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Yet Again

by Max Beerbohm

By Max Beerbohm · Literature & Fiction · Public domain

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Yet Again is a public-domain classic of literature and fiction by Max Beerbohm.

The complete text is on this page and the chapter pages below — all 13 chapters, about 62,325 words (~5 hours of reading), free to read online with no signup.

Yet Again at a glance

Author
Max Beerbohm
Length
62,325 words · about 5 hours to read
Chapters
13
Price
Free — public domain

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Part 1

Produced by Tom Weiss. HTML version by Al Haines.

Yet Again

Max Beerbohm

Till I gave myself the task of making a little selection from what I had written since last I formed a book of essays, I had no notion that I had put, as it were, my eggs into so many baskets--The Saturday Review, The New Quarterly, The New Liberal Review, Vanity Fair, The Daily Mail, Literature, The Traveller, The Pall Mall Magazine, The May Book, The Souvenir Book of Charing Cross Hospital Bazaar, The Cornhill Magazine, Harper's Magazine, and The Anglo-Saxon Review...Ouf! But the sigh of relief that I heave at the end of the list is accompanied by a smile of thanks to the various authorities for letting me use here what they were so good as to require.

M. B.

CONTENTS

THE FIRE SEEING PEOPLE OFF A MEMORY OF A MIDNIGHT EXPRESS PORRO UNUM... A CLUB IN RUINS '273' A STUDY IN DEJECTION A PATHETIC IMPOSTURE THE DECLINE OF THE GRACES WHISTLER'S WRITING ICHABOD GENERAL ELECTIONS A PARALLEL A MORRIS FOR MAY-DAY THE HOUSE OF COMMONS MANNER THE NAMING OF STREETS ON SHAKESPEARE'S BIRTHDAY A HOME-COMING 'THE RAGGED REGIMENT' THE HUMOUR OF THE PUBLIC DULCEDO JUDICIORUM

WORDS FOR PICTURES

'HARLEQUIN' 'THE GARDEN OF LOVE' 'ARIANE ET DIONYSE' 'PETER THE DOMINICAN' 'L' OISEAU BLEU' 'MACBETH AND THE WITCHES' 'CARLOTTA GRISI' 'HO-TEI' 'THE VISIT'

THE FIRE

If I were 'seeing over' a house, and found in every room an iron cage let into the wall, and were told by the caretaker that these cages were for me to keep lions in, I think I should open my eyes rather wide. Yet nothing seems to me more natural than a fire in the grate.

Doubtless, when I began to walk, one of my first excursions was to the fender, that I might gaze more nearly at the live thing roaring and raging behind it; and I dare say I dimly wondered by what blessed dispensation this creature was allowed in a domain so peaceful as my nursery. I do not think I ever needed to be warned against scaling the fender. I knew by instinct that the creature within it was dangerous--fiercer still than the cat which had once strayed into the room and scratched me for my advances. As I grew older, I ceased to wonder at the creature's presence and learned to call it 'the fire,' quite lightly. There are so many queer things in the world that we have no time to go on wondering at the queerness of the things we see habitually. It is not that these things are in themselves less queer than they at first seemed to us. It is that our vision of them has been dimmed. We are lucky when by some chance we see again, for a fleeting moment, this thing or that as we saw it when it first came within our ken. We are in the habit of saying that 'first impressions are best,' and that we must approach every question 'with an open mind'; but we shirk the logical conclusion that we were wiser in our infancy than we are now. 'Make yourself even as a little child' we often say, but recommending the process on moral rather than on intellectual grounds, and inwardly preening ourselves all the while on having 'put away childish things,' as though clarity of vision were not one of them.

