Part 20

THE WIFE. [As if to herself] Is the Spring sentiment?

PROF. I beg your pardon, my dear; I didn't catch.

WIFE. [As if against her will--urged by some pent-up force] Beauty, beauty!

PROF. That's what I'm, trying to say here. The Orpheus legend symbolizes to this day the call of Beauty! [He takes up his pen, while she continues to stare out at the moonlight. Yawning] Dash it! I get so sleepy; I wish you'd tell them to make the after-dinner coffee twice as strong.

WIFE. I will.

PROF. How does this strike you? [Conning] "Many Renaissance pictures, especially those of Botticelli, Francesca and Piero di Cosimo were inspired by such legends as that of Orpheus, and we owe a tiny gem--like Raphael 'Apollo and Marsyas' to the same Pagan inspiration."

WIFE. We owe it more than that--rebellion against the dry-as-dust.

PROF. Quite. I might develop that: "We owe it our revolt against the academic; or our disgust at 'big business,' and all the grossness of commercial success. We owe----". [His voice peters out.]

WIFE. It--love.

PROF. [Abstracted] Eh!

WIFE. I said: We owe it love.

PROF. [Rather startled] Possibly. But--er [With a dry smile] I mustn't say that here--hardly!

WIFE. [To herself and the moonlight] Orpheus with his lute!

PROF. Most people think a lute is a sort of flute. [Yawning heavily] My dear, if you're not going to sing again, d'you mind sitting down? I want to concentrate.

WIFE. I'm going out.

PROF. Mind the dew!

WIFE. The Christian virtues and the dew.

PROF. [With a little dry laugh] Not bad! Not bad! The Christian virtues and the dew. [His hand takes up his pen, his face droops over his paper, while his wife looks at him with a very strange face] "How far we can trace the modern resurgence against the Christian virtues to the symbolic figures of Orpheus, Pan, Apollo, and Bacchus might be difficult to estimate, but----"

PROF. [Suddenly aware of something] She'll get her throat bad. [He is silent as the voice swells in the distance] Sounds queer at night-H'm! [He is silent--Yawning. The voice dies away. Suddenly his head nods; he fights his drowsiness; writes a word or two, nods again, and in twenty seconds is asleep.]

FRUST. What's that girl's name?

VANE. Vanessa Hellgrove.

FRUST. Aha!

FRUST. Gee!

The Stage is lighted up again, as in the opening scene. The PROFESSOR is seen in his chair, with spilt sheets of paper round him, waking from a dream. He shakes himself, pinches his leg, stares heavily round into the moonlight, rises.

PROF. Phew! Beastly dream! Boof! H'm! [He moves to the window and calls.] Blanche! Blanche! [To himself] Made trees-made trees! [Calling] Blanche!

WIFE's VOICE. Yes.

PROF. Where are you?

WIFE. [Appearing by the stone with her hair down] Here!