Part 59

I made him observe that it would be very difficult for me to walk to my home in the Rue de Courcelles, and if his government wanted the horse it could come there and fetch it. He looked doubtfully at me, as if weighing the situation, then said, very courteously, "I understand, Madame, and I give you back your horse." And he even helped Louis to reharness the horse, who seemed happy to return to his shafts.

When I arrived home I had to go to bed, I was so exhausted. Mademoiselle W---- administered the infallible camomile tea, her remedy for every ill. Her mind cannot conceive of any disease which is not cured by camomile tea, unless in extremis, when fleurs d'oranger takes its place.

24th of March.

The American secretary, Mr. Hoffman, and his wife, who are living in Versailles, invited Mrs. Moulton and me to luncheon to-day, saying that Mr. Washburn was also of the party; therefore we need have no fear of being molested or inconvenienced on our way.

There were only two trains to Versailles now. We took the one at midday from Paris, and arrived slowly but surely at the dirty, smoky station, where we found Mr. Hoffman waiting for us with a landau, in which we drove to his house.

We had an excellent luncheon, to which we all did justice; after which Mr. Hoffman proposed our going to the Assemblée, which has its sittings in the Palace, and we readily consented. I was particularly glad to have an opportunity to see the notabilities whose names and actions had been our daily food these last months.

We sat in Mr. Hoffman's box, who, in his position as secretary of the American Legation, had been obliged to attend all these séances from the first. He knew all the celebrities, and most amiably pointed them out to me. Thiers was in the president's chair; Louis Blanc, Jules Favre, Jules Grévy, and others were on the platform.

I confess I was rather disappointed; I thought that this pleiades of brilliant minds would surely overcome me to such a degree that I should not sleep for weeks. But, strangely enough, they had just the opposite effect. I think Mr. Washburn must be writing a book on modern history, and Mr. Hoffman must be writing one on ancient history. I sat between them--a drowsy victim--feeling as if my brain was making spiral efforts to come out of the top of my head.

While I was trying with all my might to listen to Thiers's speech, who, I was sure, was saying something most interesting, Mr. Hoffman, on one side of me, would say, in a low tone, "Just think of it! Here, in these very same boxes, the pampered and powdered [or something like that] Court of Louis XIV. sat and listened to Rameau's operas." I tried to seem impressed. Then, on the other side, I would hear, "Do you know, Mrs. Moulton, that the Communists have just taken seven millions of francs from the Bank of France?" The distant, squeaky voice of Thiers trying to penetrate space, said, "La force ne fonde rien, parce qu'elle ne résout rien." And when I was hoping to comprehend why "La force" did not "fonder" anything I would hear Mr. Hoffman whisper, "When you think that Louis XVI. and Marie Antoinette passed the last evening they ever spent in Versailles in this theater!" "Really," I replied vaguely. My other neighbor remarked, "You know the 'Reds' are concentrating for a sortie to Versailles." "You don't say so!" I answered, dreadfully confused. There would be a moment's pause, and I caught the sound of General Billet's deep basso proposing that the French nation should adopt the family of General Lecomte, who had been so mercilessly butchered by the mob. Mr. Hoffman, continuing his train of thought, remembered that Napoleon III. gave that "magnificent dinner" to Queen Victoria in this theater. Jules Grévy talked at great length about something I did not hear, and when I asked Mr. Hoffman what it was, he answered me, something I did not understand. Jules Favre next spoke about the future glories of notre glorieux pays and the destiny of France. These remarks were received with tremendous applause. People stood up, and ladies waved their handkerchiefs, every one seeming very excited; but my American friends were not greatly impressed. "How typical!" says Mr. Hoffman. "What rubbish!" says Mr. Washburn.

When we returned to Paris we found Mr. Moulton in a flutter of agitation. Beaumont (the renowned and popular painter) had been at the house in the afternoon, and had asked Mr. Moulton's permission to bring Courbet (the celebrated artist, now a Communard) to see us. Mr. Moulton had no sooner said yes than he regretted his impulsiveness, but he forgot to call Beaumont back to tell him so. The result was that we had the visit of Courbet last evening.

Mr. Moulton put on a bold face and broke the news to us on our arrival; but, contrary to his fears, Mrs. Moulton and I were enchanted. Mademoiselle Wissembourg was not so enthusiastic. A live Communard at such near focus had no attraction for her.

Beaumont's politics are sadly wanting in color, making him supremely indifferent to other people's politics; and, as he has a great admiration for Courbet as an artist, he does not care whether he is a Communard or not.

