Part 21

Leaving Lisbon, Hannah arrived safely at Spithead. At Portsmouth she met her female friend, for whose sake she had been whipped at Carlisle. This girl was still single, and would have married Hannah, had she chosen to discover herself. She, however, proceeded to London, where she was heartily received by her sister. She soon afterwards met with some of her shipmates; and, after receiving her pay, she was about to part with them, when she revealed her sex, and one of them immediately offered to marry her, but she declined.

Hannah's strange career had now acquired her popularity, and as she possessed a good voice, she obtained an engagement at the Royalty Theatre, in Wellclose Square, where she appeared in the character of Bill Bobstay, a sailor; she also represented Firelock, a military character, and in a masterly and correct manner went through the manual and platoon exercises. She, however, quitted the stage in a few months; and as she preferred male attire, she resolved to continue to wear it during the remainder of her life; she usually wore a laced hat and cockade, and a sword and ruffles. There were good portraits of her published in 1750.

Hannah now became an out-pensioner of Chelsea Hospital on account of the wounds she received at the siege of Pondicherry, her pension being 30l. She next took a public-house at Wapping; on one side of the signboard was painted the figure of a jolly British tar, and on the other the valiant marine; underneath was inscribed, "The Widow in Masquerade, or the Female Warrior." She continued to keep this house for many years; and afterwards married one Eyles, a carpenter, at Newbury, in Berkshire. A lady of fortune, who admired Hannah's heroism and eccentricity of conduct, took special notice of her, became godmother to her son, and contributed towards his education. Mrs. Eyles continued to receive her pension to the day of her death. She lived for some time with her son in Church Street, Stoke Newington; but, about three years before her death, she showed symptoms of insanity, and was admitted as patient at Bethlem Hospital, Moorfields, where she died February 8, 1792, aged sixty-nine years.

Lady Archer.

This lady, formerly Miss West, lived to a good age--a proof that cosmetics are not so fatal as some would have us suppose. Nature had given her a fine aquiline nose, like the princesses of the House of Austria, and she did not fail to give herself a complexion. She resembled a fine old wainscoted painting, with the face and features shining through a thick incrustation of copal varnish.

Her ladyship was for many years the wonder of the fashionable world, envied by all the ladies of the Court of George the Third. She had a well-appointed house in Portland Place. Her equipage was, with her, a sort of scenery. She gloried in milk-white horses to her carriage, the coachmen and footmen wore very showy liveries, and the carriage was lined with silk of a tint to exhibit the complexion to advantage.

Alexander Stephens, amongst whose papers was found this account of Lady Archer, tells us that he recollected to have seen Mrs. Robinson (the Perdita of the Prince of Wales's love) go far beyond all this in the exuberance of her genius, in a yellow lining to her landau, with a black footman, to contrast with her beautiful complexion and fascinating figure, and thus render both more lovely. Lady Archer lived at Barn Elms Terrace, and her house had the most elegant ornaments and draperies to strike the senses, and yet powerfully address the imagination. Her kitchen-garden and pleasure-ground, of five acres--the Thames, flowing in front, as if a portion of the estate--the apartments decorated in the Chinese style, and opening into hothouses stored with fruits of the richest growth, and greenhouses with plants of great rarity and beauty, and superb couches and draperies, effectively placed, rendered her home a sort of elysium of luxury.

Barn Elms will be remembered as the scene of an older eccentricity--Heydegger's instantaneous light reception of George II., a device worthy of the master of the revels.

DELUSIONS, IMPOSTURES, and FANATIC MISSIONS.

Modern Alchemists.

It may take some readers by surprise to learn that there have been true believers in alchemy in our days. Dr. Price is commonly set down in popular journals as the last of the alchemists. This is, however, a mistake, as we shall proceed to show; before which, however, it will be interesting to sketch the history of this reputed alchemist.

