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CRITICAL MISCELLANIES
BY JOHN MORLEY
VOL. III.
Essay 8: France in the Eighteenth Century
London MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY 1904
FRANCE IN THE EIGHTEENTH CENTURY.
M. Taine as a man of letters 261
Political preparation needed for the historian 262
M. Taine's conception of history 265
Its shortcomings 266
Chief thesis of his book 268
The expression of this thesis not felicitous 269
Its substance unsatisfactory 272
Cardinal reason for demurring to it 275
Adaptation of the literary teaching of the eighteenth century to the social crisis 277
Why that teaching prevailed in France while it withered in England 280
Social Elements. The French Court 282
The Nobility 283
M. Taine exaggerates the importance of literature 286
Historic doctrine could have saved nothing 287
Lesson of the American Revolution 288
Conclusion 289
FRANCE IN THE EIGHTEENTH CENTURY.
The announcement that one of the most ingenious and accomplished men of letters in Europe was engaged upon a history of the French Revolution, raised some doubts among those who have thought most about the qualifications proper to the historian. M. Taine has the quality of the best type of a man of letters; he has the fine critical aptitude for seizing the secret of an author's or an artist's manner, for penetrating to dominant and central ideas, for marking the abstract and general under accidental forms in which they are concealed, for connecting the achievements of literature and art with facts of society and impulses of human character and life. He is the master of a style which, if it seems to lack the breadth, the firmness, the sustained and level strength of great writing, is yet always energetic, and fresh, and alive with that spontaneous reality and independence of interest which distinguishes the genuine writer from the mere weaver of sentences and the servile mechanic of the pen. The matter and form alike of M. Taine's best work--and we say best, for his work is by no means without degrees and inequalities of worth--prove that he has not shrunk from the toil and austerity of the student, from that scorn of delight and living of laborious days, by which only can men either get command of the art of just and finished expression, or gather to themselves much knowledge.
Les Origines de la France Contemporaine. Tom. i. L'Ancien Regime. Par H. Taine. Paris: Hachette. 1876.
But with all its attractiveness and high uses of its own, the genius for literature in its proper sense is distinct from the genius for political history. The discipline is different, because the matter is different. To criticise Rousseau's Social Contract requires one set of attainments, and to judge the proceedings of the Constituent Assembly or the Convention requires a set of quite different attainments. A man may have the keenest sense of the filiation of ideas, of their scope and purport, and yet have a very dull or uninterested eye for the play of material forces, the wayward tides of great gatherings of men, the rude and awkward methods that sometimes go to the attainment of wise political ends.
It would perhaps not be too bold to lay down this proposition; that no good social history has ever been written by a man who has not either himself taken a more or less active part in public affairs, or else been an habitual intimate of persons who were taking such a part on a considerable scale. Everybody knows what Gibbon said about the advantage to the historian of the Roman Empire of having been a member of the English parliament and a captain in the Hampshire grenadiers. Thucydides commanded an Athenian squadron, and Tacitus filled the offices of praetor and consul. Xenophon, Polybius, and Sallust, were all men of affairs and public adventure. Guicciardini was an ambassador, a ruler, and the counsellor of rulers; and Machiavel was all these things and more. Voltaire was the keen-eyed friend of the greatest princes and statesmen of his time, and was more than once engaged in diplomatic transactions. Robertson was a powerful party chief in the Assembly of the Scotch Church. Grote and Macaulay were active members of parliament, and Hallam and Milman were confidential members of circles where affairs of State were the staple of daily discussion among the men who were responsible for conducting them to successful issues. Guizot was a prime minister, Finlay was a farmer of the Greek revenue. The most learned of contemporary English historians a few years ago contested a county, and is habitually inspired in his researches into the past by his interest in the politics of the present. The German historians, whose gifts in reconstructing the past are so valuable and so singular, have for the most part been as actively interested in the public movements of to-day, as in those of any century before or since the Christian era. Niebuhr held more than one political post of dignity and importance; and of historical writers in our time, one has sat in several Prussian parliaments; another, once the tutor of a Prussian prince, has lived in the atmosphere of high politics; while all the best of them have taken their share in the preparation of the political spirit and ideas that have restored Germany to all the fulness and exaltation of national life.
