wunder · Library

Part 10

Working With the Working Woman · Cornelia Stratton Parker — chapter 10 of 38 · ~1,725 words · public domain

Read in the Wunder reader — free

The third floor had seemed dark and dismal enough during the morning; at noon all lights are turned off. Many of the workers went out for lunch, the rest got around in dismal corners, most of them singly, and ate by their machines, on the same hard seats they have been on since a quarter to 8. What a bacchanal festival of color and beauty now appeared the candy-factory whitewashed lunch room with the marble-topped tables! The airy sociability of it! I wandered about with my lunch in my hand, to see what I could see. Up amid the belts and power machines sat one of the girls who began that morning--not the cold, hatless one.

"You gonna stick it out?" she asked me.

"Sure. I guess it's all right."

"Oh gee! Ain't like no place I ever worked yet. Don't catch me standin' this long."

She did stand it four days. Minnie suggested then she stick it out till Christmas. "You'll need the money for Christmas y'know, an' you might not get the next job so easy now."

"Damn Christmas!" was all the new girl had to say to that.

"Sure now," said Irish Minnie, "an' she's takin her chances. It's an awful disgrace y'know, to be gettin' presents when y'ain't got none to give back. Ain't it, now? I'd never take no chances on a job so close to Christmas."

I talked to five girls that noon. None of them had been there longer than a week. None of them planned to stay.

All afternoon I worked the foot press at one job. My foot-press enthusiasm weakened--four thousand times I "kicked"--two thousand lamp-wick slots I make in the cones. Many of the first five hundred looked a bit sad and chewed at. The "boss" came by and saw that I was not one hundred per cent perfect. He gave me pointers and I did better. Each cone got placed over a slanted form just so; kick, and half the slot is made. Lift the cone up a wee bit, twist it round to an exact position, hold it in place, kick, and the other half is cut. The kick must be a stout kick--bing! down hard, to make a clean job of it. The thing they gave you to sit on! A high, narrow, homemade-looking, wooden stool, the very hardest article of furniture under the blue canopy of heaven. Some of them had little, narrow, straight backs--just boards nailed on behind. All of them were top heavy and fell over if you got off without holding on. By 4.30 standing up at the candy job seemed one of the happiest thoughts on earth. What rosy good old days those were! Dear old candy factory! Happy girls back there bending over the chocolates!

Next sat Louisa, an Italian girl who stuttered, and I had to stop my press to hear her. She stopped hers to talk. She should worry. It's the worst job she ever saw, and for thirteen dollars a week why should she work? She talked to me, kicked a few times, got a drink, kicked, talked, stood up and stretched, kicked, talked, got another drink. She is married, has a baby a year old, another coming in three months. She will stay her week out, then she goes, you bet. Her husband was getting fifty dollars a week in a tailor job--no work now for t-t-t-two months. He does a little now and then in the b-b-barber business. Oh, but life was high while the going was good! She leaned way over and told me in a hushed, inspired tone, to leave me awestruck, "When we was m-m-married we t-t-took a h-h-h-honeymoon!" I gasped and wanted details. To West Virginia they'd gone for a month. The fare alone, each way, had come to ten dollars apiece, and then they did no work for that month, but lived in a little hotel. Her husband was crazy of her, and she was of him now, but not when she was married. He's very good to her. After dinner every single night they go to a show.

"Every night?"

"Sure, every night, and Sundays two times."

It all sounded truly glowing.

"You married?"

"No."

"Well, don' you do it. Wish I wasn't married. Oh gee! Wish I wasn't married. I'm crazy of my husband, but I wish I wasn't married. See--once you married--pisht!--there you are--stay that way."

I agreed I was in no hurry about matrimony.

"Hurry? Na, no hurry; that's right. The h-h-hurrier you are the b-b-b-badder off you get!"

The next morning the Italian girl was late. The forelady gave her locker to some one else. Such a row! Louisa said: "I got mad, I did. I told her to go to hell. That's only w-w-w-way anybody gets anything in this world--get mad and say you go to h-h-hell. Betcha."

