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CRITICAL MISCELLANIES
JOHN MORLEY
VOL. III.
ESSAY 6: HARRIET MARTINEAU
London
MACMILLAN AND CO., LIMITED
NEW YORK: THE MACMILLAN COMPANY
1904
HARRIET MARTINEAU.
Introductory 175
Early days 178
Literary ordeal 180
Success of the Tales on Political Economy 181
Her feeling, not literary, but truly social 182
London Society (1832) 184
Character of her judgments on Men 187
The Whigs 188
Carlyle's influence 189
Interest in American slavery 192
Her first novel 194
The Atkinson Letters 196
Her new religious opinions 197
Eastern travels 199
Retirement to the Lakes 200
Her manner of life 202
Translation of Comte 204
Her right estimate of literary work 205
Her Biographic Sketches 208
Characteristics 210
HARRIET MARTINEAU.
In 1850 Charlotte Brontë paid a visit to Harriet Martineau at Ambleside, and she wrote to her friends various emphatic accounts of her hostess. 'Without adopting her theories,' Miss Brontë said, 'I yet find a worth and greatness in herself, and a consistency, benevolence, perseverance in her practice, such as wins the sincerest esteem and affection. She is not a person to be judged by her writings alone, but rather by her own deeds and life, than which nothing can be more exemplary or noble.'
The division which Miss Brontë thus makes between opinions and character, and again between literary production and character, is at the root of any just criticism of the two volumes of autobiography which have just been given to the public. Of the third volume, The Memorials, by Mrs. Chapman, it is impossible to say anything serious. Mrs. Chapman fought an admirable fight in the dark times of American history for the abolition of slavery, but unhappily she is without literary gifts; and this third volume is one more illustration of the folly of entrusting the composition of biography to persons who have only the wholly irrelevant claim of intimate friendship, or kinship, or sympathy in public causes. The qualification for a biographer is not in the least that he is a virtuous person, or a second cousin, or a dear friend, or a trusty colleague; but that he knows how to write a book, has tact, style, taste, considerateness, sense of proportion, and a good eye for the beginnings and ends of things. The third volume, then, tells us little about the person to whom they relate. The two volumes of autobiography tell all that we can seek to know, and the reader who judges them in an equitable spirit will be ready to allow that, when all is said that can be said of her hardness, arbitrariness, and insularity, Harriet Martineau is still a singular and worthy figure among the conspicuous personages of a generation that has now almost vanished. Some will wonder how it was that her literary performances acquired so little of permanent value. Others will be pained by the distinct repudiation of all theology, avowed by her with a simple and courageous directness that can scarcely be counted other than honourable to her. But everybody will admit, as Charlotte Brontë did, that though her books are not of the first nor of the second rank, and though her anti-theological opinions are to many so repugnant, yet behind books and opinions was a remarkable personality, a sure eye for social realities, a moral courage that never flinched; a strong judgment within its limits; a vigorous self-reliance both in opinion and act, which yet did not prevent a habit of the most neutral self-judgment; the commonplace virtues of industry and energy devoted to aims too elevated, and too large and generous, to be commonplace; a splendid sincerity, a magnificent love of truth. And that all these fine qualities, which would mostly be described as manly, should exist not in a man but a woman, and in a woman who discharged admirably such feminine duties as fell to her, fills up the measure of our interest in such a character.
* * * * *
Harriet Martineau was born at Norwich in 1802, and she died, as we all remember, in the course of the summer of 1876. Few people have lived so long as three-quarters of a century, and undergone so little substantial change of character, amid some very important changes of opinion. Her family was Unitarian, and family life was in her case marked by some of that stiffness, that severity, that chilly rigour, with which Unitarians are sometimes taxed by religionists of a more ecstatic doctrine. Her childhood was very unhappy; the household seems to have been unamiable, and she was treated with none of that tenderness and sympathy for which firm and defiant natures are apt to yearn as strongly as others that get the credit of greater sensibility. With that singular impulse to suicide which is frequent among children, though rarer with girls than boys, she went one day into the kitchen for the carving-knife, that she might cut her throat; luckily the servants were at dinner, and the child retreated. Deafness, which proved incurable, began to afflict her before she was sixteen. A severe, harsh, and mournful kind of religiosity seized her, and this 'abominable spiritual rigidity,' as she calls it, confirmed all the gloomy predispositions of her mind. She learned a good deal, mastering Latin, French, and Italian in good time; and reading much in her own tongue, including constant attention to the Bible, with all sorts of commentaries and explanations, such as those of us who were brought up in a certain spiritual atmosphere have only too good reasons never to forget. This expansion of intellectual interest, however, did not make her less silent, less low in her spirits, less full of vague and anxious presentiment. The reader is glad when these ungracious years of youth are at an end, and the demands of active life stirred Harriet Martineau's energies into vigorous work.
