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Amerigo Vespucci

by Frederick A. Ober

By Frederick A. Ober · History · Public domain

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Amerigo Vespucci is a public-domain classic of history by Frederick A. Ober.

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Author
Frederick A. Ober
Length
56,440 words · about 5 hours to read
Chapters
24
Price
Free — public domain

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Part 1

Produced by Suzanne Shell, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net

AMERIGO VESPUCCI

FREDERICK A. OBER

HEROES OF AMERICAN HISTORY

ILLUSTRATED

HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON 1907

Copyright, 1907, by HARPER & BROTHERS.

All rights reserved.

Published February, 1907.

CONTENTS

CHAP. PAGE

I. YOUNG AMERIGO AND HIS FAMILY 1

II. AMERIGO'S FRIENDS AND TEACHERS 15

III. VESPUCCI'S FAVORITE AUTHORS 32

IV. IN THE SERVICE OF SPAIN 45

V. CONVERSATIONS WITH COLUMBUS 59

VI. VESPUCCI'S DEBATABLE VOYAGE 76

VII. VESPUCCI'S "SECOND" VOYAGE 101

VIII. WITH OJEDA THE FIGHTER 126

IX. CANNIBALS, GIANTS, AND PEARLS 138

X. FAMOUS FELLOW-VOYAGERS 148

XI. ON THE COAST OF BRAZIL 165

XII. THE "FOURTH PART OF THE EARTH" 179

XIII. THE FOURTH GREAT VOYAGE 194

XIV. KING FERDINAND'S FRIEND 209

XV. PILOT-MAJOR OF SPAIN 221

XVI. HOW AMERICA WAS NAMED 237

ILLUSTRATIONS

Part 2

AMERIGO VESPUCCI Frontispiece

A CONJECTURAL RESTORATION OF TOSCANELLI'S MAP Facing p. 20

MARCO POLO " 40

OJEDA'S FIRST VOYAGE " 130

ROUTES OF THE DISCOVERERS " 166

NORTH AMERICA FROM THE GLOBE OF JOHANN SCHOeNER " 244

AUTHORITIES ON AMERIGO VESPUCCI

XVIth CENTURY. Vespucci's letters to Soderini and L. P. F. de' Medici, reproduced in this volume.

XVIIth CENTURY. Herrera, in his Historia General (etc.), Madrid, 1601; "probably followed Las Casas, whose MSS. he had."

XVIIIth CENTURY. Dandini, A. M., Vita e Lettere di Amerigo Vespucci, Florence, 1745.

Canovai, Stanislac, Elogia di Amerigo Vespucci, 1778.

XIXth CENTURY. Navarrete, M. F. de, Noticias Exactas de Americo Vespucio, contained in his Coleccion, Madrid, 1825-1837.

Humboldt, Alexander von, Examen Critique de l'Histoire de la Geographie de Nouveau Continent, Paris, 1836-1839.

Lester, C. Edwards, The Life and Voyages of Americus Vespucius, New York, 1846; reprinted, in de luxe edition, New York, 1903.

Varnhagen, F. A., Baron de Porto Seguro, Amerigo Vespucci, son Caractere, ses Ecrits (etc.), Lima, 1865; Vienna, 1874. A collection of monographs called by Fiske "the only intelligent modern treatise on the life and voyages of this navigator."

Fiske, John, The Discovery of America, Boston, 1899; contains an exhaustive critical examination of Vespucci's voyages to which the reader should refer for more extended information.

AMERIGO VESPUCCI

YOUNG AMERIGO AND HIS FAMILY

1451-1470

Cradled in the valley of the Arno, its noble architecture fitly supplementing its numerous natural charms, lies the Tuscan city of Florence, the birthplace of immortal Dante, the early home of Michael Angelo, the seat of the Florentine Medici, the scene of Savonarola's triumphs and his tragic end. Fame has come to many sons of Florence, as poets, statesmen, sculptors, painters, travellers; but perhaps none has achieved a distinction so unique, apart, and high as the subject of this volume, after whom the continents of the western hemisphere were named.

Amerigo Vespucci was born in Florence, March 9, 1451, just one hundred and fifty years after Dante was banished from the city in which both first saw the light. The Vespucci family had then resided in that city more than two hundred years, having come from Peretola, a little town adjacent, where the name was highly regarded, as attached to the most respected of the Italian nobility. Following the custom of that nobility, during the period of unrest in Italy, the Vespuccis established themselves in a stately mansion near one of the city gates, which is known as the Porta del Prato. Thus they were within touch of the gay society of Florence, and could enjoy its advantages, while at the same time in a position, in the event of an uprising, to flee to their estates and stronghold in the country.