A little later the forelady, when the Italian was on one of her trips after a drink, leaned over and gave me her side of the story. She is such a very nice person, our forelady--quiet, attractive, neat as a pin. Her sister addresses boxes and does clerical work of one sort or another. Two subdued old maids they are; never worked any place but right on our third floor. "Ain't like what it used to be," she told me. "In the old days girls used to work here till they got married. We used to have parties here and, say! they was nice girls in them days. Look at 'em now! Such riffraff! New ones comin' in all the time, new ones worse each time. Riffraff, that's what they are. It sure looks nice to see a girl like you." (What good were the earrings doing?) "We'll make it just as nice here for you as we can." (Oh, how guilty I began to feel!)

She looked around to see if the Italian was about.

"Now you take this Eyetalian girl next to you. Gee! she's some fright. Oughtta heard her this morning. 'Spected me to keep her locker for her when she was late. How'd I know she was comin' back? I gave it to another girl. She comes tearin' at me. 'What the hell you think you're doin'?' she says to me. Now I ain't used to such talk, and I was for puttin' my hat and coat on right then and there and walkin' out. I must say I gotta stand all sorts of things in my job. It's awful what I gotta put up with. I never says nothin' to her. But any girl's a fool 'l talk to a person that way. Shows she's got nothin' up here [knocking her head] or she sure'd know better than get the forelady down on her like that. Gee! I was mad!"

Louisa returned and Miss Hibber moved on. "Some fright, that forelady," remarked Louisa. That night Louisa departed for good.

The second day I kicked over six thousand times. It seemed a lot when you think of the hard stool. It was a toss between which was the worse, the stool or the air. This afternoon, I was sure it must be 3.30. I looked back at the clock--1.10. It had seemed like two hours of work and it was forty minutes. No ventilation whatever in that whole room--not a crack of air. Wonder if there ever was any since the place was built decades ago. Once Louisa and I became desperate and got Tony to open a window. The forelady had a fit; so did Tillie. Both claimed they'd caught cold.

Tony is the Louis of the brassworks. He is young and very lame--one leg considerably shorter than the other. It makes me miserable to see him packing heavy boxes about. He told me he must get another job or quit. Finally they did put him at a small machine press. So many maimed and halt and decrepit as they employed about the works! Numbers of the workers were past-telling old, several were very lame, one errand boy had a fearfully deformed face, one was cross-eyed. I remarked to Minnie that the boss of the works must have a mighty good heart. Minnie has been working twenty-three years and has had the bloom of admiration for her fellow-beings somewhat worn off in that time. "Hm!" grunted Minnie. "He gets 'em cheaper that way, I guess."

The elevator man is no relation to the one at the candy factory. He is red faced and grinning, most of his teeth are gone, and he always wears a derby hat over one eye. One morning I was late. He jerked his head and thumb toward the elevator. "Come on, I'll give ya a lift up!" and when we reached our floor, though it was the men's side, "Third Avenue stop!" he called out cheerily, and grinned at the world. He had been there for years. The boss on our floor had been there for years--forty-three, to be exact. Miss Hibber would not tell how many years she had worked there, nor would Tillie. Tillie said she was born there.

If it were only the human element that counted, everyone would stay at the brassworks forever. I feel like a snake in the grass, walking off "on them" when they all were so nice. Nor was it for a moment the "dearie" kind of niceness that made you feel it was orders from above. From our floor boss down, they were people who were born to treat a body square. All the handicaps against them--the work itself, the surroundings, the low pay--had so long been part of their lives, these "higher ups" seemed insensible to the fact that such things were handicaps.

To-day was sunny and the factory not so dark--in fact, part of the time we worked with no electric lights. The crisp early morning air those four blocks from the Subway to the factory--it sent the spring fever through the blood. In the gutter of that dirty East Side street a dirty East Side man was burning garbage. The smoke curled up lazily. The sun just peeping up over the hospital at the end of the street made slanting shafts through the smoke. As I passed by it suddenly was no longer the East Side of New York City....

← Previous chapterAll chaptersNext chapter →

Working With the Working Woman · The Wunder Library — complete classics, free to read, with narration.

© 2026 Wunder Learning LLC · Terms & Privacy