to play with another time," he growled; "I am sick of your monkey-tricks." This hurt Ugolino a good deal, for it made him feel a fool.

Will it be believed that the infatuate Master Cino spent the rest of the night in a rapture of poetry? It was not voiced poetry, could never have been written down; rather, it was a torrent of feeling upon which he floated out to heaven, in which he bathed. It thrilled through every fibre of his body till he felt the wings of his soul fluttering madly to be free. This was the very ecstasy of love, to suffer the extreme torment for the beloved! Ah, he was smitten deep enough at last; if poetry were to be won through bloody sweat, the pains of the rack, the crawling anguish of the fire, was not poetry his own? Yes, indeed; what Dante had gained through exile and the death of Monna Beatrice was his for another price, the price of his own blood. He forgot the physical agony of his scorched mouth, forgot the insult, forgot everything but this ineffable achievement, this desperate essay, this triumph, this anointing. Cino, Cino, martyr for Love! Hail, Cino, crowned with thy pain! He could have held up his bleeding heart and worshipped it. Surely this was the greatest hour of his life.

Before he left Pitecchio, and that was before the dawn came upon it, he wrote this letter to his mistress.

"To his unending Lady, the image of all lovely delight, the Lady Selvaggia, Cino the poet, martyr for love, wisheth health and honour with kissing of feet. Madonna, if sin it be to lift over high the eyes, I have sinned very grievously; and if to have great joy be assurance of forgiveness, then am I twice absolved. Such bliss as I have had in the contemplation of your excellence cometh not to many men, yet that which hath befallen me this night (concerning which your honourable brothers shall inform you if you ask them)--this indeed is to be blessed of love so high, so rarely, that it were hard to believe myself the recipient, but for certain bodily testimony which, I doubt not, I shall carry about me to my last hour. I leave this house within a little while and go to the hermitage of Santa Marcella Pistoiese, there to pray Almighty God to make me worthy of my dignities and to contemplate the divine image of you wherewith my heart is sealed. So fare you well!--The most abject of your slaves, "CINO."

His reason for giving the name of his new refuge was an honourable one, and would appeal to a duellist. His flight, though necessary, should be robbed of all appearance of flight; if they wanted him they could find him. Other results it had--results which he could never have anticipated, and which to have foreseen would have made him choose any other form of disgrace. But this was out of the question; nothing known to Cino or his philosophy could have told him the future of his conduct. He placed his letter in an infallible place and left Pitecchio just as the western sky was throbbing with warm light.

For the present I leave him on his way.

The third act of the comedy should open on Selvaggia in her bed reading the letter. Beautiful as she may have looked, flushed and loose-haired at that time, it is better to leave her alone with her puzzle, and choose rather the hour of her enlightenment. Ridolfo and Ugolino were booted and spurred, their hooded hawks were on their wrists when she got speech of them. They were not very willing witnesses in a cause which now seemed to tell against themselves. Selvaggia's cheeks burned as with poor Cino's live coal when she could piece together all the shameful truth; tears brimmed at her eyes, and these too were scalding hot. Selvaggia, you must understand, was a very good girl, her only sin being none of her accomplishment; she was a child who looked like a young woman. Certainly she could not help that, though all the practice of her race were against her. She had never sought love, never felt to need it, nor cared to harbour it when it came. Love knocked at her heart, asking an entry; her heart was not an inn, she thought, let the wayfarer go on. But the knocking had continued till her ears had grown to be soothed by the gentle sound; and now it had stopped for ever, and, Pitiful Mother, for what good reason? Oh, the thing was horrible, shameful, unutterable! She was crying with rage; but as that spent itself a great warm flood of genuine sorrow tided over her, floated her away: she cried as though her heart was breaking; and now she cried for pity, and at last she cried for very love. A pale ethereal Cino, finger on lip, rose before her; a halo burned about his head; he seemed a saint, he should be hers! Ugolino and Ridolfo, helpless and ashamed before her outburst, went out bickering to their sport; and Selvaggia, wild as her name, untaught, with none to tutor her, dared her utmost--dared, poor girl, beyond her strength.

Late in the afternoon of that day Cino, in the oratory of his hermitage, getting what comfort he could out of an angular Madonna frescoed there, heard a light step brush the threshold. The sun, already far gone in the west, cast on the white wall a shadow whose sight set his head spinning. He turned hastily round. There at the door stood Selvaggia in a crimson cloak; for the rest, a picture of the Tragic Muse, so woebegone, so white, so ringed with dark she was.

Cino, on his feet, muttered a prayer to himself. He covered his scarred mouth, but not before the girl had caught sight of it. She set to wringing her hands, and began a low wailing cry.

"Ah, terrible--ah, terrible! That I should have done it to one who was always so gentle with me and so patient! Oh, Cino"--and she held out her hands towards him--"oh, Cino, will you not forgive me? Will you not? I, only, did it; it was through me that they knew what you had said. Shameful girl that I am!" She covered her face and stood sobbing before him. But confronted with this toppled Madonna, Cino was speechless, wholly unprepared by jurisprudence or the less exact science of love for such a pass. As he knew himself, he could have written eloquently and done justice to the piercing theme; but love, as he and his fellows understood it, had no spoken language. I do not see, however, that Selvaggia is to be blamed for being ignorant of this.

Yet he had to say something, since there stood the weeping girl, all abandoned to her trouble. "I beseech you, Madonna," he was beginning, when she suddenly bared her face, her woe, and her beauty to his astonished eyes, looking passionately at him in a way which even he could not misinterpret.

"Cino," she said brokenly, "I am a wilful girl, but not wicked, ah, no! not hard-hearted. I think I did not understand you; I heard, but would not hear; it was wantonness, not evil in me, Cino. You have never wearied of telling me your devotion; is it too late to be thankful? Now I am come to tell you what I should have said long before, that I am grateful, proud of such love, that I receive it if still I may, that--that"--her voice fell to a thrilled whisper--"that I love you, Cino." Ah, but she had no more courage; she hid her blushes in her hands and felt that now she should by rights sink into the earth.

Judge you, who know the theory of the matter, if this were terrible hearing for Messer Cino. Terrible? It was unprecedented hearing; it was a thing which, so far as he knew, had never happened to a lover before. That love should go smooth, the lady smile, the lady love, the lady woo? Monstrous! The lady was never kind. Where was anguish? Where martyrdom? Where poetry and sore eyes? Yet stay, was not such a thing in itself a torment, to be cut off your martyrdom?

Cino gasped for breath. "You love me, Madonna?" he said. "You love me?"

Selvaggia nodded her head in her hands; she felt that she was blushing all over her body.

Cino, at this new stab, struck his forehead a resounding smack. "This is terrible indeed!" he cried out in his distress; whereupon Selvaggia forgot to be ashamed any more, she was so taken by surprise.

"What do you mean, Cino?" she began to falter. "I don't understand you."