Part 6

Both pieces of apparatus represent a marked advancement. They were evidently exceedingly useful. By their means it was possible to execute excellent work.

It would repay one to examine with care the various American text-books on chemistry, beginning about 1770 and continuing down to 1830. There would arise a picture before one's mind of the successive steps in the development of chemical apparatus, and again, the knowledge derived from the presentation of chemical theory and data would be refreshing and inspirational. It is to be hoped that the time is not far distant when some library, public or university library, will go to the trouble of gathering the American texts on Chemistry for the period just alluded to. It is not likely that an alcove filled with this literature would be largely patronized, yet it would be possible for the enthusiast on the development of chemistry in this country to collect from such a source a great deal of valuable material which might be presented with profit to the rising generation of American chemists.

Cutbush had little leisure during the year 1813, as he was engaged with the duties of the College and was conducting popular lectures on an extended scale. It was necessary for him to invite his friend, Dr. George F. Lehman, to assist in the various demonstrations. They emphasized not only the theory but the practice of chemistry with its application to the useful arts. Their experiments were numerous and were of such a character as to appeal to the general public. The course offered by Professor Cutbush and Dr. Lehman was remunerative. It is said the cost of tickets for ladies was $5.00 and those for gentlemen $8.00.

In addition to the devotion of Cutbush to these didactic courses in chemistry, he spent much time in a literary way. One of the best-known publishers of the city announced the purpose of printing the American Artist's Manual under the editorship of Cutbush. The advertisement stated--

"To manufacturers, however, who are presumed to be interested in practical knowledge the value of such works is greatly diminished by the multiplicity of theories, technical terms and complicated processes which they in general contain. It is, therefore, unnecessary to expatiate on the advantages to be derived from such a publication as is now proposed in the present work. While it is intended to embrace most of the Arts and Manufactures, particular attention will be paid to those of agriculture, brewing, bleaching, dyeing in its various branches, the manufacture of glass, pottery and all others which the situation of our country renders obviously of primary concern and importance."

This extensive and helpful publication appeared in 1814 in two octavo volumes of more than 600 pages each. The reader should note that

"The price to subscribers will be $7.00 in boards or $8.00 substantially bound, payable on delivery. Those who procure subscriptions of nine copies and become accountable for their payment shall be entitled to one copy for their trouble."

The book was dedicated to Benjamin Smith Barton. No title of any kind appears after the author's name, indicating that he had probably by the year 1814 severed his connection with all his educational projects in Philadelphia. In the preface the author speaks of

"Having devoted the greater part of his life to chemical pursuits."

Glancing through these volumes the impression made upon the reader was that the author had read widely in the sciences, but particularly in his favorite science, chemistry. The book is really a popular dictionary of chemical technology. While it is sparsely illustrated, early forms of chemical glassware are pictured. From these may be gathered the story of the gradual development of very useful apparatus, for example, such as is used in various kinds of distillation.

That Cutbush had probably ceased his professional duties by the year 1814, as has just been hinted, is further emphasized on noting that he was appointed Assistant Apothecary General in the U. S. Army on the twelfth day of August in the year 1814. What his duties as such may have been has not been discovered. It would not be fair to call it a radical change in position, but it was a change which necessitated Cutbush giving more thought and attention to pharmacy, which in his earlier career was a secondary subject, but in which he was so proficient that he attracted to himself the attention of leading men in medical circles. He was in Philadelphia, prosecuting his duties as late as the year 1819. It is known that during this period he was attached to the Northern Division of the Army.

In 1820 Dr. James Lovell, Surgeon General of the Army, suggested to General Thayer, Superintendent of the Military Academy at West Point, that Cutbush be appointed Chief Medical Officer at the Academy and Post of West Point. In this capacity he served for seventeen months, when he became Acting Professor of Chemistry and Mineralogy in the Academy. The first lecture in his new position was delivered October 9, 1820. In a sense, it marked the beginning of a new career for Cutbush. He resumed teaching duties, but gave himself more particularly to the study, not only of gunpowder, which never ceased to be interesting to him, but to explosives of higher character, and in this latter field he reached his greatest eminence and may confidently be regarded as a pioneer in it.

Just before leaving Philadelphia, in the year 1820, Cutbush wrote Benjamin Silliman at some length on an improvement of the Voltaic electrical lamp. It was an ingenious modification and constituted the first contribution made by Cutbush to the American Journal of Science.

But, returning to his life at West Point, it may be observed that in 1822 he contributed his second article to the Journal of Science, which did not appear in print, however, until 1824. This article related to the composition and properties of the Chinese fire and the so-called brilliant fires. It was very interesting. It displayed a thorough and wide knowledge of pyrotechnics with which Cutbush, in previous years, had been gradually familiarizing himself. At one point he said:

"Most if not all the compositions used in fireworks, including military fireworks, were more the result of the labours of the artisan who was neither controlled by fixed principles nor by a knowledge of the effects and properties of bodies and of the systematic experiments of the chemist, and yet in consequence of some fortuitous and repeated trials we find that he has been successful, and moreover has amassed a body of facts which we may reasonably infer may either be rendered more perfect by knowledge or improved upon by the exact aid of chemical science."

Here is every proof of his purpose to apply his understanding of chemical principles and his own experience to the solution of pyrotechnic problems, for he continues:

"Pyrotechnics is at present considered under two heads, namely, fireworks for exhibition and military fireworks. The latter is undoubtedly the most useful, as it embraces a variety of propositions calculated for attack and defence both for naval and land service."

