II.—Stronger glue is obtained by dissolving 10 parts good crude caoutchouc in 120 parts benzine or naphtha which solution is poured slowly and in a fine stream into 20 parts asphaltum melted in a kettle, stirring constantly and heating. Pour the finished glue, after the solvent has almost evaporated and the mass has become quite uniform, into flat molds, in which it solidifies into very hard tablets of dark brown or black color. For use, these glue tablets are first soaked in boiling water and then heated over a free flame until the marine glue has become thinly liquid. The pieces to be glued are also warmed and a very durable union is obtained.
III.—Cut caoutchouc into small pieces and dissolve in coal naphtha by heat and agitation. Add to this solution powdered shellac, and heat the whole, constantly stirring until combination takes place, then pour it on metal plates to form sheets. When used it must be heated to 248° F., and applied with a brush.
«Water-Proof Glues.»—I.—The glue is put in water till it is soft, and subsequently melted in linseed oil at moderate heat. This glue is affected neither by water nor by vapors.
II.—Dissolve a small quantity of sandarac and mastic in a little alcohol, and add a little turpentine. The solution is boiled in a kettle over the fire, and an equal quantity of a strong hot solution of glue and isinglass is added. Then filter through a cloth while hot.
III.—Water-proof glue may also be produced by the simple addition of bichromate of potassium to the liquid glue solution, and subsequent exposure to the air.
IV.—Mix glue as usual, and then add linseed oil in the proportion of 1 part oil to 8 parts glue. If it is desired that the mixture remain liquid, 1/2 ounce of nitric acid should be added to every pound of glue. This will also prevent the glue from souring.
V.—In 1,000 parts of rectified alcohol dissolve 60 parts of sandarac and as much mastic whereupon add 60 parts of white oil of turpentine. Next, prepare a rather strong glue solution and add about the like quantity of isinglass, heating the solution until it commences to boil; then slowly add the hot glue solution till a thin paste forms, which can still be filtered through a cloth. Heat the solution before use and employ like ordinary glue. A connection effected with this glue is not dissolved by cold water and even resists hot water for a long time.
VI.—Soak 1,000 parts of Cologne glue in cold water for 12 hours and in another vessel for the same length of time 150 parts of isinglass in a mixture of lamp spirit and water. Then dissolve both masses together on the water bath in a suitable vessel, thinning, if necessary, with some hot water. Next add 100 {14} parts of linseed oil varnish and filter hot through linen.
VII.—Ordinary glue is kept in water until it swells up without losing its shape. Thus softened it is placed in an iron crucible without adding water; then add linseed oil according to the quantity of the glue and leave this mixture to boil over a slow fire until a gelatinous mass results. Such glue unites materials in a very durable manner. It adheres firmly and hardens quickly. Its chief advantage, however, consists in that it neither absorbs water nor allows it to pass through, whereby the connecting places are often destroyed. A little borax will prevent putrefaction.
VIII.—Bichromate of potassium 40 parts (by weight); gelatin glue, 55 parts; alum, 5 parts. Dissolve the glue in a little water and add the bichromate of potassium and the alum.
IX.—This preparation permits an absolutely permanent gluing of pieces of cardboard, even when they are moistened by water. Melt together equal parts of good pitch and gutta-percha; of this take 9 parts, and add to it 3 parts of boiled linseed oil and 1 1/2 parts of litharge. Place this over the fire and stir it till all the ingredients are intimately mixed. The mixture may be diluted with a little benzine or oil of turpentine, and must be warm when used.
«Glue to Fasten Linoleum on Iron Stairs.»—I.—Use a mixture of glue, isinglass, and dextrin which, dissolved in water and heated, is given an admixture of turpentine. The strips pasted down must be weighted with boards and brick on top until the adhesive agent has hardened.
II.—Soak 3 parts of glue in 8 parts water, add 1/2 part hydrochloric acid and 3/4 part zinc vitriol and let this mixture boil several hours. Coat the floor and the back of the linoleum with this. Press the linoleum down uniformly and firmly and weight it for some time.
«Glue for Attaching Gloss to Precious Metals.»—Sandarac varnish, 15 parts; marine glue, 5 parts; drying oil, 5 parts; white lead, 5 parts; Spanish white, 5 parts; turpentine, 5 parts. Triturate all to form a rather homogeneous paste. This glue becomes very hard and resisting.
«Elastic Glue.»—Although elastic glue is less durable than rubber, and will not stand much heat, yet it is cheaper than rubber, and is not, like rubber affected by oil colors. Hence it is largely used for printing rollers and stamps. For stamps, good glue is soaked for 24 hours in soft water. The water is poured off, and the swollen glue is melted and mixed with glycerine and a little salicylic acid and cast into molds. The durability is increased by painting the mass with a solution of tannin, or, better, of bichromate of potassium. Printing rollers require greater firmness and elasticity. The mass for them once consisted solely of glue and vinegar, and their manufacture was very difficult. The use of glycerine has remedied this, and gives great elasticity without adhesiveness, and has removed the liability of moldiness. Swollen glue, which has been superficially dried, is fused with glycerine and cast into oil molds. Similar mixtures are used for casting plaster ornaments, etc., and give very sharp casts. A mass consisting of glue and glycerine is poured over the model in a box. When the mold is removed, it is painted with plaster outside and with boiled oil inside, and can then be used many times for making reproductions of the model.