I look around the room I am writing in--a pleasant room, and my own, yet how irresponsive, how smug and lifeless! The pattern of the wallpaper blamelessly repeats itself from wainscote to cornice; and the pictures are immobile and changeless within their glazed frames--faint, flat mimicries of life. The chairs and tables are just as their carpenter fashioned them, and stand with stiff obedience just where they have been posted. On one side of the room, encased in coverings of cloth and leather, are myriads of words, which to some people, but not to me, are a fair substitute for human company. All around me, in fact, are the products of modern civilisation. But in the whole room there are but three things living: myself, my dog, and the fire in my grate. And of these lives the third is very much the most intensely vivid. My dog is descended, doubtless, from prehistoric wolves; but you could hardly decipher his pedigree on his mild, domesticated face. My dog is as tame as his master (in whose veins flows the blood of the old cavemen). But time has not tamed fire. Fire is as wild a thing as when Prometheus snatched it from the empyrean. Fire in my grate is as fierce and terrible a thing as when it was lit by my ancestors, night after night, at the mouths of their caves, to scare away the ancestors of my dog. And my dog regards it with the old wonder and misgiving. Even in his sleep he opens ever and again one eye to see that we are in no danger. And the fire glowers and roars through its bars at him with the scorn that a wild beast must needs have for a tame one. 'You are free,' it rages, 'and yet you do not spring at that man's throat and tear him limb from limb and make a meal of him! 'and, gazing at me, it licks its red lips; and I, laughing good-humouredly, rise and give the monster a shovelful of its proper food, which it leaps at and noisily devours.

Fire is the only one of the elements that inspires awe. We breathe air, tread earth, bathe in water. Fire alone we approach with deference. And it is the only one of the elements that is always alert, always good to watch. We do not see the air we breathe--except sometimes in London, and who shall say that the sight is pleasant? We do not see the earth revolving; and the trees and other vegetables that are put forth by it come up so slowly that there is no fun in watching them. One is apt to lose patience with the good earth, and to hanker after a sight of those multitudinous fires whereover it is, after all, but a thin and comparatively recent crust. Water, when we get it in the form of a river, is pleasant to watch for a minute or so, after which period the regularity of its movement becomes as tedious as stagnation. It is only a whole seaful of water that can rival fire in variety and in loveliness. But even the spectacle of sea at its very best--say in an Atlantic storm--is less thrilling than the spectacle of one building ablaze. And for the rest, the sea has its hours of dulness and monotony, even when it is not wholly calm. Whereas in the grate even a quite little fire never ceases to be amusing and inspiring until you let it out. As much fire as would correspond with a handful of earth or a tumblerful of water is yet a joy to the eyes, and a lively suggestion of grandeur. The other elements, even as presented in huge samples, impress us as less august than fire. Fire alone, according to the legend, was brought down from Heaven: the rest were here from the dim outset. When we call a thing earthy we impute cloddishness; by 'watery' we imply insipidness; 'airy' is for something trivial. 'Fiery' has always a noble significance. It denotes such things as faith, courage, genius. Earth lies heavy, and air is void, and water flows down; but flames aspire, flying back towards the heaven they came from. They typify for us the spirit of man, as apart from aught that is gross in him. They are the symbol of purity, of triumph over corruption. Water, air, earth, can all harbour corruption; but where flames are, or have been, there is innocence. Our love of fire comes partly, doubtless, from our natural love of destruction for destruction's sake. Fire is savage, and so, even after all these centuries, are we, at heart. Our civilisation is but as the aforesaid crust that encloses the old planetary flames. To destroy is still the strongest instinct of our nature. Nature is still 'red in tooth and claw,' though she has begun to make fine flourishes with tooth-brush and nail-scissors. Even the mild dog on my hearth-rug has been known to behave like a wolf to his own species. Scratch his master and you will find the caveman. But the scratch must be a sharp one: I am thickly veneered. Outwardly, I am as gentle as you, gentle reader. And one reason for our delight in fire is that there is no humbug about flames: they are frankly, primaevally savage. But this is not, I am glad to say, the sole reason. We have a sense of good and evil. I do not pretend that it carries us very far. It is but the tooth-brush and nail-scissors that we flourish. Our innate instincts, not this acquired sense, are what the world really hinges on. But this acquired sense is an integral part of our minds. And we revere fire because we have come to regard it as especially the foe of evil--as a means for destroying weeds, not flowers; a destroyer of wicked cities, not of good ones.

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