Part 15

Now, the Gare du Nord is certainly not in the direction of Grenelle. On the contrary it is diametrically opposite, geographically speaking. But nobody seems to mind. The chauffeur is even lauded for his patriotic sentiments, and one good-hearted, bedraggled creature actually murmurs:

"I only hope the dear fellow does make it!"

"What does it matter if we do have to wait a bit--that's all we've really got to do, after all," answers an elderly man moving away.

"It would be worse than this if we were in the trenches," chimes in some one else.

"My son is in water up to his waist out there in Argonne," echoes a third, as the group disbands.

And yet people do go to the theatre.

Gemier has made triumphant productions, with the translations of the Shakesperean Society, and true artist that he is, has created sensational innovations by way of mise-en-scene in the "Merchant of Venice" and "Anthony and Cleopatra."

It's a far cry now to the once all too popular staging a la Munich.

Lamy and Le Gallo were excruciatingly funny in a farce called "My God-son," but the real type of theatrical performance which is unanimously popular, which will hold its own to the very end, is the Review.

How on earth the authors manage to scrape up enough comic subjects, when sadness is so generally prevalent, and how they succeed in making their public laugh spontaneously and heartily, without the slightest remorse or arriere pensee, has been a very interesting question to me.

Naturally, their field is limited, and there are certain subjects which are tabooed completely; so the trifling event, the ridiculous side of Parisian life, have come to the fore. Two special types, the slacker and the profiteer, or nouveau riche, are very generally and very thoroughly maltreated. If I am any judge, it is the embusque, who is the special pet, and after him come the high cost of living, the lack of fuel, the obscurity of the streets, the length of women's skirts, etc.--all pretexts for more or less amusing topical songs.

As to the war itself, they have made something very special of it. Thanks to them the trenches become a very delightful spot populated by a squadron of nimble footed misses, who, booted, spurred, helmet-crowned and costumed in horizon blue, sing of the heroism and the splendid good humour of the poilu while keeping time to a martial rhythm.

There is invariably a heavy comedian who impersonates the jovial chef--preparing a famous sauce in which to dish up "Willy" the day he shall be captured; the soldier on furlough who is homesick for the front; the wounded man who stops a moment to sing (with many frills and flourishes) the joys of shedding one's blood for his country.

Attacks are made to well known accompaniments--Bombardments perpetrated in the wings by the big bass drum, and both though symbolic, are about as unreal as possible.

Nobody is illusioned, no one complains. On the contrary, they seem delighted with the show they have paid to see. Furthermore, the better part of the audience is composed of soldiers, wounded men, convalescents, and permissionaires, and they all know what to expect.

Near me sat two of the latter--healthy looking lads, wind burned and tanned, their uniforms sadly faded and stained, their helmets scarred and indented. Both wore the Croix de Guerre, and the Fourragere or shoulder strap, showing the colours of the military medal, which at that time being quite a novelty, caught and held the eyes of all who surrounded them.

From scraps of their conversation I learned that they had left the battle front of the Somme that very morning, were merely crossing Paris, taking a midnight train which would land them home some time the following day.

I even managed to gather that their papers had reached them at the very moment when they came out of the trenches, that they had not even had time to brush up, so great was their fear of missing the last train.

Less than twenty-four hours ago, then, they had really been in it--standing out there in the mud, surrounded by rats and the putrid odour of dead bodies, the prey not only of the elements, but of enemy bombs and shells, expecting the end at any instant; or curled up, half frozen in a humid, slimy dug-out, not long enough to permit stretching out--scarcely deep enough to be called a shelter.

Would they not be disgusted? Ready to protest against this disfigured travesty of their war?

I feel quite certain they never gave it a thought. Blissfully installed in their comfortable orchestra seats they didn't intend to miss a word of the entire performance. And when finally in an endless chain of verses, a comedian, mimicking a poilu with his kit on his back, recited his vicissitudes with the army police, and got mixed up in his interpretation of R.A.T., G.Q.G.--etc., they burst into round after round of applause, calling and recalling their favourite, while their sides shook with laughter, and the tears rolled down their cheeks.

These same faces took on a nobly serious aspect, while a tall, pale, painted damsel draped in a peplum, evoked in ringing tones the glorious history of the tri-colour. I looked about me--many a manly countenance was wrinkled with emotion, and women on all sides sniffed audibly. It was then that I understood, as never before, what a philosopher friend calls "the force of symbols."

An exact scenic reproduction of the war would have shocked all those good people; just as this impossible theatrical deformation, this potpourri of songs, dances and orchestral tremolos charmed and delighted their care-saturated souls.

Little girls in Alsatian costume, and the eternally sublime Red Cross nurse played upon their sentimentality; the slacker inspired them with disgust; they shrieked with delight at the nouveau riche; and their enthusiasm knew no bounds when towards eleven-fifteen arrived the "Stars and Stripes" accompanied by a double sextette of khaki-coloured female ambulance drivers. Tradition has willed it thus.

If the war continue any length of time doubtless the United States will also become infuriated with the slacker, and I tremble to think of the special brand of justice that woman in particular will have in store for the man who does not really go to the front, or who, thanks to intrigue and a uniform, is spending his days in peace and safety.

Alas, there are embusques in all countries, just as there are nouveaux-riches. In Paris these latter are easily discernible. They have not yet had time to become accustomed to their new luxuries; especially the women, who wear exaggerated styles, and flaunt their furs and jewels, which deceive no one.

"They buy everything, so long as it is expensive," explained an antiquity dealer. "They want everything, and want it at once!"

The few old artisans still to be found who are versed in the art of repairing antiques, are rushed to death, and their ill humour is almost comic, for in spite of the fact that they are being well paid for their work, they cannot bear to see these precious treasures falling into the hands of the vulgar.