It is hardly necessary to extend the list. It is indeed plain on the least reflection that close contact with political business, however modest in its pretensions, is the best possible element in the training of any one who aspires to understand and reproduce political history. Political preparation is as necessary as literary preparation. There is no necessity that the business should be on any majestic and imperial scale. To be a guardian of the poor in an East-End parish, to be behind the scenes of some great strike of labour, to be an active member of the parliamentary committee of a Trades Council or of the executive committee of a Union or a League, may be quite as instructive discipline as participation in mightier scenes. Those who write concrete history, without ever having taken part in practical politics, are, one might say, in the position of those ancients who wrote about the human body without ever having effectively explored it by dissection. Mr. Carlyle, it is true, by force of penetrating imaginative genius, has reproduced in stirring and resplendent dithyrambs the fire and passion, the rage and tears, the many-tinted dawn and the blood-red sunset of the French Revolution; and the more a man learns about the details of the Revolution, the greater is his admiration for Mr. Carlyle's magnificent performance. But it is dramatic presentation, not social analysis; a masterpiece of literature, not a scientific investigation; a prodigy of poetic insight, not a sane and quantitative exploration of the complex processes, the deep-lying economical, fiscal, and political conditions, that prepared so immense an explosion.
We have to remember, it is true, that M. Taine is not professing to write a history in the ordinary sense. His book lies, if we may use two very pompous but indispensable words, partly in the region of historiography, but much more in the region of sociology. The study of the French Revolution cannot yet be a history of the past, for the French still walk per ignes suppositos, and the Revolution is still some way from being fully accomplished. It was the disputes between the Roman and the Reformed churches which inspired historical research in the sixteenth and seventeenth centuries; it is the disputes among French parties that now inspire what professes to be historiography, but what is really a sort of experimental investigation in the science of society. They little know how long and weary a journey lies before them, said Burke, who undertake to bring great masses of men into the political unity of a nation. The process is still going on, and a man of M. Taine's lively intellectual sensibility can no more escape its influences than he can escape the ingredients of the air he breathes. We may add that if his work had been really historic, he must inevitably have gone further back than the eighteenth century for the 'Origins' of contemporary France. The very slight, vague, and unsubstantial chapter with which he opens his work cannot be accepted as a substitute for what the subject really demanded--a serious summary, however condensed and rapid, of the various forces, accidents, deliberate lines of policy, which, from the breaking up of the great fiefs down to the death of Lewis the Fourteenth, had prepared the distractions of the monarchy under Lewis's descendants.
Full of interest as it is, M. Taine's book can hardly be described as containing much that is new or strikingly significant. He develops one idea, indeed, which we have never before seen stated in its present form, but which, if it implies more than has been often advanced by previous writers in other forms, cannot be accepted as true. This is perhaps a point better worth discussing than any other which his book raises. The rest is a very elaborate and thorough description of the structure of society, of its physiognomy in manners and characteristics, the privileges, the burdens, the daily walk and conversation of the various classes which made up the French people between the Regency and the Revolution. M. Taine's method of description does not strike one as altogether happy. It is a common complaint against French historians that they are too lax about their authorities, and too heedless about giving us chapter and verse for their assertions. M. Taine goes to the contrary extreme, and pours his note-books into his text with a steady-handed profusion that is excessively fatiguing, and makes the result far less effective than it would have been if all this industrious reading had been thoroughly fused and recast into a homogeneous whole. It is an ungenerous trick of criticism to disparage good work by comparing it with better; but the reader can scarcely help contrasting M. Taine's overcrowded pages with the perfect assimilation, the pithy fulness, the pregnant meditation, of De Tocqueville's book on the same subject. When we attempt to reduce M. Taine's chapters to a body of propositions standing out in definite relief from one another, yet conveying a certain unity of interpretation, we soon feel how possible it is for an author to have literary clearness along with historic obscurity.
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