In 1822 her father died, and seven years later his widow and his daughters lost at a single blow nearly all that they had in the world. Before this event, which really proved to be a blessing in the disguise of a catastrophe, Harriet Martineau had written a number of slight pieces. They had been printed, and received a certain amount of recognition. They were of a religious cast, as was natural in one with whom religious literature, and religious life and observance, had hitherto taken in the whole sphere of her continual experience. Traditions of Palestine and Devotional Exercises are titles that tell their own tale, and we may be sure that their authoress was still at the antipodean point of the positive philosophy in which she ended her speculative journey. She still clung undoubtingly to what she had been brought up to believe when she won three prizes for essays intended to present Unitarianism to the notice of Jews, of Catholics, and of Mahometans. Her success in these and similar efforts turned her mind more decidedly towards literature as a profession.
Miss Martineau is at some pains to assure us on several occasions that it was the need of utterance now and always that drove her to write, and that money, although welcome when it came, was never her motive. This perhaps a little savours of affectation. Nobody would dream of suspecting Miss Martineau of writing anything that she did not believe to be true or useful merely for the sake of money. But there is plenty of evidence that the prospect of payment stirred her to true and useful work, as it does many other authors by profession, and as it does the followers of all professions whatever. She puts the case fairly enough in another place (i. 422):--'Every author is in a manner an adventurer; and no one was ever more decidedly so than myself; but the difference between one kind of adventurer and another is, I believe, simply this--that the one has something to say which presses for utterance, and is uttered at length without a view to future fortunes; while the other has a sort of general inclination towards literature, without any specific need of utterance, and a very definite desire for the honours and rewards of the literary career.' Even in the latter case, however, honest journeyman's work enough is done in literature by men and women who seek nothing higher than a reputable source of income. Miss Martineau did, no doubt, seek objects far higher and more generous than income, but she lived on the income which literature brought to her; and there seems a certain failure of her usually admirable common sense in making any ado about so simple a matter. When doctors and counsel refuse their guineas, and the parson declines a stipend, it will be quite soon enough for the author to be especially anxious to show that he has a right to regard money much as the rest of the human race regard it.
Miss Martineau underwent the harsh ordeal which awaits most literary aspirants. She had a scheme in her head for a long series of short tales to illustrate some of the propositions of political economy. She trudged about London day after day, through mud and fog, with weary limbs and anxious heart, as many an author has done before and since. The times were bad; cholera was abroad; people were full of apprehension and concern about the Reform Bill; and the publishers looked coldly on a doubtful venture. Miss Martineau talks none of the conventional nonsense about the cruelty and stupidity of publishers. What she says is this: 'I have always been anxious to extend to young or struggling authors the sort of aid which would have been so precious to me in that winter of 1829-1830, and I know that, in above twenty years, I have never succeeded but once.' One of the most distinguished editors in London, who had charge of a periodical for many years, told us what comes to the same thing, namely, that in no single case during all these years did a volunteer contributor of real quality, or with any promise of eminence, present himself or herself. So many hundreds think themselves called so few are chosen. In Miss Martineau's case, however, the trade made a mistake. When at length she found some one to go halves with her in the enterprise, on terms extremely disadvantageous to herself, the first of her tales was published (1832), and instantly had a prodigious success. The sale ran up to more than ten thousand of each monthly volume. In that singular autobiographical sketch of herself which Miss Martineau prepared for a London paper, to be printed as her obituary notice, she pronounced a judgment upon this work which more disinterested, though not more impartial, critics will confirm. Her own unalterable view, she says, of what the work could and could not effect, 'prevented her from expecting too much from it, either in regard to its social operations or its influence on her own fame. The original idea of exhibiting the great natural laws of society by a series of pictures of selected social action was a fortunate one; and her tales initiated a multitude of minds into the conception of what political economy is, and how it concerns everybody living in society. Beyond this there is no merit of a high order in the work. It popularised in a fresh form some doctrines and many truths long before made public by others.' James Mill, one of the acutest economists of the day, and one of the most vigorous and original characters of that or any other day, had foretold failure; but when the time came, he very handsomely admitted that his prophecy had been rash. In after years, when Miss Martineau had acquired from Comte a conception of the growth and movement of societies as a whole, with their economic conditions controlled and constantly modified by a multitude of other conditions of various kinds, she rated the science of her earlier days very low. Even in those days, however, she says: 'I believe I should not have been greatly surprised or displeased to have perceived, even then, that the pretended science is no science at all, strictly speaking; and that so many of its parts must undergo essential change, that it may be a question whether future generations will owe much more to it than the benefit (inestimable, to be sure) of establishing the grand truth that social affairs proceed according to general laws, no less than natural phenomena of every kind' (Autob. ii. 245).
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