II.—Enamel Black.—Ivory black, 2 parts, by weight; Paris blue, 0.01 part, by weight; varnish, 23 parts, by weight.
III.—Pale Gray.—Graphite, 2 parts, by weight; ultramarine, 0.01 part, by weight; lithopone, 40 parts, by weight; varnish, 100 parts, by weight.
IV.—Dark Gray.—Graphite, 3 parts, by weight; ivory black, 2 parts, by weight; lithopone, 40 parts, by weight; varnish, 110 parts, by weight. {723}
V.—Chrome Yellow, Pale.—Chrome yellow, 2 parts, by weight; lithopone, 2 parts, by weight; varnish, 40 parts, by weight; benzine, 1 1/2 parts, by weight.
VI.—Chrome Yellow, Dark.—Chrome yellow, dark, 2 parts, by weight; chrome orange, 1/8 part, by weight; lithopone, 1 part, by weight; varnish, 35 parts, by weight; benzine, 1 part, by weight.
VII.—Pink, Pale.—Carmine, 1/2 part, by weight; lithopone, 15 parts, by weight; varnish, 40 parts, by weight; benzine, 1 1/2 parts, by weight.
VIII.—Pink, Dark.—Carmine, 1/2 part, by weight; Turkey red, 1 part, by weight; lithopone, 15 parts, by weight; varnish, 40 parts, by weight.
IX.—Turkey Red.—Turkey red, pale, 2 parts, by weight; lithopone, 1 part, by weight; Turkey red, dark, 1 part, by weight; white lead, pure, 1/2 part, by weight; varnish, 18 parts, by weight; benzine, 1/2 part, by weight.
X.—Flesh Tint.—Chrome yellow, pale, 1 1/2 parts, by weight; graphite, 1/8 part, by weight; lithopone, 15 parts, by weight; Turkey red, pale, 2 parts, by weight; varnish, 42 parts, by weight; benzine, 1/2 part, by weight.
XI.—Carmine Red.—Lead sulphate, 5 parts, by weight; Turkey red, pale, 6 parts, by weight; carmine, 1 1/2 parts, by weight; orange minium, 3 parts, by weight; vermilion, 2 parts, by weight; varnish, 50 parts, by weight; benzine, 1 1/2 parts, by weight.
XII.—Sky Blue.—Ultramarine, 5 parts, by weight; lithopone, 5 parts, by weight; ultramarine green, 0.05 parts, by weight; varnish, 30 parts, by weight; benzine, 1 part, by weight.
XIII.—Ultramarine.—Ultra blue, 5 parts, by weight; varnish, 12 parts, by weight; benzine, 1/2 part, by weight.
XIV.—Violet.—Ultramarine, with red tinge, 10 parts, by weight; carmine, 0.5 parts, by weight; varnish, 25 parts, by weight.
XV.—Azure.—Paris blue, 10 parts, by weight; lithopone, 100 parts, by weight; varnish, 300 parts, by weight.
XVI.—Leaf Green.—Chrome green, pale, 5 parts, by weight; varnish, 25 parts, by weight; benzine, 1/2 part, by weight.
XVII.—Silk Green.—Silk green, 10 parts, by weight; chrome yellow, pale, 1/2 part, by weight; lead sulphate, 5 parts, by weight; varnish, 30 parts, by weight; benzine, 1/2 part, by weight.
XVIII.—Brown.—English red, 10 parts, by weight; ocher, light, 3 parts, by weight; varnish, 30 parts, by weight; benzine, 1/2 part, by weight.
XIX.—Ocher.—French ocher, 10 parts, by weight; chrome yellow, dark, 1/2 part, by weight; varnish, 30 parts, by weight; benzine, 1/2 part, by weight.
XX.—Chocolate.—Umber, 10 parts, by weight; Florentine lake, 1/8 part, by weight; varnish, 25 parts, by weight; benzine, 1/2 part, by weight.
XXI.—Terra Cotta.—Chrome yellow, pale, 10 parts, by weight; Turkey red, dark, 3 parts, by weight; varnish, 35 parts, by weight.
XXII.—Olive, Greenish.—French ocher, 5 parts, by weight; Paris blue, 1/2 part, by weight; graphite, 1/2 part, by weight; varnish, 25 parts, by weight; lithopone, 5 parts, by weight.
XXIII.—Olive, Brownish.—Chrome orange, 5 parts, by weight; Paris blue, 2 parts, by weight; lead sulphate, 10 parts, by weight; English red, 1 part, by weight; varnish, 40 parts, by weight; benzine, 1 1/2 parts, by weight.
XXIV.—Olive, Reddish.—Turkey red, dark, 75 parts, by weight; sap green, 75 parts, by weight; ocher, pale, 5 parts, by weight; varnish, 300 parts, by weight; benzine, 1 1/2 parts, by weight.
«ENGRAVERS’ VARNISHES.»
In copper-plate engraving the plate must be covered with a dark-colored coating which, though entirely unaffected by the etching fluid, must be soft enough to allow the finest lines to be drawn with the needle and must also be susceptible of complete and easy removal when the etching is finished. Varnishes which possess these properties are called “etching grounds.” They are made according to various formulas, but in all cases the principal ingredient is asphalt, of which only the best natural varieties are suitable for this purpose. Another common ingredient is beeswax, or tallow.
Etching grounds are usually made in small quantities, at a single operation, by melting and stirring the solid ingredients together and allowing the mass to cool in thin sheets, which are then dissolved in oil of turpentine. The plate is coated uniformly with this varnish through which the engraver’s tool readily penetrates, laying bare the metal beneath. After the lines thus drawn have been etched by immersing the plate in acid, the varnish is washed off with oil of turpentine.
The following formulas for etching grounds have been extensively used by engravers: {724}
I II III IV Yellow wax 50 30 110 40 parts Syrian asphalt 20 20 25 40 parts Rosin — — — 20 parts Amber — — 20 — parts Mastic 25 25 25 — parts Tallow — — — 2 parts Bergundy pitch — — — 10 parts
Henley's Twentieth Century Formulas, Recipes and Processes · The Wunder Library — complete classics, free to read, with narration.