📘 Joyce's Portrait of the Artist
Once upon a time and a very good time it was there was a moocow coming down along the road. You are inside a child's ear before you are inside a novel. The father tells that story through a glass; the boy is baby tuckoo; the wet bed is firs
What you’ll learn
- Once upon a timeIdentify this book as Joyce's 1916 novel of Stephen Dedalus, serialised in The Egoist, and state that its style changes as the boy's mind changes.A moocow, a 1916 Huebsch book after a 1914–15 serial, an Ovid flyleaf, and five chapters that outgrow their own sentences.
- The pandy and the tableRecount the Clongowes pandy and the Parnell Christmas dinner, and state what each teaches before Stephen can explain it.Square ditch, broken spectacles, Dolan, Conmee, a hoist; then a table that splits over a dead king.
- Sixteen and the pitCorrect the age at confession, place the brothel streets in the school years, and describe how the hell sermons colonize imagination.Blackrock thins. He is sixteen in the box. Father Arnall gives hell a stench and a forever. Relief is not yet a life.
- The strandConnect the refused vocation, the Dollymount girl, the three nets, and the aesthetic theory, including what the theory cannot hide.He walks away from the order, turns a girl into an angel of mortal youth, names three nets, and tries to vanish behind the work.
- Fly by those netsRead silence, exile, and cunning as a method, then take the first page and the last two diary dates off the page tonight.I will not serve. A method, not a medal. Welcome, O life, in a secondhand suit. Open Gutenberg and ask whose face the portrait is.
Questions this course answers
What does the opening of the novel make especially clear?
Chapter I begins with the father's moocow story, baby tuckoo, and the wet bed, in nursery cadence, before adult meaning arrives.
Why is the unjust punishment at Clongowes important?
Father Dolan pandies him for broken spectacles he did not fake. Stephen tells Rector Conmee. The boys hoist him and groan for Baldyhead Dolan.
Match the moment to what the book actually writes
These are the book's own words, not later slogans. Sixteen is the age on the page; seventeen is a later gloss.
Put these in the order the novel actually runs
Ditch and dinner are Chapter I. The retreat is Chapter III. The bird-girl is Chapter IV, after the refused vocation.
What three nets does Stephen tell Davin he will try to fly by?
To Davin, who wants Ireland first, Stephen names nationality, language, religion.
In your own words, why should you not treat Stephen as a transparent Joyce?
The flyleaf cites Ovid's Daedalus. The last line calls on the old artificer. Autobiographical material is being made into a portrait, which is a made thing.
Grounded in trusted sources
- James Joyce, A Portrait of the Artist as a Young Man. Project Gutenberg ebook 4217, https://www.gutenberg.org/ebooks/4217 and https://www.gutenberg.org/cache/epub/4217/pg4217-images.html. Chapter I: moocow / baby tuckoo / wet bed; Wells and the square ditch; spectacles broken on the cinderpath; Father Dolan, lazy idle little loafer, pandybat; appeal to Rector Conmee; fellows hoist him, three groans for Baldyhead Dolan, three cheers for Conmee; Christmas dinner — Dante Riordan vs Mr Dedalus and Mr Casey over Parnell; Poor Parnell! My dead king! Chapter II: Blackrock to a bare city house; Belvedere via Conmee now provincial; night mail to Cork. Chapter III: brothel streets; Father Arnall's hell (strait dark foul-smelling prison, stench, eternity, Lucifer's non serviam); confession, How old are you, my child? Sixteen, father. Chapter IV: director, Have you ever felt that you had a vocation?; refusal; Dollymount / the Bull; girl in midstream as seabird; angel of mortal youth and beauty. Chapter V: nets of nationality, language, religion; Ireland the old sow that eats her farrow; lyrical / epical / dramatic and refined out of existence; I will not serve; silence, exile and cunning; diary April 26 Welcome, O life / uncreated conscience of my race; April 27 Old father, old artificer; colophon Dublin, 1904. Trieste, 1914. Epigraph: Ovid, Metamorphoses VIII.188.
- The Egoist, An Individualist Review. Modernist Journals Project, Brown University. Vol. 1, No. 3 (2 February 1914): A Portrait of the Artist as a Young Man. Chapter I (Joyce, James), pp. 50–53. Vol. 2, No. 9 (1 September 1915): A Portrait of the Artist as a Young Man. Chapter V (cont.) (Joyce, James), pp. 144–147. Confirms the serial window without relying on later summaries. https://modjourn.org/issue/bdr519988/ and https://modjourn.org/issue/bdr521389/
- Wikisource, A Portrait of the Artist as a Young Man (1916), first book edition. Title page: New York, B. W. Huebsch (printed Hubesch), MCMXVI. Copyright page: Copyright, 1916, by B. W. Huebsch. Printed in the United States of America. https://en.wikisource.org/wiki/A_Portrait_of_the_Artist_as_a_Young_Man
- Encyclopaedia Britannica, A Portrait of the Artist as a Young Man: autobiographical novel by James Joyce, published serially in The Egoist in 1914–15 and in book form in 1916. Use this for the short publication claim; use Gutenberg for the sentences. https://www.britannica.com/topic/A-Portrait-of-the-Artist-as-a-Young-Man
- Internet Archive scan of the 1916 Huebsch New York first book, used for the printer's mark and boards. https://archive.org/details/portraitofartist00joycrich
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