XIV.
LEARNING THE ART OF COMPOSITION.
Having delayed the narrative to learn of the books that helped to make him the man he became, it is necessary to delay further to see how he practised writing composition, both prose and poetry, in his early life, thus laying the foundation for the excellence of his writings in manhood.
Benjamin was not more than seven years old when he began to write poetry. His "Uncle Benjamin's" frequent poetic addresses to him inspired him to try his hand at the art, and he wrote something and forwarded to his uncle in England. Whatever it was, it has not been preserved. But we know that he wrote a piece, doggerel of course, and sent to him, from the fact that his uncle returned the following reply:
"'T is time for me to throw aside my pen, When hanging sleeves read, write, and rhyme like men. This forward spring foretells a plenteous crop; For, if the bud bear grain, what will the top? If plenty in the verdant blade appear, What may we not soon hope for in the ear! When flowers are beautiful before they're blown, What rarities will afterwards be shown!
"If trees good fruit uninoculated bear, You may be sure 't will afterwards be rare. If fruits are sweet before they've time to yellow, How luscious will they be when they are mellow! If first-year's shoots such noble clusters send, What laden boughs, Engedi-like, may we expect in end!"
There was no time, from the above date, when Benjamin did not indulge, to some extent, his inclination to write. It was done for his own amusement and profit, so that he was not in the habit of showing or speaking of his productions. None of them were preserved.
But his talent for composition developed rapidly from the time he was fairly settled in the printing business. He practised putting original thoughts, and thoughts culled from books, into sentences and paragraphs, a very sensible method of self-improvement. He often tried his hand at poetry, if it was only a couplet at a time. Longer compositions he wrote, for no one to see and read but himself. One day his brother James, curious to see what Benjamin was writing so much about, looked over his shoulder.
"What have you there, Ben?" he said. "Writing a sermon or your will? Ay! poetry is it?" catching a glimpse of it. "Then you are a poet are you?"
"Seeing what I can do," Benjamin replied. "We do not know what we can do till we try. It is not much any way."
"Let me read it, and I will tell you whether it is much or not. Authors are not good judges of their own productions. They are like parents, who think their own children handsomest and most promising; they think their articles are better than they are."
James was in a happy mood for him when he thus spoke. He knew nothing about Benjamin's ability in writing composition; for this was quite a while before the newspaper was started for which he wrote.
"I have been reading much poetry of late," added Benjamin, "and I am anxious to know if I can write it. I like to read it, and I have read several of the poets since I had access to Mr. Adams' library," This was after Mr. Adams invited him take books from his library, of which we have already given an account.
"So much the more reason that I should read what you have written," added James. "I do not expect it will be quite equal to Shakespeare."
"Well, read it, I do not care." And Benjamin passed it over to his brother without further hesitation.
James read it over carefully, and then he re-read it before making a remark, as if to be sure that he was not mistaken in the quality of the composition.
"That is good, Ben. It is really good, much better than I supposed you could write. Indeed, I did not know that you could write poetry at all. It is not quite equal to Virgil or Homer, but good for a printer-boy to write. Have you any other pieces?"
James was honest in these last remarks, and felt more kindly at the time than he often did towards his brother.
"Yes, I have two or three pieces more which I am going to improve somewhat. You had better wait till I have rewritten them before you read them." Benjamin was greatly encouraged by his brother's favorable opinion of his literary venture, when he made this reply.
"No need of that. Let me see them now, and I can tell you whether they are worth making better. Some things are not worth making better; and I think this must be particularly true of poetry. Poor poetry is poor stuff; better write new than to try to improve it."
James' last plea prevailed, and Benjamin produced the articles for his examination. They were read with as much interest as the first one, and they were re-read too, that there might be no mistake in his judgment. Then his enthusiasm broke out.
"I tell you what it is, Ben, these are good, and I believe that you can write something worthy of print if you try hard; and if you will undertake it, you may print and sell a sheet on the street. I have no doubt that it will sell well."
"I will see what I can do," Benjamin replied, very much elated over his success. "I hardly think my poetry will read well in print, though. I have not been writing for the press."
"We can tell best when we read it in print. Get up something as soon as you can, and let us see," said James.
"I will go right about it, and I will not be long in getting up something, good, bad, or indifferent."
Within a few days Benjamin produced two street ballads, after the style of that day. They were better than any thing he had written, but still susceptible of great improvement. One was entitled "The Light-house Tragedy," and was founded on the shipwreck of Captain Worthilake and his two daughters. The other was a sailor's song on the capture of the famous Teach, or "Blackbeard, the Pirate." James read them critically, to see if it would do to put them in print and offer them to the public.
"These are really better than what I read the other day," he remarked, when he had examined them all he desired. "Now, you may put them into type, and sell them about the town, if you are willing. I think a good number of them may be disposed of."
"How many copies will you print?"
From Boyhood to Manhood: Life of Benjamin Franklin · The Wunder Library — complete classics, free to read, with narration.