Almost simultaneously there appeared in the same Journal of Arts and Science another contribution by Cutbush, entitled

REMARKS CONCERNING THE COMPOSITION AND PROPERTIES OF THE GREEK FIRE

In the light of recent events and the use of all sorts of chemical bodies for warfare and destruction it will not be uninteresting to introduce here a few paragraphs from this remarkable contribution. He says:

"The Greek fire was invented by Callinicus of Heliopolis, a town in Syria, who used it with so much skill and effect during a naval engagement that he destroyed a whole fleet of the enemy, in which were embarked 30,000 men.

"It appears that in the reign of Louis XV, a chemist of Grenoble, Dupre de Mayen, discovered a composition similar in effect to the Greek fire of Callinicus, which was exhibited at Brest, and proved successful, but the preparation was kept secret. The original Greek fire was used in 1291, and also in 1679.... Writers have defined it to be a sort of artificial fire, which burns with increased violence when it mixes with water.... That it was a liquid composition, we may infer from the modes of using it, which were several. It was employed chiefly on board of ships, and thrown on the vessels of the enemy by large engines. It was sometimes kindled in particular vessels, which might be called fire ships, and which were introduced among a hostile fleet. Sometimes it was put into jars and other vessels, and thrown at the enemy by means of projectile machines, and sometimes it was squirted by soldiers from hand engines, or blown through pipes. This fire was also discharged from the foreparts of ships by a machine constructed of copper and iron, the extremity of which is said to have resembled the open mouth and jaws of a lion or other animal. They were painted, and even gilded, and were capable of projecting the liquid fire to a great distance.

"... John Cameniata, speaking of his native city, Thessalonica, which was taken by the Saracens in the year 904, says that the enemy threw fire into the wooden works of the besieged, which was blown into them by means of tubes, and thrown from other vessels.... This proves that the Greeks, in the beginning of the Tenth Century, were no longer the only people acquainted with the art of preparing this fire, the precursor of our gunpowder. The Emperor Leo, who about the same period wrote his Art of War, recommends such engines, with a metal covering, to be constructed in the foreparts of ships, and he twice afterwards mentions engines for throwing out Greek fire.... For many centuries the method of making this dreadful article of destruction was lost; but it has just been discovered by the librarian of the elector of Bavaria, who has found a very old Latin manuscript which contains directions for preparing it.

"... On the subject of incendiary and other military fireworks, the French have certainly laid the foundation for the very preparations now used by the British, for the formulæ for such preparations may be traced to the French service....

"The Moors were in possession of the secret for preparing the Greek fire in 1432, according to the testimony of Brocquire. Bertrandon de la Brocquire was in Palestine in 1432 as counsellor to the Duke of Burgundy. He was present at Barrat during one of the Moorish celebrations. 'It began,' he remarks, 'in the evening at sunset. Numerous companies scattered here and there were singing, and uttering loud cries. While this was passing, the cannon of the castle was fired, and the people of the town launched into the air "bein haut et bein loin, une maniere de fue plus gros fellot que je veisse oncques allume." They told me they made use of such at sea, to set fire to the sails of an enemy's vessel. It seems to me that it is a thing easy to be made, and at a little expense it may be equally well employed to burn a camp or a thatched village, or in an engagement with cavalry to frighten their horses. Curious to know its composition, I sent the servant of my host to the person who made this fire, and requested him to teach me his method. He returned for answer, that he dare not, for that he should run great danger were it known; but there is nothing a man will not do for money. I offered him a ducat, which quieted his fears, and he taught me all he knew, and even gave me the moulds in wood, with the other ingredients, which I have brought to France.' ... When Constantinople was attacked, the Emperor Leo burnt the vessels or boats, to the number of one thousand eight hundred, by means of the Greek fire.... Its composition was kept secret at Constantinople, pretending that the knowledge of it came from an angel to the first and greatest of the Constantines, with a sacred injunction not to divulge it under any pretext, etc. It ... was kept secret above 400 years ... was stolen by the Mahometans, who employed it against the Crusaders. A knight, it appears, who despised the swords and lances of the Saracens, relates, with heartfelt sincerity, his own fears at the sight and sound of the mischievous engine that discharged a torrent of fire. 'It came flying through the air, like a winged, long-tailed dragon, about the thickness of a hogshead, with a report of thunder, and the velocity of lightning; and the darkness of the night was dispelled by this deadly illumination. The use of the Greek, or as it might now be called the Saracen fire, was continued to the middle of the Fourteenth Century, when the scientific or casual compound of nitre, sulphur and charcoal effected a new revolution in the art of war, and the history of mankind.' ... We do not know of any imitation of the original Greek fire having been used in modern warfare, but have no hesitation in believing that naphtha prepared as already stated would in many cases prove advantageous. It seems to be well calculated for close naval combat, if the object be to destroy the sails and rigging of an enemy's ship. The rapidity and extent of its combustion, added to the circumstances of its peculiar properties, that of resisting the action of water in particular, contribute altogether to this opinion."

The entire article from which these excerpts have been made is worthy of study, even at this late date. It is suggestive and carries with it many historical references of value. The enthusiasm of Cutbush for pyrotechnic bodies is manifest in every line of this publication.

About a year later (1823) Cutbush discussed the formation of cyanogen in processes not previously noticed. He spoke of the appearance of this gas in the putrefaction of animal and vegetable matter, making the following remarkable and in some respects startling statement:

"I believe it would be found that the compound (carburet of azote) is the basis of the miasmata which produces malignant, bilious diseases.... Marsh miasmata are generally the cause of intermittent fevers. Now under particular circumstances of action may we not admit the generation of carburet of azote or cyanogen, and if so, as it readily unites with hydrogen, may it not be the miasma which produces malignant bilious fevers, since it is known that hydrocyanic acid is destructive to animal life and a most virulent poison?... Miasmata of some kind are the cause of yellow fever. For our part we believe it to be carburet of azote, or of some of its combinations, and of these that with hydrogen, from its deleterious character, seems to be the one."