Towards the close of the last century, Dr. James Price, a medical practitioner in the neighbourhood of Guildford, Surrey, acquired some notoriety by an alleged discovery of methods of transmuting mercury into gold or silver. He had been a student of Oriel College, Oxford, where he obtained the degree of Bachelor of Physic. In 1782 he published an account of his experiments on mercury, silver, and gold, performed at Guildford, in that year, before Lord King and others, to whom he appealed as eye-witnesses of his wonder-working power. It seems that mercury being put into a crucible, and heated in the fire with other ingredients (which had been shown to contain no gold), he added a red powder; the crucible was again heated, and being suffered to cool, amongst its contents, on examination, was found a globule of pure gold. By a similar process with a white powder, he produced a globule of silver. The character of the witnesses of these manifestations gave credit and celebrity for a time to Price, who was honoured by the University with the degree of Doctor of Physic, and he was also elected a Fellow of the Royal Society. Dr. Price had now placed himself in a perilous position; for persons acquainted with the history of alchemy must have conjectured how the gold and silver in his experiments might have been procured with any transmutation of mercury or any other substance. The Royal Society authoritatively required that the pretensions of the new associate should be properly sifted, and his claim as a discoverer be clearly established, or his character as an impostor exposed. A repetition of the doctor's experiments before a committee of the Royal Society was commanded on pain of expulsion; when the unfortunate man, rather than submit to the ordeal, took a draught of laurel-water, and died on July 31, 1783, in his twenty-fifth year.

At the beginning of the present century, some persons of eminence in science thought favourably of alchemy. Professor Robinson, writing to James Watt, February 11, 1800, says, "The analysis of alkalies and alkaline earth will presently lead, I think, to a doctrine of a reciprocal convertibility of all things into all ... and I expect to see alchemy revive, and be as universally studied as ever."

Sir Walter Scott, in his well-known paper on Astrology and Alchemy, in The Quarterly Review, tells us that about the year 1801, an adept lived, or rather starved, in the metropolis, in the person of the editor of an evening newspaper, who expected to compound the alkahat, if he could only keep his materials digested in his lamp-furnace for the space of seven years. Scott adds, in pleasant banter, "the lamp burnt brightly during six years, eleven months, and some odd days, and then unluckily it went out. Why it went out, the adept could never guess; but he was certain that if the flame could only have burnt to the end of the septenary cycle, the experiment must have succeeded."

The last true believer in alchemy was not Dr. Price, but Peter Woulfe, the eminent chemist, and Fellow of the Royal Society, and who made experiments to show the nature of mosaic gold. Mr. Brande says: "It is to be regretted that no biographical memoir has been preserved of Woulfe. I have picked up a few anecdotes respecting him from two or three friends who were his acquaintance. He occupied chambers in Barnard's Inn, Holborn (the older buildings), while residing in London, and usually spent the summer in Paris. His rooms, which were extensive, were so filled with furnaces and apparatus that it was difficult to reach his fireside. A friend told me that he once put down his hat, and never could find it again, such was the confusion of boxes, packages, and parcels that lay about the chamber. His breakfast-hour was four in the morning; a few of his select friends were occasionally invited to this repast, to whom a secret signal was given by which they gained entrance, knocking a certain number of times at the inner door of his apartment. He had long vainly searched for the Elixir, and attributed his repeated failures to the want of due preparation by pious and charitable acts. I understand that some of his apparatus is still extant, upon which are supplications for success and for the welfare of the adepts. Whenever he wished to break an acquaintance, or felt himself offended, he resented the supposed injury by sending a present to the offender, and never seeing him afterwards. These presents were sometimes of a curious description, and consisted usually of some expensive chemical product or preparation. He had an heroic remedy for illness; when he felt himself seriously indisposed, he took a place in the Edinburgh mail, and having reached that city, immediately came back in the returning coach to London."

A cold taken in one of these expeditions terminated in inflammation of the lungs, of which Woulfe died in the year 1805. Of his last moments we received the following account from his executor, then Treasurer of Barnard's Inn. By Woulfe's desire, his laundress shut up his chambers, and left him, but returned at midnight, when Woulfe was still alive. Next morning, however, she found him dead! His countenance was calm and serene, and apparently he had not moved from the position in his chair in which she had last left him.