We waited with impatience for the appointed hour, and lo! Courbet stood before us. Mademoiselle Wissembourg had once remarked that she had great sympathy for the people, who must feel themselves oppressed and degraded by the rich and powerful, and so forth. But I noticed, all the same, that she retired into a corner, probably thinking Courbet was bristling all over with pistols, as behoves a Communard.

Courbet is not handsome; he is fat and flabby (of the Falstaff type), with a long beard, short hair, and small eyes; but he is very clever, as clever as Beaumont, which is saying a good deal.

Of course they talked of "the situation." Who could help it? Courbet belongs more to the fraternity part of the motto than he does to the equality part of the Commune! He is not bloodthirsty, nor does he go about shooting people in the back. He is not that kind! He really believes (so he says) in a Commune based on principles of equality and liberty of the masses. Mr. Moulton pointed out that unlimited liberty in the hands of a mob might become dangerous; but he admitted that fraternity absolves many sins.

They talked on till quite late. Beaumont showed him his last picture, which he (Beaumont) thinks very fine, but all Courbet said was, "What a pretty frame!" I don't know if Mrs. Moulton and I felt much admiration for the great artist, but he left us convinced that we were all in love with him. We told Mr. Moulton we thought it might get us into trouble if Courbet vibrated between us and the hotbed of Communism. But Mr. Moulton answered, "What does it matter now?" as if the end of the world had come.

Perhaps it has.

March 24th.

Since I have been in Paris I have wished every day to go and see my former singing-master, Delsarte; but something has always prevented me.

To-day, however, having nothing else to do, I decided to make the long- projected visit; that is, if I could persuade Mademoiselle to accompany me. After my experience in the Rue St.-Arnaud the other day I did not venture to drive, so we started off to walk (with Mademoiselle's reluctant consent) to the Boulevard de Courcelles, where Delsarte moves and has his being.

Poor Mademoiselle was frightened almost to death, shaking with terror at every sound, and imagining that the Communards were directly behind us, dodging our footsteps and spying upon our actions. At the sight of every ragged soldier we met she expected to be dragged off to prison, and when they passed us without so much as glancing at us I think she felt rather disappointed, as if they had not taken advantage of their opportunities.

Finally we reached the house, and mounted the six stories, the stairs of which are steep, slippery, and tiring. On our upward flight I remarked to Mademoiselle that I wished Delsarte lived in other climes; but she was far too much out of breath to notice any such little joke as this. I saw no change either in him or in any of his surroundings.

He told us that he had suffered many privations and deprivations while the siege was going on. Probably this is true; but I do not see how he could have needed very much when he had the piano to fall back on, with all its resources. How vividly the scenes of my former lessons loomed up before me when I stood shivering with cold in the never-heated room, my voice almost frozen in my throat, and was obliged to sing with those awful diagrams staring me in the face!

Delsarte asked me many questions about my music: whether I had had the heart to sing pendant ce débâcle. I said, "Débâcle or no débâcle, I could never help singing."

My dear old friend Auber came to see me this afternoon. He had not had much difficulty in driving through the streets, as he had avoided those that were barricaded. We had a great deal to talk about. He had been in Paris all through the war and had suffered intensely, both physically and mentally; he looked wretched, and for the first time since I had known him seemed depressed and unhappy. He is old and now he looks his age. He is a true Parisian, adores his Paris, and never leaves it, even during the summer, when Paris is insufferable. One can easily imagine his grief at seeing his beloved city as it is now. He was full of uneasy forebodings and distress. He gave me the most harrowing description of the killing of General Lecomte! It seems that the mob had seized him in his home and carried him to the garden of some house, where they told him he was to be judged by a conseil de guerre, and left him to wait an hour in the most pitiable frame of mind.

The murder of General Clément Thomas was even more dreadful. Auber knew him well; described him as kind and gentle, and "honest to the tips of his fingers." They hustled him into the same garden where poor General Lecomte already was, pushed him against the wall, and shot him, killing him instantly. Then they rushed upon their other victim, saying, "Now is your turn." In vain did Lecomte beg to be judged by his equals, and spoke of his wife and children. But his tormentors would have none of that, and shot him then and there. Lecomte fell on his knees; they dragged him to his feet, and continued firing into his still warm body. When the populace was allowed to come in they danced a saturnalia over his corpse. Auber said: "My heart bleeds when I gaze on all that is going on about me. Alas! I have lived too long."

I tried to make him talk of other things, to divert him from his dark thoughts. We played some duets of Bach, and he accompanied me in some of his songs. I sang them to please him, though my heart was not "attuned to music," as the poets say.

March 25, 1871.