While the house in which Christopher Columbus was born remains unidentified, and the year of his birth undecided, no such ambiguity attaches to the place and year of Vespucci's nativity. Above the doorway of the mansion which "for centuries before the discovery of America was the dwelling-place of the ancestors of Amerigo Vespucci, and his own birthplace," a marble tablet was placed, in the second decade of the eighteenth century, bearing the following inscription:

"To AMERICO VESPUCCIO, a noble Florentine, Who, by the discovery of AMERICA, Rendered his own and his Country's name illustrious, the AMPLIFIER OF THE WORLD. Upon this ancient mansion of the VESPUCCI, Inhabited by so great a man, The holy fathers of Saint John of God Have placed this Tablet, sacred to his memory. A.D. 1719."

At that time, about midway between the date of Vespucci's death and the present, the evidence was strong and continuous as to the residence in that building (which was then used as a hospital) of the family whose name it commemorates. Here was born, in 1451, the third son of Anastasio and Elizabetta Vespucci, whose name, whether rightly or not, was to be bestowed upon a part of the world at that time unknown.

The Vespuccis were then aristocrats, with a long and boasted lineage, but without great wealth to support their pretensions. They were relatively poor; they were proud; but they were not ashamed to engage in trade. Some of their ancestors had filled the highest offices within the gift of the state, such as prioris and gonfalonieres, or magistrates and chief magistrates, while the first of the Vespuccis known to have borne the praenomen Amerigo was a secretary of the republic in 1336.

It is incontestable that Amerigo Vespucci was well-born, and in his youth received the advantages of an education more thorough than was usually enjoyed by the sons of families which had "the respectability of wealth acquired in trade," and even the prestige of noble connections. No argument is needed to show that the position of a Florentine merchant was perfectly compatible with great respectability, for the Medici themselves, with the history of whose house that of Florence is bound up most intimately, were merchant princes. The vast wealth they acquired in their mercantile operations in various parts of Europe enabled them to pose as patrons of art and literature, and supported their pretensions to sovereign power. The Florentine Medici attained to greatest eminence during the latter half of the century in which Amerigo Vespucci was born, and he was acquainted both with Cosimo, that "Pater Patriae, who began the glorious epoch of the family," and with "Lorenzo the Magnificent," who died in 1492.

The Florentines, in fact, were known as great European traders or merchants as early as the eleventh century, while their bankers and capitalists not only controlled the financial affairs of several states, or nations, but exerted a powerful influence in the realm of statesmanship and diplomacy. The little wealth the Vespucci enjoyed at the time of Amerigo's advent was derived from an ancestor of the century previous, who, besides providing endowments for churches and hospitals, left a large fortune to his heirs. His monument may be seen within the chapel built by himself and his wife, and it bears this inscription, in old Gothic characters: "The tomb of Simone Piero Vespucci, a merchant, and of his children and descendants, and of his wife, who caused this chapel to be erected and decorated--for the salvation of her soul. Anno Dom. 1383."

The immediate ancestors, then, of Amerigo Vespucci were highly respectable, and they were honorable, having held many positions of trust, with credit to themselves and profit to the state. At the time of Amerigo's birth his father, Anastasio Vespucci, was secretary of the Signori, or senate of the republic; an uncle, Juliano, was Florentine ambassador at Genoa; and a cousin, Piero Vespucci, so ably commanded a fleet of galleys despatched against the corsairs of the Barbary coast that he was sent as ambassador to the King of Naples, by whom he was specially honored.

Part 3

Another member of the family, one Guido Antonio, became locally famous as an expounder of the law and a diplomat. Respecting him an epitaph was composed, the last two lines of which might, if applied to Amerigo, have seemed almost prophetic:

"Here lies GUIDO ANTONIO, in this sepulchre-- HE WHO SHOULD LIVE FOREVER, Or else never have seen the light."

This epitaph was written of the lawyer, who departed unknown and unwept by the world, while his then obscure kinsman, Amerigo, subsequently achieved a fame that filled the four quarters of the earth.

The youth of Amerigo is enshrouded in the obscurity which envelops that of the average boy in whatever age, for no one divined that he would become great or famous, and hence he was not provided with a biographer. This is unfortunate, of course, but we must console ourselves with the thought that he was not unusually precocious, and probably said little that would be considered worth preserving. It happened that after he became world-large in importance, tales and traditions respecting his earliest years crept out in abundance; but these may well be looked upon with suspicion. We know scarcely more than that his early years were happy, for he had a loving mother, and a father wise enough to direct him in the way he should travel.

It does not always follow that the course the father prescribes is the best one in the end, for sometimes a boy develops in unsurmised directions; and this was the case with Amerigo Vespucci. The fortunes of the family being on the wane, he was selected as the one to retrieve them, and of four sons was the only one who did not receive a college education. The other three were sent to the University of Pisa, whence they returned with their "honors" thick upon them, and soon lapsed into obscurity, from which they never emerged. That is, they never "made a mark" in the world; save one brother, Girolamo, who made a pilgrimage to Palestine, where he lived nine years, suffered much, and lost what little fortune he carried with him.

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