Twenty years after the death of Peter Woulfe, Sir Richard Phillips visited "an alchemist" named Kellerman, at the village of Lilley, between Luton and Hitchin. He was believed by some of his neighbours to have discovered the Philosopher's Stone and the Universal Solvent. His room was a realisation of the well-known picture of Tenier's Alchemist. The floor was strewed with retorts, crucibles, alembics, jars, and bottles of various shapes, intermingled with old books. He gave Sir Richard a history of his studies, mentioned some men in London who, he alleged, had assured him that they had made gold; that having, in consequence, examined the works of the ancient alchemists, and discovered the key which they had studiously concealed from the multitude, he had pursued their system under the influence of new lights; and, after suffering numerous disappointments, owing to the ambiguity with which they described their processes, he had at length happily succeeded; had made gold, and could make as much more as he pleased, even to the extent of paying off the National Debt in the coin of the realm!

Killerman then enlarged upon the merits of the ancient alchemists, and on the blunders and assumptions of modern chemists. He quoted Roger and Francis Bacon, Paracelsus, Boyle, Boerhaave, Woulfe, and others to justify his pursuits. As to the term Philosopher's Stone, he alleged that it was a mere figure to deceive the vulgar. He appeared to give full credit to the silly story of Dee's finding the Elixir at Glastonbury, by means of which, as he said, Kelly for a length of time supported himself in princely splendour. Kellerman added, that he had discovered the blacker than black of Apollonius Tyanus: it was itself "the powder of projection for producing gold."

It further appeared that Kellerman had lived in the premises at Lilley for twenty-three years, during fourteen of which he had pursued his alchemical studies with unremitting ardour, keeping eight assistants for superintending his crucibles, two at a time, relieving each other every six hours; that he had exposed some preparations to intense heat for many months at a time; but that all except one crucible had burst, and that, Kellerman said, contained the true "blacker than black." One of his assistants, however, protested that no gold had ever been found, and that no mercury had ever been fixed; for he was quite sure Kellerman could not have concealed it from his assistants; while, on the contrary, they witnessed his severe disappointment at the result of his most elaborate experiments.

Of late years there have been some strange revivals of alchemical pursuits. In 1850 there was printed in London a volume of considerable extent, entitled, A Suggestive Inquiry into the Hermetic Mystery--the work of a lady, by whom it has been suppressed; we have seen it described as "a learned and valuable book."

By this circumstance we are reminded that some five-and-thirty years since it came to our knowledge that a man of wealth and position in the City of London, an adept in alchemy, was held in terrorem by an unprincipled person, who extorted from him considerable sums of money under threats of exposure, which would have affected his mercantile interests.

Nevertheless, alchemy has, in the present day, its prophetic advocates, who predict what may be considered a return to its strangest belief. A Göttingen professor says, in the Annales de Chimie, No. 100, that in the nineteenth century the transmutation of metals will be generally known and practised. Every chemist and every artist will make gold; kitchen utensils will be of silver and even gold, which will contribute more than anything else to prolong life, poisoned at present by the oxide of copper, lead, and iron which we daily swallow with our food. More recently, MM. Dr. Henri Fabre and Franz have placed before the French Academy their discovery of the means of transmuting silver, copper, and quicksilver into gold.

Magnifico Smokentissimo Custardissimo Astrologissimo Cunningmanisso Rabbinissimo Viro Jacko Adams de Clerkenwell Greeno hanc lovelissimam Sui Picturam.

Hovbedeboody pinxit et scratchabat.]

Jack Adams, the Astrologer.

Among the celebrities of Clerkenwell Green was Jack Adams, whose nativity was calculated by Partridge, who affirmed that he was born on the 3rd of December, 1625, and that he was so great a natural, or simpleton, as to be obliged to wear long coats, besides other marks of stupidity; and that the parish not only maintained him, but allowed a nurse to attend him to preserve him from harm. Allusion is made to him in a satirical ballad of 1655:--

Jack Adams, sure, was pamet (poet) by the vein.

And in the Wits, or Sport upon Sport, 1682, we read of his visit to the Red Bull playhouse, where Simpleton, the smith, appearing on the stage with a large piece of bread-and-butter, Jack Adams, knowing him, cried out, "Cuz, Cuz, give me some," to the great pleasure of the audience. Ward thus mentions his celebrity:--