«Glue for Paper and Metal.»—A glue which will keep well and adhere tightly is obtained by diluting 1,000 parts by weight of potato starch in 1,200 parts by weight of water and adding 50 parts by weight of pure nitric acid. The mixture is kept in a hot place for 48 hours, taking care to stir frequently. It is afterwards boiled to a thick and transparent consistency, diluted with water if there is occasion, and then there are added in the form of a screened powder, 2 parts of sal ammoniac and 1 part of sulphur flowers.
«Glue for Attaching Cloth Strips to Iron.»—Soak 500 parts of Cologne glue in the evening with clean cold water in a clean vessel; in the morning pour off the water, place the softened glue without admixture of water into a clean copper or enamel receptacle, which is put on a moderate low fire (charcoal or steam apparatus). During the dissolution the mass must be continually stirred with a wooden trowel or spatula. If the glue is too thick, it is thinned with diluted spirit, but not with water. As soon as the glue has reached the boiling point, about 50 parts of linseed oil varnish (boiled oil) is added to the mass with constant stirring. When the latter has been stirred up well, add 50 parts of powdered colophony and shake it into the mass with stirring, subsequently removing the glue from the fire. In order to increase the binding qualities and to guard against moisture, it is well still to add about 50 parts of isinglass, which has been previously cut {15} into narrow strips and placed, well beaten, in a vessel, into which enough spirit of wine has been poured to cover all. When dissolved, the last-named mass is added to the boiling glue with constant stirring. The adhesive agent is now ready for use and is employed hot, it being advisable to warm the iron also. Apply glue only to a surface equivalent to a single strip at a time. The strips are pressed down with a stiff brush or a wad of cloth.
«Glue for Leather or Cardboard.»—To attach leather to cardboard dissolve good glue (softened by spelling in water) with a little turpentine and enough water in an ordinary glue pot, and then having made a thick paste with starch in the proportion of 2 parts by weight, of starch powder for every 1 part, by weight, of dry glue, mix the compounds and allow the mixture to become cold before application to the cardboard.
«For Wood, Glass, Cardboard, and all Articles of a Metallic or Mineral Character.»—Take boiled linseed oil 20 parts, Flemish glue 20 parts, hydrated lime 15 parts, powdered turpentine 5 parts, alum 5 parts acetic acid 5 parts. Dissolve the glue with the acetic acid, add the alum, then the hydrated lime, and finally the turpentine and the boiled linseed oil. Triturate all well until it forms a homogeneous paste and keep in well-closed flasks. Use like any other glue.
«Glue for Uniting Metals with Fabrics.»—Cologne glue of good quality is soaked and boiled down to the consistency of that used by cabinetmakers. Then add, with constant stirring, sifted wood ashes until a moderately thick, homogeneous mass results. Use hot and press the pieces well together during the drying. For tinfoil, about 2 per cent of boracic acid should be added instead of the wood ashes.
«Glue or Paste for Making Paper Boxes.»—
Chloral hydrate 5 parts Gelatin, white 8 parts Gum arabic 2 parts Boiling water 30 parts
Mix the chloral, gelatin, and gum arabic in a porcelain container, pour the boiling water over the mixture and let stand for 1 day, giving it a vigorous stirring several times during the day. In cold weather this is apt to get hard and stiff, but this may be obviated by standing the container in warm water for a few minutes. This paste adheres to any surface whatever.
«Natural Glue for Cementing Porcelain, Crystal Glass, etc.»—The large shell snails which are found in vineyards have at the extremity of their body a small, whitish bladder filled with a substance of greasy and gelatinous aspect. If this substance extracted from the bladder is applied on the fragments of porcelain or any body whatever, which are juxtaposed by being made to touch at all parts, they acquire such adhesion that if one strives to separate them by a blow, they are more liable to break at another place than the cemented seam. It is necessary to give this glue sufficient time to dry perfectly, so as to permit it to acquire the highest degree of strength and tenacity.
«Belt Glue.»—A glue for belts can be prepared as follows: Soak 50 parts of gelatin in water, pour off the excess of water, and heat on the water bath. With good stirring add, first, 5 parts, by weight, of glycerine, then 10 parts, by weight, of turpentine, and 5 parts, by weight, of linseed oil varnish and thin with water as required. The ends of the belts to be glued are cut off obliquely and warmed; then the hot glue is applied, and the united parts are subjected to strong pressure, allowing them to dry thus for 24 hours before the belts are used.
«Chromium Glue for Wood, Paper, and Cloth.»—I.—(a) One-half pound strong glue (any glue if color is immaterial, white fish glue otherwise); soak 12 hours in 12 fluidounces of cold water. (b) One-quarter pound gelatin; soak 2 hours in 12 fluidounces cold water. (c) Two ounces bichromate of potassium dissolved in 8 fluidounces boiling water. Dissolve (a) after soaking, in a glue pot, and add (b). After (a) and (b) are mixed and dissolved, stir in (c). This glue is exceedingly strong, and if the article cemented be exposed to strong sunlight for 1 hour, the glue becomes perfectly waterproof. Of course, it is understood that the exposure to sunlight is to be made after the glue is thoroughly dry. The one objectionable feature of this cement is its color, which is a yellow-brown. By substituting chrome alum in place of the bichromate, an olive color is obtained.
II.—Use a moderately strong gelatin solution (containing 5 to 10 per cent of dry gelatin), to which about 1 part of acid chromate of potassium in solution is added to every 5 parts of gelatin. This mixture has the property of becoming insoluble by water through the action of sunlight under partial reduction of the chromic acid. {16}
«Fireproof Glue.»—
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