It was all very sinister and dismal.
The hours passed. The Broad put forth, one by one, its signs of waking.
Soon after eight o’clock, as usual, the front-door of the Duke’s lodgings was opened from within. The Emperors watched for the faint cloud of dust that presently emerged, and for her whom it preceded. To them, this first outcoming of the landlady’s daughter was a moment of daily interest. Katie!--they had known her as a toddling child; and later as a little girl scampering off to school, all legs and pinafore and streaming golden hair. And now she was sixteen years old. Her hair, tied back at the nape of her neck, would very soon be “up.” Her big blue eyes were as they had always been; but she had long passed out of pinafores into aprons, had taken on a sedateness befitting her years and her duties, and was anxious to be regarded rather as an aunt than as a sister by her brother Clarence, aged twelve. The Emperors had always predicted that she would be pretty. And very pretty she was.
As she came slowly out, with eyes downcast to her broom, sweeping the dust so seriously over the doorstep and then across the pavement, and anon when she reappeared with pail and scrubbing-brush, and abased herself before the doorstep, and wrought so vehemently there, what filled her little soul was not the dignity of manual labour. The duties that Zuleika had envied her were dear to her exactly as they would have been, yesterday morning, to Zuleika. The Emperors had often noticed that during vacations their little favourite’s treatment of the doorstep was languid and perfunctory. They knew well her secret, and always (for who can be long in England without becoming sentimental?) they cherished the hope of a romantic union between her and “a certain young gentleman,” as they archly called the Duke. His continued indifference to her they took almost as an affront to themselves. Where in all England was a prettier, sweeter girl than their Katie? The sudden irruption of Zuleika into Oxford was especially grievous to them because they could no longer hope against hope that Katie would be led by the Duke to the altar, and thence into the highest social circles, and live happily ever after. Luckily it was for Katie, however, that they had no power to fill her head with their foolish notions. It was well for her to have never doubted she loved in vain. She had soon grown used to her lot. Not until yesterday had there been any bitterness. Jealousy surged in Katie at the very moment when she beheld Zuleika on the threshold. A glance at the Duke’s face when she showed the visitor up was enough to acquaint her with the state of his heart. And she did not, for confirming her intuition, need the two or three opportunities she took of listening at the keyhole. What in the course of those informal audiences did surprise her--so much indeed that she could hardly believe her ear--was that it was possible for a woman not to love the Duke. Her jealousy of “that Miss Dobson” was for a while swallowed up in her pity for him. What she had borne so cheerfully for herself she could not bear for her hero. She wished she had not happened to listen.
And this morning, while she knelt swaying and spreading over “his” doorstep, her blue eyes added certain tears to be scrubbed away in the general moisture of the stone. Rising, she dried her hands in her apron, and dried her eyes with her hands. Lest her mother should see that she had been crying, she loitered outside the door. Suddenly, her roving glance changed to a stare of acute hostility. She knew well that the person wandering towards her was--no, not “that Miss Dobson,” as she had for the fraction of an instant supposed, but the next worst thing.
It has been said that Melisande indoors was an evidently French maid. Out of doors she was not less evidently Zuleika’s. Not that she aped her mistress. The resemblance had come by force of propinquity and devotion. Nature had laid no basis for it. Not one point of form or colour had the two women in common. It has been said that Zuleika was not strictly beautiful. Melisande, like most Frenchwomen, was strictly plain. But in expression and port, in her whole tournure, she had become, as every good maid does, her mistress’ replica. The poise of her head, the boldness of her regard and brilliance of her smile, the leisurely and swinging way in which she walked, with a hand on the hip--all these things of hers were Zuleika’s too. She was no conqueror. None but the man to whom she was betrothed--a waiter at the Cafe Tourtel, named Pelleas--had ever paid court to her; nor was she covetous of other hearts. Yet she looked victorious, and insatiable of victories, and “terrible as an army with banners.”
In the hand that was not on her hip she carried a letter. And on her shoulders she had to bear the full burden of the hatred that Zuleika had inspired in Katie. But this she did not know. She came glancing boldly, leisurely, at the numbers on the front-doors.
Katie stepped back on to the doorstep, lest the inferiority of her stature should mar the effect of her disdain.
“Good-day. Is it here that Duke D’Orsay lives?” asked Melisande, as nearly accurate as a Gaul may be in such matters.
