All's Well That Ends Well

Part 1

Executive Director's Notes:

In addition to the notes below, and so you will *NOT* think all the spelling errors introduced by the printers of the time have been corrected, here are the first few lines of Hamlet, as they are presented herein:

Barnardo. Who's there? Fran. Nay answer me: Stand & vnfold your selfe

Bar. Long liue the King

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As I understand it, the printers often ran out of certain words or letters they had often packed into a "cliche". . .this is the original meaning of the term cliche. . .and thus, being unwilling to unpack the cliches, and thus you will see some substitutions that look very odd. . .such as the exchanges of u for v, v for u, above. . .and you may wonder why they did it this way, presuming Shakespeare did not actually write the play in this manner. . . .

The answer is that they MAY have packed "liue" into a cliche at a time when they were out of "v"'s. . .possibly having used "vv" in place of some "w"'s, etc. This was a common practice of the day, as print was still quite expensive, and they didn't want to spend more on a wider selection of characters than they had to.

You will find a lot of these kinds of "errors" in this text, as I have mentioned in other times and places, many "scholars" have an extreme attachment to these errors, and many have accorded them a very high place in the "canon" of Shakespeare. My father read an assortment of these made available to him by Cambridge University in England for several months in a glass room constructed for the purpose. To the best of my knowledge he read ALL those available . . .in great detail. . .and determined from the various changes, that Shakespeare most likely did not write in nearly as many of a variety of errors we credit him for, even though he was in/famous for signing his name with several different spellings.

So, please take this into account when reading the comments below made by our volunteer who prepared this file: you may see errors that are "not" errors. . . .

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Scanner's Notes:

What this is and isn't. This was taken from a copy of Shakespeare's first folio and it is as close as I can come in ASCII to the printed text.

The elongated S's have been changed to small s's and the conjoined ae have been changed to ae. I have left the spelling, punctuation, capitalization as close as possible to the printed text. I have corrected some spelling mistakes (I have put together a spelling dictionary devised from the spellings of the Geneva Bible and Shakespeare's First Folio and have unified spellings according to this template), typo's and expanded abbreviations as I have come across them. Everything within brackets [] is what I have added. So if you don't like that you can delete everything within the brackets if you want a purer Shakespeare.

Another thing that you should be aware of is that there are textual differences between various copies of the first folio. So there may be differences (other than what I have mentioned above) between this and other first folio editions. This is due to the printer's habit of setting the type and running off a number of copies and then proofing the printed copy and correcting the type and then continuing the printing run. The proof run wasn't thrown away but incorporated into the printed copies. This is just the way it is. The text I have used was a composite of more than 30 different First Folio editions' best pages.

David Reed

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All's Well, that Ends Well

Actus primus. Scoena Prima.

Enter yong Bertram Count of Rossillion, his Mother, and Helena, Lord Lafew, all in blacke.

Mother. In deliuering my sonne from me, I burie a second husband

Ros. And I in going Madam, weep ore my fathers death anew; but I must attend his maiesties command, to whom I am now in Ward, euermore in subiection

Laf. You shall find of the King a husband Madame, you sir a father. He that so generally is at all times good, must of necessitie hold his vertue to you, whose worthinesse would stirre it vp where it wanted rather then lack it where there is such abundance

Mo. What hope is there of his Maiesties amendment? Laf. He hath abandon'd his Phisitions Madam, vnder whose practises he hath persecuted time with hope, and finds no other aduantage in the processe, but onely the loosing of hope by time

Mo. This yong Gentlewoman had a father, O that had, how sad a passage tis, whose skill was almost as great as his honestie, had it stretch'd so far, would haue made nature immortall, and death should haue play for lacke of worke. Would for the Kings sake hee were liuing, I thinke it would be the death of the Kings disease

Laf. How call'd you the man you speake of Madam? Mo. He was famous sir in his profession, and it was his great right to be so: Gerard de Narbon

Laf. He was excellent indeed Madam, the King very latelie spoke of him admiringly, and mourningly: hee was skilfull enough to haue liu'd stil, if knowledge could be set vp against mortallitie

Ros. What is it (my good Lord) the King languishes of? Laf. A Fistula my Lord

Ros. I heard not of it before

Part 2

Laf. I would it were not notorious. Was this Gentlewoman the Daughter of Gerard de Narbon? Mo. His sole childe my Lord, and bequeathed to my ouer looking. I haue those hopes of her good, that her education promises her dispositions shee inherits, which makes faire gifts fairer: for where an vncleane mind carries vertuous qualities, there commendations go with pitty, they are vertues and traitors too: in her they are the better for their simplenesse; she deriues her honestie, and atcheeues her goodnesse

Lafew. Your commendations Madam get from her teares

Mo. 'Tis the best brine a Maiden can season her praise in. The remembrance of her father neuer approches her heart, but the tirrany of her sorrowes takes all liuelihood from her cheeke. No more of this Helena, go too, no more least it be rather thought you affect a sorrow, then to haue- Hell. I doe affect a sorrow indeed, but I haue it too

Laf. Moderate lamentation is the right of the dead, excessiue greefe the enemie to the liuing

Mo. If the liuing be enemie to the greefe, the excesse makes it soone mortall

Ros. Maddam I desire your holie wishes

Laf. How vnderstand we that? Mo. Be thou blest Bertrame, and succeed thy father In manners as in shape: thy blood and vertue Contend for Empire in thee, and thy goodnesse Share with thy birth-right. Loue all, trust a few, Doe wrong to none: be able for thine enemie Rather in power then vse: and keepe thy friend Vnder thy owne lifes key. Be checkt for silence, But neuer tax'd for speech. What heauen more wil, That thee may furnish, and my prayers plucke downe, Fall on thy head. Farwell my Lord, 'Tis an vnseason'd Courtier, good my Lord Aduise him

Laf. He cannot want the best That shall attend his loue

Mo. Heauen blesse him: Farwell Bertram

Ro. The best wishes that can be forg'd in your thoghts be seruants to you: be comfortable to my mother, your Mistris, and make much of her

Laf. Farewell prettie Lady, you must hold the credit of your father

Hell. O were that all, I thinke not on my father, And these great teares grace his remembrance more Then those I shed for him. What was he like? I haue forgott him. My imagination Carries no fauour in't but Bertrams. I am vndone, there is no liuing, none, If Bertram be away. 'Twere all one, That I should loue a bright particuler starre, And think to wed it, he is so aboue me In his bright radience and colaterall light, Must I be comforted, not in his sphere; Th' ambition in my loue thus plagues it selfe: The hind that would be mated by the Lion Must die for loue. 'Twas prettie, though a plague To see him euerie houre to sit and draw His arched browes, his hawking eie, his curles In our hearts table: heart too capeable Of euerie line and tricke of his sweet fauour. But now he's gone, and my idolatrous fancie Must sanctifie his Reliques. Who comes heere? Enter Parrolles.

One that goes with him: I loue him for his sake, And yet I know him a notorious Liar, Thinke him a great way foole, solie a coward, Yet these fixt euils sit so fit in him, That they take place, when Vertues steely bones Lookes bleake i'th cold wind: withall, full ofte we see Cold wisedome waighting on superfluous follie

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