Cut the paper, ruling it carefully, into even strips an inch wide, and then into four pieces, two of them the exact length of the top and bottom of the frame, and the other two half an inch longer than the two sides. Make sure that the print is evenly sandwiched between the glass and the back. Cut some tiny strips of thin court-plaster, and with these bind the corners tightly together. Brush over the two larger pieces of paper with mountant, and with them bind tightly together the three thicknesses—print, glass, and cardboard—allowing the paper to project over about a third of an inch on the face side, and the ends which were left a little longer must be neatly turned over and stuck at the back. Then, in the same manner, bind the top and bottom edges together, mitering the corners neatly.
It should not be forgotten, before binding the edges together, to make two slits in the cardboard back for the {509} purpose of inserting little brass hangers, having flat ends like paper fasteners, which may be bought for the purpose; or, where these are not available, two narrow loops of tape may be used instead, sticking the ends firmly on the inside of the cardboard by means of a little strong glue.
These are the few manipulations necessary for the making of a simple passe-partout frame, but there are numberless variations of the idea, and a great deal of variety may be obtained by means of using different mounts. Brown paper answers admirably as a mount for some subjects, using strips of paper of a darker shade as binding. A not too obtrusive design in pen and ink is occasionally drawn on the mount, while a more ambitious scheme is to use paint and brushes in the same way. An ingenious idea which suits some subjects is to use a piece of hand-blocked wall paper as a mount.
PARQUET POLISH: See Polishes.
«PASTES:»
See Adhesives for Adhesive Purposes.
«Pastes, Razor.»—I.—From jewelers’ rouge, plumbago, and suet, equal parts, melted together and stirred until cold.
II.—From prepared putty powder (levigated oxide of tin), 3 parts; lard, 2 parts; crocus martis, 1 part; triturated together.
III.—Prepared putty powder, 1 ounce; powdered oxalic acid, 1/4 ounce; powdered gum, 20 grains; make a stiff paste with water, quantity sufficient, and evenly and thinly spread it over the strop, the other side of which should be covered with any of the common greasy mixtures. With very little friction this paste gives a fine edge to the razor, and its action is still further increased by slightly moistening it, or even breathing on it. Immediately after its use, the razor should receive a few turns on the other side of the strop.
PASTE FOR PAPER: See Paper.
PASTES FOR POLISHING METALS: See Soaps.
PASTEBOARD CEMENT: See Adhesives.
PASTEBOARD DEODORIZERS: See Household Formulas.
PASTILLES, FUMIGATING: See Fumigants.
PATINAS: See Bronzing and Plating.
PATENT LEATHER: See Leather.
PEACH EXTRACT: See Essences and Extracts.
PEARLS, TO CLEAN: See Cleaning Preparations and Methods.
«PEGAMOID.»
Camphor, 100 parts; mastic, 100 parts; bleached shellac, 50 parts; gun cotton, 200 parts; acetone, 200 parts; acetic ether, 100 parts; ethylic ether, 50 parts.
PEN METAL: See Alloys.
PENCILS, ANTISEPTIC: See Antiseptics.
PENCILS FOR MARKING GLASS: See Etching, Frosted Glass, and Glass.
PENS, GOLD: See Gold.
PEONY ROOTS, THEIR PRESERVATION: See Roots.
«PERCENTAGE SOLUTION.»
Multiply the percentage by 5; the product is the number of grains to be added to an ounce of water to make a solution of the desired percentage. This is correct for anything less than 15 per cent.
«Perfumes»
Henley's Twentieth Century Formulas, Recipes and Processes · The Wunder Library — complete classics, free to read, with narration.