II.—Dissolve copper nitrate, 10 parts, by weight, and kitchen salt, 2 parts, in 500 parts of water and add a solution of ammonium acetate obtained by neutralization of 10 parts of officinal spirit of sal ammoniac with acetic acid to a faintly acid reaction, and filling up with water to 500 parts. Immerse the bronze, allow to dry, brush off superficially and repeat this until the desired shade of color has been obtained. {585}
«A Permanent Patina for Copper.»—
Green.—
I.—Sodium chloride 37 parts Ammonia water 75 parts Ammonium chloride 37 parts Strong wine vinegar 5,000 parts
Mix and dissolve. Apply to object to be treated, with a camel’s-hair pencil. Repeat the operation until the desired shade of green is reached.
Yellow Green.—
II.—Oxalic acid 5 parts Ammonium chloride 10 parts Acetic acid, 30 per cent dilution 500 parts
Mix and dissolve. Use as above indicated. The following will produce the same result:
III.—Potassium oxalate, acid 4 parts Ammonium chloride 16–17 parts Vinegar containing 6 per cent of acetic acid 1,000 parts
IV.—Bluish Green.—After using the first formula (for green) pencil over with the following solution:
Ammonium chloride 40 parts Ammonium carbonate 120 parts Water 1,000 parts
Mix and dissolve.
Greenish Brown.—
V.—Potassium sulphuret 5 parts Water 1,000 parts
Mix and dissolve. With this, pencil over object to be treated, let dry, then pencil over with 10 parts a mixture of a saturated solution of ammonia water and acetic acid and 5 parts of ammonium chloride thinned with 1,000 parts of water. Let dry again, then brush off well. Repeat, if necessary, until the desired hue is attained.
Another Blue Green.—
VI.—Corrosive sublimate 25 parts Potassium nitrate 86 parts Borax 56 parts Zinc oxide 113 parts Copper acetate 220–225 parts
Mix and heat together on the surface of the object under treatment.
VII.—Brown.—The following is a Parisian method of producing a beautiful deep brown:
Potassium oxalate, acid 3 parts Ammonium chloride 15 parts Water, distilled 280 parts
Mix and dissolve. The object is penciled over with this several times, each time allowing the solution to dry before putting on any more. The process is slow, but makes an elegant finish.
«Green Patina Upon Copper.»—To produce a green patina upon copper take tartaric acid, dilute it half and half with boiling water; coat the copper with this; allow to dry for one day and rub the applied layer off again the next day with oakum. The coating must be done in dry weather, else no success will be obtained. Take hydrochloric acid and dilute it half and half with boiling water, but the hydrochloric acid should be poured in the water, not vice-versa, which is dangerous. In this hydrochloric acid water dissolve as much zinc as it can solve and allow to settle. The clear liquid is again diluted half with boiling water and the copper is coated with this a few times.
«Black Patina.»—Black patina is obtained by coating with tallow the pieces to be oxidized and lighting with a rosin torch. Finally, wipe the reliefs and let dry.
«Blue-Black Patina.»—Use a dilute solution of chloride of antimony in water and add a little free hydrochloric acid. Apply with a soft brush, allow the article to dry and rub with a flannel. If expense is no object, employ a solution of chloride of palladium, which gives a magnificent blue black. It is necessary, however, to previously clean the articles thoroughly in a hot solution of carbonate of soda, in order to remove the dirt and greasy matter, which would prevent the patina from becoming fixed.
«Red Patina.»—The following is a new method of making a red patina, the so-called blood bronze, on copper and copper alloys. The metallic object is first made red hot, whereby it becomes covered with a coating consisting of cupric oxide on the surface and cuprous oxide beneath. After cooling, it is worked upon with a polishing plate until the black cupric oxide coating is removed and the cuprous oxide appears. The metal now shows an intense red color, {586} with a considerable degree of luster, both of which are so permanent that it can be treated with chemicals, such as blue vitriol, for instance, without being in the least affected.
If it is desired to produce a marbled surface, instead of an even red color, borax or some chemical having a similar action is sprinkled upon the metal during the process of heating. On the places covered by the borax, oxidation is prevented, and after polishing, spots of the original metallic color will appear in the red surface. These can be colored by well-known processes, so as to give the desired marbled appearance.
«PLATINIZING:»
«Platinizing Aluminum.»—Aluminum vessels coated with a layer of platinum are recommended in place of platinum vessels, when not exposed to very high temperatures. The process of platinizing is simple, consisting in rubbing the aluminum surface, previously polished, with platinic chloride, rendered slightly alkaline. The layer of platinum is made thicker by repeated application. Potash lye is carefully added to a solution of 5 to 10 per cent of platinic chloride in water till a slightly alkaline reaction is produced on filtering paper or a porcelain plate by means of phenolphthalein. This solution must always be freshly prepared, and is the best for the purpose. Neither galvanizing nor amalgamating will produce the desired result. Special care must be taken that the aluminum is free from iron, otherwise black patches will arise which cannot be removed. Vessels platinized in this way must not be cleaned with substances such as sea-sand, but with a 5 to 10 per cent solution of oxalic acid in water, followed by thorough rinsing in water. These vessles are said to be specially suitable for evaporating purposes.
Henley's Twentieth Century Formulas, Recipes and Processes · The Wunder Library — complete classics, free to read, with narration.