“The Duke of Dorset,” said Katie with a cold and insular emphasis, “lives here.” And “You,” she tried to convey with her eyes, “you, for all your smart black silk, are a hireling. I am Miss Batch. I happen to have a hobby for housework. I have not been crying.”
“Then please mount this to him at once,” said Melisande, holding out the letter. “It is from Miss Dobson’s part. Very express. I wait response.”
“You are very ugly,” Katie signalled with her eyes. “I am very pretty. I have the Oxfordshire complexion. And I play the piano.” With her lips she said merely, “His Grace is not called before nine o’clock.”
“But to-day you go wake him now--quick--is it not?”
“Quite out of the question,” said Katie. “If you care to leave that letter here, I will see that it is placed on his Grace’s breakfast-table, with the morning’s post.” “For the rest,” added her eyes, “Down with France!”
“I find you droll, but droll, my little one!” cried Melisande.
Katie stepped back and shut the door in her face. “Like a little Empress,” the Emperors commented.
The Frenchwoman threw up her hands and apostrophised heaven. To this day she believes that all the bonnes of Oxford are mad, but mad, and of a madness.
She stared at the door, at the pail and scrubbing-brush that had been shut out with her, at the letter in her hand. She decided that she had better drop the letter into the slit in the door and make report to Miss Dobson.
As the envelope fell through the slit to the door-mat, Katie made at Melisande a grimace which, had not the panels been opaque, would have astonished the Emperors. Resuming her dignity, she picked the thing up, and, at arm’s length, examined it. It was inscribed in pencil. Katie’s lips curled at sight of the large, audacious handwriting. But it is probable that whatever kind of handwriting Zuleika might have had would have been just the kind that Katie would have expected.
Fingering the envelope, she wondered what the wretched woman had to say. It occurred to her that the kettle was simmering on the hob in the kitchen, and that she might easily steam open the envelope and master its contents. However, her doing this would have in no way affected the course of the tragedy. And so the gods (being to-day in a strictly artistic mood) prompted her to mind her own business.
Laying the Duke’s table for breakfast, she made as usual a neat rectangular pile of the letters that had come for him by post. Zuleika’s letter she threw down askew. That luxury she allowed herself.
And he, when he saw the letter, allowed himself the luxury of leaving it unopened awhile. Whatever its purport, he knew it could but minister to his happy malice. A few hours ago, with what shame and dread it would have stricken him! Now it was a dainty to be dallied with.
His eyes rested on the black tin boxes that contained his robes of the Garter. Hateful had been the sight of them in the watches of the night, when he thought he had worn those robes for the last time. But now--!
He opened Zuleika’s letter. It did not disappoint him.
“DEAR DUKE,--DO, DO forgive me. I am beyond words ashamed of the silly tomboyish thing I did last night. Of course it was no worse than that, but an awful fear haunts me that you MAY have thought I acted in anger at the idea of your breaking your promise to me. Well, it is quite true I had been hurt and angry when you hinted at doing that, but the moment I left you I saw that you had been only in fun, and I enjoyed the joke against myself, though I thought it was rather too bad of you. And then, as a sort of revenge, but almost before I knew what I was doing, I played that IDIOTIC practical joke on you. I have been MISERABLE ever since. DO come round as early as possible and tell me I am forgiven. But before you tell me that, please lecture me till I cry--though indeed I have been crying half through the night. And then if you want to be VERY horrid you may tease me for being so slow to see a joke. And then you might take me to see some of the Colleges and things before we go on to lunch at The MacQuern’s? Forgive pencil and scrawl. Am sitting up in bed to write.--Your sincere friend,
“Z. D.
“P.S.--Please burn this.”
At that final injunction, the Duke abandoned himself to his mirth. “Please burn this.” Poor dear young woman, how modest she was in the glare of her diplomacy! Why there was nothing, not one phrase, to compromise her in the eyes of a coroner’s jury!... Seriously, she had good reason to be proud of her letter. For the purpose in view it couldn’t have been better done. That was what made it so touchingly absurd. He put himself in her position. He pictured himself as her, “sitting up in bed,” pencil in hand, to explain away, to soothe, to clinch and bind... Yes, if he had happened to be some other man--one whom her insult might have angered without giving love its death-blow, and one who could be frightened out of not keeping his word--this letter would have been capital.
Zuleika Dobson · The Wunder Library — complete classics, free to read, with narration.